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Acer K335

 & M. David Stone Contributing Editor

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Acer K335 - Acer K335
3.5 Good

The Bottom Line

Lightweight and eminently portable, the Acer K335 projector is meant primarily for business users, but can also show games and movies at large size at home.

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Pros & Cons

    • Small size.
    • Lightweight.
    • Bright for its weight, with 1,000-lumen rating.
    • MHL-enabled HDMI port.
    • Shows apparent scaling artifacts (lines and patterns added to some screens) even at its claimed native resolution.

Acer K335 Specs

Engine Type DLP
Inputs and Interfaces Analog VGA
Inputs and Interfaces HDMI
Inputs and Interfaces MHL
Native Resolution 1280 x 800
Rated Brightness 1000
Weight 2.9

With its 1,000-lumen rating and sub-three-pound weight, the Acer K335 ($699 street) is part of a new generation of lightweight LED projectors. Earlier models, including the Acer K330 and the Editors' Choice 3M Mobile Projector MP410, were limited to either 300 or 500 lumens. The K335($1,007.19 at Amazon), with its higher brightness rating, offers an even more attractive balance of portability, brightness, and cost.

What defines these projectors as a group is that they're all built around a WXGA (1,280 by 800) DLP chip paired with an LED light source. Where they differ, in addition to their brightness, is their level of portability. Compared with the most recent 500-lumen models, like the Optoma ML550($474.00 at Amazon), the K335 is a little heavier and a little less portable, at 2 pounds 14 ounces. However, it's no heavier than earlier-generation 500-lumen models.

Like most lightweight LED projectors, the K335 further enhances its portability by being able to read a variety of common image, video, audio, and document file formats from USB memory keys, microSD cards, or its 2GB internal memory. It also includes an MHL-enabled HDMI port, which lets you connect an MHL-enabled smartphone or tablet to show images and charge the device at the same time.

Setup is standard, with the microSD card slot, USB A port, and HDMI port on the back, along with a VGA port, composite video port, and mini jacks for audio in and out.

Brightness
Based on SMPTE (Society of Motion Picture and Television Engineers) recommendations, and assuming a 1.0 gain screen, 1,000 lumens is suitable for a 120- to 163-inch diagonal image for long sessions in theater-dark lighting at the K335's native 16:10 aspect ratio. In moderate ambient light, it should be bright enough for an 80- to 90-inch image. Crank up the ambient light, and the appropriate image size will shrink, but for short sessions, you can get away with larger screen sizes without a problem.

Complicating matters is that, as with most DLP-based projectors, the K335's color brightness is lower than its white brightness in at least some modes. (For a discussion of color brightness, see Color Brightness: What It Is, Why It Matters.) As a reality check, I found the projector bright enough in my tests for comfortably viewing a 92-inch diagonal image for long sessions in theater dark lighting.

Image Quality
The projector's data image quality is acceptable for most purposes. On our standard suite of DisplayMate tests, colors were generally well saturated and eye-catching, but notably different in different preset modes, so you may want to pick a mode based on which colors you like best.

Far more important for most data images is the issue of apparent scaling artifacts at the projector's claimed native resolution. These show most obviously in the form of unwanted added patterns in areas with closely spaced lines or dots. The same problem shows in all the competing LED projectors we've seen, because it's related to the DLP chip they use. That makes it expected, even though, as I've discussed in other reviews, it simply shouldn't happen at any projector's native resolution.

The good news is that unless you use patterned fills instead of solid blocks of color in your graphics, you may never see these artifacts. Unfortunately, the same issue also affects fine detail. White text on black, for example, was easily readable at 9 points, but noticeably blurry at smaller sizes, and nearly impossible to read at 6.8 points. Black text on white was easily readable at 10.5 points, blurry at 9, and hard to read even at 7.5 points.

The video image quality is also usable, but not impressive, largely because colors were flat, as is typical for a low contrast ratio. On the plus side, the projector handled skin tones acceptably, and it did an excellent job with shadow detail (details based on shading in dark areas).

