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The 10 Best Original Films on Netflix

 & Eric Griffith Senior Editor, Features

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Netflix spends billions on content. Yes, billions with a B. This year alone, it was expected to spend $15 billion on original content—more than the gross domestic product of many countries.

Netflix not only makes a lot of stuff, it buys the rights to many films as well. This strategy fills Netflix to the hilt with hours upon hours of expensive video. It's ironic considering people complain when stuff leaves the service. But originals? They're most likely here to stay. Even if there are fewer movies than TV shows on Netflix, there are still so, so many options that it's impossible for Netflix to effectively market them all. Only word of mouth will truly work.

That's where we come in. Below, behold what we deem the 10 very best films on Netflix as of this writing. These aren't just films for geeks—that's a separate list. This is a look at pure quality, as close to Oscar-caliber as you can get with Netflix Originals. If we left your favorite off the list, head to the comments and start a fight. I know I can count on you.

Always Be My Maybe

Ali Wong, a stand-up comedian of prodigious talent (watch her Netflix specials for proof) wrote Always Be My Maybe with Fresh Off the Boat star Randall Park and Michael Golamco, who she's known since the 1990s. She and Park star in the film as childhood friends who had a disastrous teen love encounter and meet again as adults. It hits all the usual romantic comedy highlights but brings with it something more: true laughs, from the way they interact, to the ultimate cameo of the year 2019. (SPOILER: It's Keanu!)

Beasts of No Nation

Between Beasts of No Nation and First They Killed My Father, Netflix has two winners about a horrible subject: child soldiers. This one—Netflix's first big original film to garner some awards attention—may be the most harrowing. It stars Idris Elba as the commandant who takes young Agu (Abraham Attah) from his family. A hard but important watch.

Bird Box

Isn't it nice when a thriller can be a major blockbuster, a true scare fest, and a well-acted quality film? Sandra Bullock leads the cast in this post-apocalyptic tale that jumps back in time long enough to show the apocalypse happening in real time. It's not a realistic end of the world, but it's no more a wacky reason than some zombie tale. The conceit that people must never have their eyes exposed while outdoors (and birds in a box can alert them to danger) or risk literally killing themselves leads to many tense, harrowing blindfolded scenes for Bullock and co-stars like John Malkovich. That includes two small children she'll only call Boy and Girl, for reasons that make the utmost sense.

The Fundamentals of Caring

A coming-of-age road trip movie with Paul "Ant-Man" Rudd? Of course you want to see that. In The Fundamentals of Caring, Rudd stars as the caretaker of a sarcastic, caustic, wheelchair-bound boy (Red Oaks' Craig Roberts) on a road trip to meet the boy's father and a lot more.

I Don't Feel at Home in This World Anymore

Melanie Lynskey—long overdue for leading lady status—leads this crime-dramedy about a woman at the end of her rope. Elijah "Frodo" Woods is her martial artist neighbor.

Marriage Story

In director/writer/producer Noah Baumbach's Marriage Story, Adam Driver and Scarlett Johansson play a couple in the death-throes of their marriage, helped along by a marriage counselor played by Laura Dern. It's a couple of stunning performances that remind you these two are serious actors, not just Kylo Ren and the Black Widow. The film is already in the top 10 list from the American Film Institute for 2019, and is up for Critics' Choice and Golden Globes galore, to name just a few of the accolades pending and already won.

Mudbound

Nominated for Academy Awards for Best Adapted Screenplay, Best Cinematography, and Best Supporting Actress (Mary J. Blige), and Best Original Song ("Mighty River," sung by Blige), Mudbound is based on the Hillary Jordan novel about WWII vets—one black, one white—who return home to the land their families share. The men deal with their issues, the families deal with poverty, and they all deal with racism until it boils over.

Okja

One of the best Netflix Original films is an action-adventure fantasy with the desire to make the world a better place. Okja, Joon-Ho Bong's followup to the legendary Snowpiercer, is a sci-fi take on the worlds of animal activism and scientific ethics. Jake Gyllenhaal's role as a TV zoologist is epicly weird, and it never hurts to have Tilda Swinton as your villain, either. The real star is a "super-pig" CGI creation named Okja, which just may have you thinking better of your habits after you watch.

