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Lensbaby Circular Fisheye

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Lensbaby Circular Fisheye captures distorted, circular images with a flare effect at the edge. It's not a lens for every occasion, but it can be a lot of fun to use. - Digital Cameras
4.0 Excellent

The Bottom Line

The Lensbaby Circular Fisheye captures distorted, circular images with a flare effect at the edge. It's not a lens for every occasion, but it can be a lot of fun to use.
Best Deal£304.84

Buy It Now

£304.84

Pros & Cons

    • Fun.
    • 185° field of view.
    • Close focus capability.
    • Inexpensive.
    • Available in multiple lens mounts.
    • Not an everyday lens.
    • Requires full-frame camera to capture full border around image.

Lensbaby Circular Fisheye Specs

35mm Equivalent (Wide) 8.5
Dimensions 3 by 2.75 inches
Lens Mount Canon EF
Lens Mount Nikon F
Stabilization None
Type Lens
Weight 10.5

The Lensbaby Circular Fisheye captures the entirety of the world in front of the lens in an extreme, curved perspective. It's not an effect that you'll want to use for every photo, but it's a fine example of a lens that many an artistic photographer likes to have available. It sets itself apart from other lenses of this type by removing an internal baffle, which adds a soft halo-like border to images. If you're a fan of fisheye lenses, it's worth adding to your gear bag, especially when you consider its reasonable $299.95 price.

The Circular Fisheye measures 3 by 2.75 inches (HD) and is light at just 10.5 ounces. The focal length is 5.8mm and maximum aperture is f/3.5. Regardless of which mount you choose, the aperture is controlled via a physical ring and can be narrowed all the way down to f/22. Likewise, focus is manual, but there's so much depth of field with a lens of this type that it's not difficult to nail focus. You do have some control over depth of field, but really only when focusing close. The lens can focus almost down to its front element, so you can get right up to your subjects if desired.

Lensbaby Circular Fisheye : Sample Image

The field of view is 185°, which captures just a bit more than what's directly in front of the lens. Lensbaby has omitted an internal baffle that's usually used in circular fisheyes, which adds a soft halo border around images. It also promotes internal reflections, so you can force rainbow lens flares around the edges of the frame when shooting with a strong light source in view—and the field of view is so wide that it's tough not to include the sun in outdoor shots.

Lensbaby Circular Fisheye : Sample Image

Final Thoughts

The Lensbaby Circular Fisheye captures distorted, circular images with a flare effect at the edge. It's not a lens for every occasion, but it can be a lot of fun to use. - Digital Cameras

Lensbaby Circular Fisheye

4.0 Excellent

The Lensbaby Circular Fisheye captures distorted, circular images with a flare effect at the edge. It's not a lens for every occasion, but it can be a lot of fun to use.

Get It Now
Best Deal£304.84

Buy It Now

£304.84

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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