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Leica Elmarit-M 28mm f/2.8 ASPH

 & Jim Fisher Principal Writer, Cameras

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In the Leica world, the Elmarit-M 28mm f/2.8 ASPH. lens is a relative bargain, but you don't get stellar edge-to-edge performance at its maximum aperture. - Digital Cameras
3.5 Good

The Bottom Line

In the Leica world, the Elmarit-M 28mm f/2.8 ASPH. lens is a relative bargain, but you don't get stellar edge-to-edge performance at its maximum aperture.

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Pros & Cons

    • Very small and light.
    • Wide-angle field of view.
    • Includes lens hood.
    • Soft edges at f/2.8.
    • Manual focus only.

The Leica Elmarit-M 28mm f/2.8 ASPH. ($2,195 list) is an impressively small wide-angle lens with a modest f/2.8 maximum aperture. It's compatible with Leica rangefinder cameras, although it's easy enough to use with Sony NEX and Micro Four Thirds cameras using an inexpensive adapter. It's an impressive performer, delivering sharp images at its maximum aperture, but you don't get the edge-to-edge performance that Leica shooters adore until f/4. That's still pretty reasonable for a wide-angle design, and it's even more impressive when you consider just how compact and light the lens is.

The Elmarit measures just 1.2 by 2 inches (HD) and weighs in at 6.3 ounces. The included clip-on plastic hood adds a bit of height, but not much, and its weight is impressive when you consider its all-metal construction. It can focus as close as 0.7 meter and accepts 39mm filters, the standard for smaller Leica lenses. Its aperture ranges from f/2.8 down to f/22 in half-stop clicks, and there's a tab on the focusing ring to make adjusting focus a more pleasant experience. There's no such thing as an autofocus M camera, so be prepared to focus this one yourself.

Leica Elmarit-M 28mm f/2.8 ASPH. : Sample Image

I used Imatest to check the performance of the Elmarit when paired with the full-frame Leica M. The lens was released and designed for use on the older digital M8 camera, which featured a smaller-than-full-frame image sensor. Imatest shows that average sharpness, calculated using a center-weighted methodology, is 2,311 lines per picture height. This is in excess of the 1,800 lines that we require to call a photo sharp, but there is some softness at the extreme edges of the frame. Performance there is limited to a mere 1,347 lines, which is noticeably fuzzy upon careful examination.

Stopping down to f/4 fixes everything. The overall resolution jumps to 2,736 lines, and edges are quite impressive at 1,879 lines. At f/5.6 the overall sharpness is 3,104 lines, with edges that cross 2,700 lines, and things are just about the same at f/8. This is a wide-angle design, and it doesn't focus as close as some 28mm SLR lenses, so you won't be missing out on much bokeh by narrowing the aperture when corner-to-corner sharpness is a requirement for a shot.

There is a modest amount of barrel distortion, about 0.9 percent, which is a bit much compared to some Leica glass, but is barely relevant in field conditions. If you do notice some curvature in your images, a quick slider adjustment in Lightroom will straighten them out.

Leica Elmarit-M 28mm f/2.8 ASPH. : Sample Image

The Elmarit-M 28mm f/2.8 ASPH. is a good choice for Leica shooters who want to buy a wide-angle lens, but can't afford the Summicron-M 28mm f/2 ASPH. ($4,295). Its aperture isn't as ambitious, but its price tag is significantly lower and it's compact to boot. The lens is the widest you can use on a full-frame M without resorting to an accessory viewfinder for framing. Leica shooters who value performance over size often seek out the older, larger 28mm Elmarit on the used market, as it is said to produce sharper corners at its maximum aperture. But if you prefer the more modern look that an aspherical lens produces, and don't want to have the need for an f/2 wide-angle or the budget for the Summicron, the Elmarit-M is a solid choice. Just remember to stop it down a bit when you're going for edge-to-edge sharpness in a shot.

Final Thoughts

In the Leica world, the Elmarit-M 28mm f/2.8 ASPH. lens is a relative bargain, but you don't get stellar edge-to-edge performance at its maximum aperture. - Digital Cameras

Leica Elmarit-M 28mm f/2.8 ASPH

3.5 Good

In the Leica world, the Elmarit-M 28mm f/2.8 ASPH. lens is a relative bargain, but you don't get stellar edge-to-edge performance at its maximum aperture.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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