Tallulah

Tallulah (Ellen Page) is living out of her van, trying to get some money out of her ex-boyfriend's mom. While stealing food at a hotel, she stumbles on a kid, and, uh, kidnaps it. Not exactly a feel-good hit kinda setup, but Page and the always-amazing Allison Janney slap some comedy into this drama written and directed by Sian Heder, a writer on Orange is the New Black who once had to babysit for guests at a swanky Beverly Hills hotel. Netflix bought this one before it even got its Sundance premiere in 2016.

Roma

With Roma by Alfonso Cuarón, Netflix finally stepped into the world of high-end awards. He wrote, directed, shot, produced and co-edited the semi-autobiographical black & white film about life in early 1970s Mexico City. Letting such a gifted director—famed for films from Harry Potter and the Prisoner of Azkaban all the way to Gravity—tell his life story led to a film that earned 10 Academy Award nominations. It won three, becoming the first Mexican film to win Best Foreign Language Film.

About Our Expert

Eric Griffith

Eric Griffith

Senior Editor, Features

My Experience

I've been writing about computers, the internet, and technology professionally since 1992, more than half of that time with PCMag. I arrived at the end of the print era of PC Magazine as a senior writer. I served for a time as managing editor of business coverage before settling back into the features team for the last decade and a half. I write features on all tech topics, plus I handle several special projects, including the Readers' Choice and Business Choice surveys and yearly coverage of the Best ISPs and Best Gaming ISPs, Best Products of the Year, and Best Brands (plus the Best Brands for Tech Support, Longevity, and Reliability).

I started in tech publishing right out of college, writing and editing stories about hardware and development tools. I migrated to software and hardware coverage for families, and I spent several years exclusively writing about the then-burgeoning technology called Wi-Fi. I was on the founding staff of several magazines, including Windows Sources, FamilyPC, and Access Internet Magazine. All of which are now defunct, and it's not my fault. I have freelanced for publications as diverse as Sony Style, Playboy.com, and Flux. I got my degree at Ithaca College in, of all things, television/radio. But I minored in writing so I'd have a future.

In my long-lost free time, I wrote some novels, a couple of which are not just on my hard drive: BETA TEST ("an unusually lighthearted apocalyptic tale," according to Publishers' Weekly) and a YA book called KALI: THE GHOSTING OF SEPULCHER BAY. Go get them on Kindle.

I work from my home in Ithaca, NY, and did it long before pandemics made it cool.

The Technology I Use

My first computer was a Laser 128, an Apple II-compatible clone with an integrated keyboard, matched with an eye-straining monochrome green monitor. I used it to type papers in college for other people for money...until I discovered the Mac SE in the college computer room. That changed my life. My first cellphone was a Samsung Uproar—the silver one with the built-in MP3 player from the Napster days (the pre-iPod era).

I use an iPhone 15 Pro hourly and an iPad Air infrequently (but I'm always in the market for a cheap Android tablet). I have a PlayStation 5 just to play Spider-Man, and several Windows machines, including a work-issued Lenovo ThinkPad. I talk to Alexa and Siri all day long. I do the majority of my computing on a 15-inch LG Gram laptop attached to a Thunderbolt hub to run a multi-monitor setup—I overdid it on the power needed to simply work from home.

I'm most at home in Microsoft Word after decades of writing there. More and more, I turn to services like Google Docs, using tools like Grammarly. I use Google's Chrome browser due to an addiction to several extensions I think I can't live without, but probably could. I use Excel extensively on data-intensive stories, but for chart creation, we've switched over entirely to using Infogram for interactive features that are hard to find elsewhere. I do a lot of graphics work for my stories, but limit myself to the free and amazing Paint.NET software to edit images.

I'm a firm evangelist for using the cloud for backup and syncing of files; I'm primarily using Dropbox, which has never failed me, but I also have redundant setups on Microsoft OneDrive, plus extra picture backups on Amazon Photos and iCloud. Why take chances? For entertainment, mine is a streaming-only household—my kid has never seen network TV and barely been exposed to commercials, thanks to Roku and Amazon Music. The house is peppered with smart speakers from Amazon for instant gratification and control of smart home devices like multiple Wyze cameras and Nest Protect smoke detectors. I've got accounts on all the major social networks, to my horror. I have a robot vacuum for each floor of the house. I want a 3D printer, but not sure what I'd use it for.

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