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A Visit to Leica Park: An Inside Look at the Factory and Archives

 & Jim Fisher Principal Writer, Cameras

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PCMag was invited to Leica's headquarters in Wetzlar, Germany to get a first look at its new SL2 full-frame mirrorless camera. In addition to spending time with the camera and a conversation with Leica execs about its development, we toured the camera's factory, museum, and archives.

Leica, which has been making cameras in Germany since the early 20th century, is most famous for its rangefinder line. The Leica III series was the camera of many a WPA and FSA photographer documenting the Dust Bowl during the New Deal, and the more modern M series captured many iconic images from the latter half of the 1900s, notably during the Vietnam War.

So it was quite the treat to get an inside look at items in the company's archives, tour its factory and museum, and sit down to talk with executives about its history and future.

Here's a look at what we saw. Many of the images were captured using Leica gear, including my vintage Leica M3, a digital M Monochrom, and the aforementioned SL2.

Leitz Park

In addition to the main headquarters, visitors to Leitz Park can stay at the Ernst Leitz House hotel and buy a new camera or lens at the Leica Store.

Lobby

The main lobby of the headquarters incorporates curves into its architectural design, matching the exterior of the building.

Small-Scale Production

You won't see moving conveyor belts or production lines at Leica—cameras and lenses are built on a small scale, by hand, which is one of the many reasons for the brand's boutique pricing.

Leica Museum

Visitors are able to stroll through Leica's museum, which houses examples of almost all of the company's historic products.

Leica M8

One of the cameras on display at the museum is the M8, Leica's first digital M camera, and my first Leica as well.

Factory Floor

You can peek into the production area from the museum, though it was quiet as we visited during lunchtime.

Digital M

A partially disassembled digital Leica M shows what the camera looks like without its top plate or leatherette wrap.

Leica Archives Guestbook

Leica keeps guest books with notes from visitors over the years in its archives.

Kleinfilmkamera

We were able to see the technical drawings for the first 35mm still camera, designed by Oskar Barnack. Legend has it that there are 36 frames per roll because it matched the length of Barnack's outstretched arms, which is how he measured lengths of film when loading cartridges in a darkroom.

Leica Standard

Here are some examples of the Leica Standard, a rangefinder that entered production in the late 1920s.

Apollo Monocular

This Leica monocular orbited the moon on an early Apollo mission, and was used to scout a landing location for the Apollo 11 moon landing.

MATE Cutout

Leica no longer produces the 28-35-50mm Medium Angle Tri-Elmar (MATE), in part due to an extremely complicated mechanical design. This cutout version shows the mechanism used to adjust the focal length.

Leica HQ Roof

The archives weren't the only private area we were able to visit. Shooting images from the roof of the headquarters was a rare treat, even on a rainy day.

In the Studio

We also spent some time working with the Leica SL2 in the company's photo studio. Here, photographer Chris Nichols is working with model Tom Jung.

The First Leica Photo

We visited the house in Wetzlar that was the subject of the first photo made by Oskar Barnack with his prototype 35mm Leica camera. I framed the shot in portrait orientation, though Barnack went with a landscape frame for his take.

Miniature Marburg

One of my favorite images, shot with the Leica M Monochrom and my 1960s 28mm Elmarit-M lens, is of a miniature version of the Marburg cathedral with the building itself in the background.

The Big M2

I was able to check out an oversized Leica M2, made for marketing purposes, in the archives.

Leica SL2

You can check out our first look at the Leica SL2 if you want to learn more about the camera.

Leica Executives

We sat down with Leica executives to talk about the development of the SL2. Andrea Pacella, director of marketing, and Peter Karbe, chief of optical design, are pictured here. The image was shot with the Noctilux-M lens, which Karbe designed.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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