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BenQ MW523

 & M. David Stone Contributing Editor

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The BenQ MW523 business projector offers a 3,000-lumen rating, WXGA (1,280 by 800) resolution, a rated 10,000 hour lamp life, and 3D. - BenQ MW523
3.5 Good

The Bottom Line

The BenQ MW523 business projector is light enough to carry easily, at 5.1 pounds, and it offers a bright, high quality data image with a WXGA (1,280 by 800) native resolution.

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Pros & Cons

    • Bright, 3,000-lumen rating.
    • WXGA (1,280 by 800) resolution.
    • Lamp rated at up to 10,000 hours.
    • Works with Blu-ray for 3D.
    • Low-volume sound system.

BenQ MW523 Specs

Engine Type DLP
Inputs and Interfaces Analog VGA
Inputs and Interfaces HDMI
Native Resolution 1280 x 800
Rated Brightness 3000
Warranty 12
Weight 5.1

Similar in many ways to the BenQ MX522, the BenQ MW523 business projector delivers a higher native resolution, at WXGA (1,280 by 800). That makes it the preferred choice if you need to show data images at WXGA and, in theory at least, a better match for HD video as well. Beyond that, it delivers high-quality for data images, brightness suitable for a small to mid-size conference room or classroom, and a 10,000-hour lamp life. The combination makes it worth a close look.

At 5 pounds 2 ounces, the MW523 is about a pound and a half lighter than the Editors' Choice NEC NP-M311W. That's an obvious advantage if you need a projector you can carry with you easily. However, the NEC projector delivers several advantages of its own, including a 1.7x zoom lens. The MW523's zoom is only 1.2x. The LCD-based NEC projector also offers a slightly higher brightness rating than the DLP-based MW523, at 3,100 lumens rather than 3,000. That's not much, but the numbers don't tell the whole story.

Unlike three-chip LCD projectors, DLP projectors like the MW523 often have significantly lower color brightness than white brightness. This can affect both color quality and the brightness of color images. So even though the white brightness rating for both projectors is nearly the same, that doesn't mean the brightness for all images will be a close match. (For more on color brightness, see Color Brightness: What It Is, Why it matters.) As a reality check, however, I found the MW523 easily bright enough to stand up to moderate ambient light with a 92-inch diagonal image.

Setup and Image Quality

Setup is absolutely standard, with the 1.2x manual zoom letting you adjust image size, and the manual focus offering just enough resistance to provide sure control. Connectors for image sources include the usual HDMI port for a computer or video source, VGA ports for computers or component video, plus S-Video and composite video ports. The HDMI port offers HDMI 1.4a, which means it will let you connect directly to a Blu-ray player or other video source for 3D as well as 2D.

Data image quality is good to excellent. On our standard suite of DisplayMate tests, the projector scored well on color balance, with suitably neutral grays at all levels from black to white in all modes, and it scored reasonably well for color quality, with fully saturated, eye-catching colors in most predefined modes.

It also did a good job with fine detail, with both black text on white and white text on black crisp and readable at sizes as small as 6.8 points. With an analog (VGA) connection, I saw lots of dynamic moire in test images that tend to cause that problem. However, unless you use patterned fills in your graphics, you may never see this issue. You can also sidestep it by using a digital (HDMI) connection instead.

Despite a native resolution that can show 720p video without having to scale the image, video quality is good enough for clips of a few minutes at most. Among other issues, I saw a green bias in all predefined modes, which was particularly obvious in skin tones. In addition, the combination of low contrast and minimal to moderately obvious noise gives the image a sense of soft focus.

On the plus side, I saw fewer rainbow artifacts than with many DLP projectors, and almost none with data screens. They showed often enough in some scenes that people who are sensitive to them will certainly see them, but not often enough in most scenes for most people to find them bothersome.

With 3D video, I didn't see any crosstalk in my tests and saw only a hint of 3D-related motion artifacts. As with most 3D data projectors, however, the MW523 doesn't come with 3D glasses. If you want to use 3D, you'll have to buy 144Hz DLP-Link glasses separately.

Audio and Other Issues

If you need good-quality audio for your presentations, you'll want to plug an external sound system into the MW523's audio output. The built-in two-watt speaker delivers tinny sound and only enough volume to fill a small conference room or classroom.

