PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Mamiya Leaf Sekor AF 55mm F2.8 LS D

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
The Mamiya Leaf Sekor AF 55mm F2.8 LS D is a solid wide-angle option for Mamiya Leaf and Phase One camera systems. - Digital Cameras
4.0 Excellent

The Bottom Line

The Mamiya Leaf Sekor AF 55mm F2.8 LS D is a solid wide-angle option for Mamiya Leaf and Phase One camera systems.

Pros & Cons

    • Quite sharp.
    • Wide aperture.
    • Wide-angle field of view.
    • Integrated leaf shutter.
    • Expensive.
    • A little barrel distortion.

Mamiya Leaf Sekor AF 55mm F2.8 LS D Specs

35mm Equivalent (Wide) 34
Dimensions 3.1 by 3.4 inches
Type Lens
Weight 1.3

The Mamiya Leaf Sekor AF 55mm F2.8 LS D ($4,690) is a moderate wide-angle lens for use with Mamiya Leaf and Phase One medium format camera systems. When paired with a back with a full-frame 645 sensor, it covers about the same field of view as a 35mm lens on a full-frame camera, but it narrows to about 43mm when used with the Phase One IQ250 or Mamiya Leaf Credo 50. It's a solid option for any 645DF+ medium format system owner looking for a wide-angle lens. The lens is expensive, especially when compared with the Pentax SMC D 645 55mm F2.8 AL (IF) SDM AW that Pentax considers to be the standard-angle lens for its 645 digital system, but that lens omits a leaf shutter.

The 55mm is pretty compact when you consider the image circle it covers and its field of view. It measures 3.4 by 3.1 inches (HD), weighs about 1.3 pounds, and includes a reversible lens hood. It supports 72mm lens filters, has a big manual focus ring, and a clutch to switch between manual and autofocus operation. Its minimum focus distance is about 1.5 feet, which doesn't put it in macro territory, but does allow you to get fairly close to your subject. There's a printed depth-of-field scale with full-stop markings all the way down to the minimum f/22 aperture, and with distances printed in meters and feet.

Mamiya Leaf Sekor AF 55mm F2.8 LS D : Sample Image

Final Thoughts

The Mamiya Leaf Sekor AF 55mm F2.8 LS D is a solid wide-angle option for Mamiya Leaf and Phase One camera systems. - Digital Cameras

Mamiya Leaf Sekor AF 55mm F2.8 LS D

4.0 Excellent

The Mamiya Leaf Sekor AF 55mm F2.8 LS D is a solid wide-angle option for Mamiya Leaf and Phase One camera systems.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio