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Grado GS1000

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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65 EXPERTS
43 YEARS
41,500+ REVIEWS
 - Grado GS1000
5.0 Exemplary

The Bottom Line

The Grado GS1000 headphones are very likely the greatest-sounding headphones ever made—and are priced accordingly.
Best Deal£374

Buy It Now

£374

Pros & Cons

    • The best audio performance in headphones available.
    • Rich, unexaggerated bass.
    • Mid and high frequencies are precise and crisp.
    • Beautiful, unique design.
    • Extremely expensive.
    • Large size and outward sound projection are a drag for travelers.

Grado GS1000 Specs

Type Supra-aural (on-ear)

The first thing you need to know about the Grado GS1000 is that it's a $1,000 investment. Sure, that's pretty steep, but these headphones are perhaps the best ever made. A single driver per ear covers a frequency range of 8 Hz to 35 kHz and operates in what almost seems like its own room. In fact, each headphone sits just off the ear, pushed away from the skull by foam, and pumps excellent sound from within the wooden chamber it's mounted in. The GS1000s, like other Grado models, also project some sound outwards: These are not for the office, and your fellow riders certainly won't appreciate it if you wear them on the train or bus. Interestingly, it is this external projection and the drivers' distance from the ear that create a unique soundspace for the listener. In this manner, the Grados overcome the greatest shortcoming headphones have—a lack of psychoacoustic space. The cabling is thick, and there is a 3.5mm adapter so that you can listen to your iPod.

Here's how my listening went. Grado claims that the response of the headphones is flat, and I tend to believe that, but I think the distance from the ear, the foam enclosure, and the wooden housing do something to enhance the bass a bit. Not only were these the best-sounding headphones I've ever tested, they were also the best-sounding headphones at low volumes—where I still experienced a strong sense of bass. And the Grados can certainly hold their own at high volumes.

At the moment, if you have $1,000 to burn and want the best available set of headphones, you have two choices. First is the Ultimate Ear UE-10 Pros, which are custom-molded, completely flat-response, in-ear canal earphones. They cost $900 and are very portable as well. In your second option, the Grado GS1000, the perceived response is less flat, which makes them a bit better for rock, rap, and pop music; but of course, they're not very portable. Either way, you'll be walking away with an amazing pair of headphones—one of life's truly great treats. And hey, if you're like most people—who can't afford such an indulgence or refuse to pay the price—swing by your local high-end audio store and check them out for fun. It's an amazing experience . . . and may prompt you to upgrade your basic earbuds in a slightly more affordable manner.

More headphone reviews:

Final Thoughts

 - Grado GS1000

Grado GS1000

5.0 Exemplary

The Grado GS1000 headphones are very likely the greatest-sounding headphones ever made—and are priced accordingly.

Get It Now
Best Deal£374

Buy It Now

£374

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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