Very much on the plus side is the 10,000-hour rating for the lamp, based on what BenQ considers typical use. BenQ gets this extraordinarily long life from what it calls SmartEco technology, which adjusts lamp power based on image content. This not only lengthens lamp life, but lowers electricity use, for a double savings in running cost.

I'd like this projector more if it had somewhat better video quality and better audio. That said, both are better than you'll get with many data projectors, and both are peripheral to the core task of showing data images. The SmartEco technology, with its savings in running cost, combined with a low initial price, a bright image, and good to excellent data image quality are enough to make the BenQ MW523 a more than reasonable choice. If you don't need to show much video, it can be a highly attractive choice.

Final Thoughts

The BenQ MW523 business projector offers a 3,000-lumen rating, WXGA (1,280 by 800) resolution, a rated 10,000 hour lamp life, and 3D. - BenQ MW523

BenQ MW523

3.5 Good

The BenQ MW523 business projector is light enough to carry easily, at 5.1 pounds, and it offers a bright, high quality data image with a WXGA (1,280 by 800) native resolution.

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About Our Expert

M. David Stone

M. David Stone

Contributing Editor

My Experience

Most of my current work for PCMag is about printers and projectors, but I've covered a wide variety of other subjects—in more than 4,000 pieces, over more than 40 years—including both computer-related areas and others ranging from ape language experiments, to politics, to cosmology, to space colonies. I've written for PCMag.com from its start, and for PC Magazine before that, as a Contributor, then a Contributing Editor, then as the Lead Analyst for Printers, Scanners, and Projectors, and now, after a short hiatus, back to Contributing Editor.

I'm pretty sure I'm the only person who worked on every "Project Printer" blockbuster PCMag ever produced, often writing 15 or more reviews for the year's big printer blowout. (I snuck in a single review one year when I was writing a book, strictly so I could keep that claim alive.)

I've always worked for PCMag as a freelancer, which has freed me to take time away to write nine books, be a major contributor to four others, and write for other publications, including Wired, Computer Shopper, Projector Central, and Science Digest, where I was Computers Editor. I also wrote a computer column at one point for The Newark Star-Ledger.

Although I started my career primarily as a science (mostly physics and astronomy) and science-fiction writer (published in Analog), my non-computer-related work runs the gamut from the Project Data Book for NASA's Upper Atmosphere Research Satellite (written for GE's Astro-Space Division) to the script for a video overview of a top company in the gaming industry (that would be gambling, not video games). My books include The Underground Guide to Color Printers (Addison-Wesley), Troubleshooting Your PC (Microsoft Press), and Faster, Smarter Digital Photography (Microsoft Press).

Having covered a wide range of subjects, I've developed a serial expertise in many of them. The ones most relevant to my current work at PCMag.com are all imaging technologies.

The Technology I Use

I buy new PCs for my writing desk infrequently, because it takes a week or more to customize the settings the way I want them. At the moment, I have an HP Envy tower running Windows 10, but it's old enough to have a Windows 7 sticker on it. Its latest lease on a longer life is courtesy of a newly installed 500GB Samsung SSD 870 EVO.

Elsewhere in my house is an assortment of older and newer PCs. The older ones are dedicated to specific tasks, like the one I've been using to slowly digitize all the paper stored in my filing cabinets, while the newer ones are testbeds for printer and projector reviews.

For writing, I use Microsoft Word 2003, because I find it too annoying to take my hands off the keyboard to give mouse commands using the Ribbon. My workhorse printers are a Xerox Phaser 6280 color laser and a Dymo LabelWriter 450 Twin Turbo for labels and stamps. I also have a Canon Pixma iP8720 for printing photos, and a Canon ImageFormula DR-C225 for scanning.

My first computer was bought to replace my IBM Selectric for writing. After rejecting both the IBM PC (which had just been introduced) and the Apple II because of the keyboards, I chose a Vector Graphics Vector 3 CP/M machine with dual floppies. The first MS-DOS machine I was willing to use for writing was the IBM AT, with its much-improved keyboard compared with the original PC and its gargantuan 20MB hard drive.

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