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Skullcandy Jib Wireless Review

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Skullcandy Jib Wireless Review - Headphones
4.0 Excellent

The Bottom Line

Bluetooth earphones don't get much more affordable than the Skullcandy Jib Wireless, which packs a strong bass punch for the price.
Best Deal£15.99

Buy It Now

£15.99
£48.5

Pros & Cons

    • Very affordable.
    • Powerful bass response matched with sculpted highs.
    • Not for purists seeking accurate frequency response.
    • No inline volume controls.

Skullcandy Jib Wireless Specs

Phone Controls
Type In-Canal
Wireless

Not every pair of earphones needs to break new ground, and the Skullcandy Jib Wireless keeps things simple—there are no bells and whistles here. For $34.99, all that really matters is audio performance, and the Jib Wireless packs some surprisingly serious bass response. The sound signature is quite sculpted, but it's an excellent value for the price, and our Editors' Choice for low-cost Bluetooth earphones.

Design

The Jib Wireless has a very thin, cappellini-esque black cable and either black, red, purple, or teal earpieces. The outer panels of the earpieces have a glossy sheen and feature the Skullcandy logo, which can also be found on the plastic charging compartment that sits mid-cable, behind your neck. This compartment also houses a status LED and the connection point for the included micro USB charging cable. The fit is generally comfortable and secure.

Skullcandy Jib Wireless inlineThe inline remote control and mic compartment is located near the left earpiece. It's a single-button remote. One click handles playback and call management, and multiple clicks allow you to navigate tracks. There's no way to adjust volume levels other than on your device itself.

The built-in mic offers decent intelligibility. Using the Voice Memos app on an iPhone 6s, we could understand every word we recorded, though the audio wasn't crystal clear. For an inline Bluetooth mic, it's about average.

Other than the charging cable, don't expect much in the way of accessories. You get two pairs of eartips, one smaller than the other, and that's it. Again, for the price, it's hard to complain.

Skullcandy estimates battery life to be roughly six hours, but your results will vary with your volume levels.

Performance

On tracks with intense sub-bass content, like The Knife's "Silent Shout," the earphones deliver a very impressive low frequency response. They don't get quite as loud as many competing models, but that's not a bad thing. At top volume levels the sound is plenty powerful and the bass doesn't distort, which is a relief in this price range. At more moderate volumes, you still get strong lows that will appeal to those who like a bass-forward sound.

Bill Callahan's "Drover," a track with far less deep bass in the mix, gives a better sense of the overall sound signature. The drums on this track get a heavy extra helping of deep lows—they don't sound unnaturally thunderous, but they are certainly exaggerated in the bass realm. Callahan's baritone vocals have a pleasant rich presence, and also receive enough high-mid focus for some added treble edge and definition that offsets the bass-forward nature. The guitar strums also benefit from some sculpting in the high-mids and highs. Generally speaking, this is a decently balanced sound signature, but it's certainly not accurate.

On Jay-Z and Kanye West's "No Church in the Wild," the kick drum loop's attack receives a solid high-mid presence, allowing it to retain its sharp edge and slice through the mix's layers. The sub-bass synth hits that punctuate the beat are delivered with admirable gusto for such an affordable price—this is definitely a bass lover's sound signature. All this added depth doesn't make for a murky audio experience, however, as the vocals get plenty of high-mid presence and are clear and crisp without sounding overly sibilant.

Orchestral tracks, like the opening scene in John Adams' The Gospel According to the Other Mary, get added bass depth, as you might expect, but it's not over the top. In fact, it sounds strikingly natural—the higher register strings, brass, and vocals retain their bright presence while the lower register instrumentation steps forward a bit in the mix without overwhelming things. Purists might scoff, but many listeners will enjoy the extra body and brightness.

Conclusions

The Skullcandy Jib Wireless doesn't offer much in the way of frills, but it does provide tremendous low frequency response for a totally reasonable price. It's hard to find good earphones in this price range outside of wired options like the Sol Republic Relays Sport. If you prefer a neckband-style design, Skullcandy's Method Wireless is a solid alternative, but even then you need to pay nearly twice the price. So for bass lovers on a budget, the Jib Wireless earns our Editors' Choice.

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Final Thoughts

Skullcandy Jib Wireless Review - Headphones

Skullcandy Jib Wireless Review

4.0 Excellent

Bluetooth earphones don't get much more affordable than the Skullcandy Jib Wireless, which packs a strong bass punch for the price.

Get It Now
Best Deal£15.99

Buy It Now

£15.99
£48.5

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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