Also helping both data and video quality is that that K335 shows fewer rainbow artifacts—in the form of red-green-blue flashes—as many DLP projectors. The only time I saw them in data screens was with one test image that's designed to make them show. With video, I saw them often enough that anyone who sees the artifacts easily will likely notice them, but infrequently enough so few people, if any, should find them bothersome.

One pleasant surprise was that the built in three-watt mono speaker offers adequate volume for a small room, and good enough sound quality to be useful. Note too that the LEDs are meant to last the life of the projector. Acer rates them at 20,000 hours in Standard mode.

If you're in the market for a light, bright, portable LED projector, the Acer K335 should certainly be in the running. It's brighter than most of the competition, it weighs no more than many older models with half the lumen rating, and it offers more than acceptable image quality for both data and video. If you need a lighter projector, you may prefer the Optoma ML550 or 3M Mobile Projector MP410. But for most people, the Acer K335 offers more than enough additional brightness to make it worth carrying the minimal additional weight.

Best Projector Picks

Further Reading

Final Thoughts

Acer K335 - Acer K335

Acer K335 Review

3.5 Good

Lightweight and eminently portable, the Acer K335 projector is meant primarily for business users, but can also show games and movies at large size at home.

Get It Now

Buy It Now

About Our Expert

M. David Stone

M. David Stone

Contributing Editor

My Experience

Most of my current work for PCMag is about printers and projectors, but I've covered a wide variety of other subjects—in more than 4,000 pieces, over more than 40 years—including both computer-related areas and others ranging from ape language experiments, to politics, to cosmology, to space colonies. I've written for PCMag.com from its start, and for PC Magazine before that, as a Contributor, then a Contributing Editor, then as the Lead Analyst for Printers, Scanners, and Projectors, and now, after a short hiatus, back to Contributing Editor.

I'm pretty sure I'm the only person who worked on every "Project Printer" blockbuster PCMag ever produced, often writing 15 or more reviews for the year's big printer blowout. (I snuck in a single review one year when I was writing a book, strictly so I could keep that claim alive.)

I've always worked for PCMag as a freelancer, which has freed me to take time away to write nine books, be a major contributor to four others, and write for other publications, including Wired, Computer Shopper, Projector Central, and Science Digest, where I was Computers Editor. I also wrote a computer column at one point for The Newark Star-Ledger.

Although I started my career primarily as a science (mostly physics and astronomy) and science-fiction writer (published in Analog), my non-computer-related work runs the gamut from the Project Data Book for NASA's Upper Atmosphere Research Satellite (written for GE's Astro-Space Division) to the script for a video overview of a top company in the gaming industry (that would be gambling, not video games). My books include The Underground Guide to Color Printers (Addison-Wesley), Troubleshooting Your PC (Microsoft Press), and Faster, Smarter Digital Photography (Microsoft Press).

Having covered a wide range of subjects, I've developed a serial expertise in many of them. The ones most relevant to my current work at PCMag.com are all imaging technologies.

The Technology I Use

I buy new PCs for my writing desk infrequently, because it takes a week or more to customize the settings the way I want them. At the moment, I have an HP Envy tower running Windows 10, but it's old enough to have a Windows 7 sticker on it. Its latest lease on a longer life is courtesy of a newly installed 500GB Samsung SSD 870 EVO.

Elsewhere in my house is an assortment of older and newer PCs. The older ones are dedicated to specific tasks, like the one I've been using to slowly digitize all the paper stored in my filing cabinets, while the newer ones are testbeds for printer and projector reviews.

For writing, I use Microsoft Word 2003, because I find it too annoying to take my hands off the keyboard to give mouse commands using the Ribbon. My workhorse printers are a Xerox Phaser 6280 color laser and a Dymo LabelWriter 450 Twin Turbo for labels and stamps. I also have a Canon Pixma iP8720 for printing photos, and a Canon ImageFormula DR-C225 for scanning.

My first computer was bought to replace my IBM Selectric for writing. After rejecting both the IBM PC (which had just been introduced) and the Apple II because of the keyboards, I chose a Vector Graphics Vector 3 CP/M machine with dual floppies. The first MS-DOS machine I was willing to use for writing was the IBM AT, with its much-improved keyboard compared with the original PC and its gargantuan 20MB hard drive.

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