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Canon RF 800mm F11 IS STM

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Canon RF 800mm F11 IS STM - Canon RF 800mm F11 IS STM
3.5 Good

The Bottom Line

The Canon RF 800mm F11 IS STM delivers extreme telephoto optics at a down-to-earth price, but even with a retractable design it's a big one to carry around.

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Pros & Cons

    • Affordable 800mm prime
    • Stabilized optics
    • Relatively lightweight build
    • Retractable design saves some space
    • Works with RF teleconverters
    • Limits camera's autofocus area
    • Big and bulky when extended
    • Optics aren't razor-sharp
    • Narrow aperture limits low-light use
    • Omits close-up focus

Canon RF 800mm F11 IS STM Specs

Dimensions 11.1 by 4.0 inches
Filter Thread 95
Focal Length (Wide) 800
Focus Type Autofocus
Mount Canon RF
Optical Stabilization Optical
Weight 2.8

The RF 800mm F11 IS STM ($999.99) is the bigger, longer lens of a pair of ultra-telephoto primes for Canon's full-frame mirrorless camera system. It sports an extremely long focal length, perfect for bringing distant subjects into close view, and its F11 optics keep things lightweight. There are some drawbacks to consider, including the narrow, fixed aperture and limited focus coverage. It's an attractive lens for photographers searching for an affordable telephoto, but we think the RF 600mm F11 IS STM is a better starting point.

A Lot to Handle

Telephoto lenses are typically pretty big. Even at a F11 and with a retractable design, the RF 800mm is still a lot to handle. It measures 11.1 by 4.0 inches (HD) when closed down for storage, and extends to 13.9 inches when extended and ready for use. It's a lot of lens to hold, but at 2.8 pounds it's at least pretty light for its size. Extending the lens doesn't take much effort, either. A collar twists to lock and unlock the mechanism, and a simple push or pull is all you need to extend or collapse the optics.

Canon RF 800mm F11 IS STM
(Photo: Jim Fisher)

It's more lens to handle than the smaller RF 600mm F11 IS STM. The two use the same basic design language and concept, but differ in focal length. The 600mm is smaller and lighter all-around (7.9 to 10.6 by 3.7 inches and 2.1 pounds), but doesn't provide as much magnification. You can see the difference in angle in the comparison below; the photos were taken minutes apart from the same position.

600mm (left) versus 800mm (right) angle of view
600mm (left) versus 800mm (right) angle of view (Photo: Jim Fisher)

Because it's a pretty big lens, you'll want to think about how to carry your camera with it attached. Canon includes a standard tripod thread on the barrel, useful as an attachment point for photographers who use sling straps. It's also where you'll want to attach a quick release plate for use with a tripod.

Canon RF 800mm F11 IS STM
(Photo: Jim Fisher)

The RF 800mm is made well, but not to pro standards. It uses sturdy plastics with a metal mount, and protects the front of the barrel with a leatherette wrap. It doesn't include dust, splash, or anti-smudge fluorine, and you'll have to spend an extra $54.95 if you want a hood. The front element supports 95mm filters.

There are a few on-lens controls. You get the expected manual focus ring, finished with the same rubberized ridges as most lenses. It abuts a control ring, useful for dialing in EV, ISO, and other adjustments. The ring is easy to spot thanks to a metallic silver finish, and you can find its diamond-pattern texture by touch. It clicks for precise adjustments, but you can have the ring converted to silent, click-free operation if you'd like (for an extra $80 to the cost, and you'll have to send it in to Canon for service).

Canon RF 800mm F11 IS STM
(Photo: Jim Fisher)

There are some on-lens toggle switches too. You get an AF/MF switch to change focus modes, a focus limiter switch, and an optical stabilization switch. Autofocus is quiet, but not as fast as pro lenses with USM motors, like the $2,900 RF 100-500mm. It led to a few more missed shots in the field than I'd expect with the EOS R5, but only a few. For the most, part results were spot-on.

The RF 800mm limits scope of focus coverage
The RF 800mm limits scope of focus coverage

The real limiting aspect of focus is the coverage area. Most lenses focus to near the edges of the frame with Canon's mirrorless cameras. The F11 optics limit the scope of coverage to the center of the frame, as shown above.

Getting too close to what you want to photograph is a concern too. The RF 800mm can't focus closer than about 20 feet (6 meters). It's typical for a prime (Canon's high-end EF 800mm F5.6 for SLRs has the same limitation), but zooms do tend to get better macro results. On the other hand, you won't get as far a telephoto reach from a zoom lens. A limiter switch is included for times when you know you'll be tracking distant subjects, at least 66 feet (20m) from camera.

