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Lensbaby Soft Focus Optic

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Lensbaby Soft Focus Optic captures images with a soft, glowing look, but you need to have the a sharp eye to use it to its fullest. - Lensbaby Soft Focus Optic
3.5 Good

The Bottom Line

The Lensbaby Soft Focus Optic captures images with a soft, glowing look, but you need to have the a sharp eye to use it to its fullest.

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Pros & Cons

    • Soft focus effect.
    • Relatively inexpensive.
    • Includes three soft focus aperture plates.
    • Can capture unique portraits.
    • Limited-use scenarios.
    • Not for everyone.

Lensbaby Soft Focus Optic Specs

35mm Equivalent (Wide) 50
Stabilization None
Type Lens

It's my opinion that you either get soft focus photography or you don't. I fall into the latter camp, which can make shooting with (and reviewing) a soft focus lens, even one for a unique tool like the Lensbaby, a challenge. The Lensbaby Soft Focus Optic ($90) works with any of the company's Optic Swap lenses, including the inexpensive Spark, the classic Muse, and the top-end Composer Pro. It captures images with a soft, dreamy look, which you can control by swapping out the three included aperture plates.

If you're not familiar with the concept of the Lensbaby system, it does require a little bit of explaining. Lensbaby lenses have removable optic modules, so you can capture photos with different looks by swapping them out. They are designed to be moved around fluidly, tilting at any direction, which changes the plane of focus. With a standard lens, the front element is perfectly parallel to an image sensor, and that results in a plane of focus that's parallel to the front element. With the tilt capabilities of a Lensbaby, you can move that plane of focus so that it can be diagonal in any direction. This gives you a sharp point of focus with blurred areas surrounding it that would normally be in focus with a traditional focus plane. Just how extreme that effect is depends on how much the lens is tilted, the focal length, working aperture, and distance to subject.

Lensbaby Soft Focus Optic : Sample Image

Final Thoughts

The Lensbaby Soft Focus Optic captures images with a soft, glowing look, but you need to have the a sharp eye to use it to its fullest. - Lensbaby Soft Focus Optic

Lensbaby Soft Focus Optic

3.5 Good

The Lensbaby Soft Focus Optic captures images with a soft, glowing look, but you need to have the a sharp eye to use it to its fullest.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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