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Canon Sets RF Lens Lineup for 2019

Along with the new EOS RP camera, the company has outlined its lens development plans for the second half of 2019.

 & Jim Fisher Principal Writer, Cameras

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Canon's full-frame mirrorless camera system is only a few months old, but it's already growing. The company announced a new camera today, the full-frame EOS RP, which we covered in an extensive hands-on preview.

It also made a development announcement and showed mockups of the six RF-mount lenses, all coming in the second half of the year. They'll join the four lenses on sale now—the RF 24-105mm F4 L IS USM, RF 28-70mm F2 L USM, RF 35mm F1.8 Macro IS USM, and 50mm F1.2 L USM.

Canon RF Lens Roadmap

The headliners are a set of three pro-grade, f/2.8 zoom lenses—the RF 15-35mm F2.8 L IS USM, RF 24-70mm F2.8 L IS USM, and RF 70-200mm F2.8 L IS USM. All three are part of Canon's L series, and more importantly, all three incorporate image stabilization.

Canon doesn't offer optical stabilization in the most comparable lenses it sells for its SLR system, so having it in the 15-35mm and 24-70mm is a notable change. Canon has yet to release an RF-mount camera with in-body stabilization (IBIS), but has stated that it is developing the feature for future cameras.

Canon RF 70-200mm f/2.8 L IS USM

They're joined by two versions of the same prime lens, the RF 85mm F1.2 L USM and RF 85mm F1.2 L USM DS. The DS—it stands for Defocus Smoothing—promises to draw backgrounds in a smoother manner. Canon is presumably using an internal apodization filter, similar to the Fujifilm XF 56mm F1.2 R APD and Sony FE 100mm F2.8 STF GM OSS.

Why not release just one edition of the lens, with the smoothed backgrounds? Apodization filters cut into light gathering, so it is very likely that the RF 85mm F1.2 L USM DS will act more like an f/2.8 for purposes of calculating exposure—simply put, it won't be as useful in very dim light as the standard 85mm F1.2 L USM. This is speculation on my part, but speculation based on how similar lenses work.

Canon RF 24-240mm f/4-6.3 IS USM

The final 2019 lens is an all-in-one zoom, the RF 24-240mm F4-6.3 IS USM. Given its zoom range, it's a fairly compact design. It's the only lens on the calendar that's not part of the L series, so we expect it to be priced with consumers and hobbyists in mind. But we don't expect it to have extensive weather protection or fluorine coating.

If those lenses aren't enough, remember the EOS R is able to use Canon SLR lenses via an adapter.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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