Canon RF 800mm F11 IS STM : Sample Image
EOS R5, 800mm, f/11, 1/800-second, ISO 4000 (Photo: Jim Fisher)

At best, the RF 800mm nets 1:7.1 life-size reproduction, similar to what you get from the RF 600mm at its nearest focus distance. To enjoy both close focus and telephoto in one lens, you'll need to shop for a zoom, and budget a bit more in the process. The RF 100-500mm L is the only native long zoom for the system and gets 1:3 macro focus, but comes with L series pricing ($2,900).

Optical stabilization is included, which is important for a long telephoto lens. It's especially vital if you're using a camera without sensor stabilization, like the first-gen EOS R and entry-level EOS RP. The lens is able to net blur-free shots at handheld speeds as long as 1/30-second in our testing.

Canon RF 800mm F11 IS STM : Sample Image
EOS R5 + RF 1.4x Extender, 1,120mm, f/16, 1/640-second, ISO 2500 (Photo: Jim Fisher)

Teleconverters are supported, but you should only think about adding them when working under bright skies. The RF 800mm supports both the RF 1.4x ($500) and RF 2.0x ($600) extenders, but the longer focal lengths come at a cost. With the 1.4x extender, the lens is an 1,120mm F16. With the 2.0x, it's a 1,600mm F22. At those f-stops, you'll push the ISO high even on sunny days.

Lab and Field Testing

The lens has some appeal to entry-level customers, so we wanted to test it on a camera closer in resolution to the 26MP EOS RP. I paired the RF 800mm with the 45MP EOS R5 in the field, and ran lab tests with both the R5 and 30MP EOS R.

Canon RF 800mm F11 IS STM : Sample Image
EOS R5, 800mm, f/11, 1/1,000-second, ISO 1000 (Photo: Jim Fisher)

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The lens delivers just-okay results with the high-end R5, not surprising given just how far Canon has flexed its muscles to deliver 800mm of focal length in an affordable, stabilized, full-frame lens. It nets about 2,750 lines of resolution in the central area of the frame, producing softer details when compared with the RF 600mm (3,500 lines).

The optics are a better match for lower resolution sensors. The EOS R shows nearly as much central resolution at 2,600 lines, within the very-good range for a 30MP full-frame camera. It's a sign that the glass simply doesn't maximize the potential of the high-resolution R5.

Canon RF 800mm F11 IS STM : Sample Image
EOS R5, 800mm, f/11, 1/800-second, ISO 2000 (Photo: Jim Fisher)

Bokeh quality is generally pleasing. The optics avoid the donut-hole bokeh look you get with manual focus mirror lenses. Defocused highlights are circular toward the center of the frame, but take on a cat's eye shape toward the edges of your image. The lens doesn't have an adjustable aperture, so you're set using it at F11 full-time.

Lotsa Lens

The RF 800mm F11 IS STM is uniquely positioned in the market, a $1,000 prime that nets the same angle of view as high-end lenses that cost thousands more (the EF 800mm F5.6L for SLRs is positioned at $13,000). Because of this, Canon mirrorless owners looking for a lens with big magnification power should consider it.

Canon RF 800mm F11 IS STM : Sample Image
EOS R5, 800mm, f/11, 1/800-second, ISO 12800 (Photo: Jim Fisher)

The RF 800mm isn't nearly as high-end as the EF 800mm, but it's still made well, has optical stabilization, and includes upmarket features like a control ring and on-barrel toggles. The optics aren't up to the standards of high-end, multi-thousand dollar lenses, either, which is an understandable compromise. It's also a big lens, even when retracted.

Canon's similar RF 600mm F11 IS STM gets a slightly stronger recommendation. It doesn't have quite as tight an angle of view, but is smaller all around and its optics are a little bit sharper. At around $800, it costs a bit less, too.

Canon RF 800mm F11 IS STM
(Photo: Jim Fisher)

Neither the RF 800mm nor the RF 600mm F11 are as good as Canon's L series mirrorless telezoom, the $2,900 RF 100-500mm F4.5-7.1 L. There's no affordable telezoom on sale for the EOS R system at press time, but don't forget about the venerable Sigma 150-600mm Contemporary for SLRs, compatible using the EF-EOS R adapter. It's on sale for around $1,000 today, and remains our top recommendation for photographers shopping for an affordable, full-frame telezoom.

Thanks to LensrentalsLensrentals for providing teleconverters for this review.

Final Thoughts

Canon RF 800mm F11 IS STM - Canon RF 800mm F11 IS STM

Canon RF 800mm F11 IS STM

3.5 Good

The Canon RF 800mm F11 IS STM delivers extreme telephoto optics at a down-to-earth price, but even with a retractable design it's a big one to carry around.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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