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Wicked Audio Ravian

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Wicked Audio Ravian - Wicked Audio Ravian
4.0 Excellent

The Bottom Line

Wicked Audio's wired Ravian earphones provide quality USB-C audio for all of your devices that lack a standard headphone jack.

Pros & Cons

    • Strong, bass-forward audio with crisp, clear highs
    • Excellent mic clarity
    • Secure fit
    • Affordable
    • USB-C connectivity only
    • Light on accessories

Wicked Audio Ravian Specs

Active Noise Cancellation
Connection Type USB-C
True Wireless
Type In-Canal
Water/Sweat-Resistant
Wireless

We live in an increasingly cable-free world, but some of us still want wired earphones. With many mobile device manufacturers getting rid of 3.5mm headphone jacks altogether, this is becoming more and more difficult to accomplish. But if your phone, tablet, or computer has a USB-C jack that supports audio output, Wicked Audio has just the solution for you. For $49.99, the Ravian headphones connect via USB-C to deliver bass-forward audio with a sensible balance between lows and highs.

Design

Available in black or white, the Ravian is a no-nonsense pair of wired, in-canal earphones with an inline remote control and mic compartment. Instead of terminating in a typical 3.5mm jack, the four-foot cable has a USB-C connection. Internally, the earpieces house 10mm Neodymium drivers that deliver a frequency range of 20Hz to 20kHz.

The in-ear fit is secure, and there are three pairs of silicone eartips to choose from, in small, medium, and large sizes. When the earpieces are twisted slightly, the fit is not only secure, but it effectively tamps down ambient sound thanks to some solid passive noise isolation. You don't get a pouch for storing the earphones when not in use, nor is there an included adapter to make them compatible with a standard headphone jack.

The inline remote control/mic enclosure is located on the right earpiece’s cabling, and it rests at about chin level. There’s a three-button remote control, with a central multi-function button for playback, track navigation, and voice assistants, depending on how many taps you give or how long you press it for. The outer plus/minus buttons handle volume control.

Wicked Audio Ravian

Performance

On tracks with intense sub-bass content, like The Knife’s “Silent Shout,” the earphones deliver palpable low-frequency thump, admirably balanced out with a strong presence of high-mids and highs. At top volumes, there’s no distortion, and at moderate volumes, the bass depth is still robust.

See How We Test Headphones

Bill Callahan’s “Drover,” a track with far less deep bass in the mix, gives us a better sense of the Ravian’s general sound signature. The drums on this track can sound overly thunderous on some bass-forward in-ears, but here they get a healthy added thump without sounding ridiculous. The high-frequency tape hiss in the background takes a step forward, too, indicating some sculpting in the highs, as well. Callahan’s baritone vocals are delivered with a pleasant low-mid richness that’s lent some treble edge and crispness, as are the acoustic strums and higher-frequency percussive hits. Generally speaking, this is a bass-forward sound signature, but the mids and highs are far from ignored.

On Jay-Z and Kanye West’s “No Church in the Wild,” the kick drum loop receives enough high-mid presence for its attack to retain its punchiness, and the high-frequency vinyl crackle and hiss take a step forward in the mix. The sub-bass synth hits that punctuate the beat are delivered with solid depth—it’s not over the top, nor does it fail to do justice to the ominous low-end force these hits are capable of. The vocals on this track are delivered cleanly and clearly, without much added sibilance.

For orchestral tracks, like the opening scene from John Adams’ , the lower-register instrumentation takes a step forward in the mix, but not in a way that shifts the balance too drastically. The higher-register brass, strings, and vocals are crisp and bright and maintain their place in the spotlight—this is arguably the most accurate the earphones get, on tracks with less deep bass in the mix. The lows are well-represented, but they don’t overpower the mids or highs on orchestral and jazz tracks.

The inline mic offers excellent intelligibility. Using Garageband on a MacBook Pro, we could understand every word we recorded cleanly and clearly. There was no hint of distortion, and the mic picked up plenty of low-frequency depth, adding some richness to the crisp clarity of the signal.

Conclusions

Wired earphones simply aren't made in the numbers that Bluetooth models are now. Throw in the fact that Wicked Audio's Ravian earphones are not only wired, but connect via USB-C, and there isn't much out there to compare them with directly. If you want a standard 3.5mm connection for a good price, you can't do much better than the $30 RHA MA390 Universal. For far more money, the $200 Etymotic ER4 XR and the $180 Bowers & Wilkins C5 Series 2 are also excellent 3.5mm options. But if you don't have a traditional headphone jack, the Ravian earphones are a welcome, affordable alternative.

Final Thoughts

Wicked Audio Ravian - Wicked Audio Ravian

Wicked Audio Ravian

4.0 Excellent

Wicked Audio's wired Ravian earphones provide quality USB-C audio for all of your devices that lack a standard headphone jack.

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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