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How We Test Drones

We do a lot of product testing in the friendly confines of PC Labs, but drones call for wide open spaces, so we take them out in the real world for test flights. Here's what we look for.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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(Credit: Jim Fisher)

Many of PCMag's product reviews are heavily reliant on tests performed within the walls of PC Labs, but those walls are too small for flying drones. So to test them, we do the same thing you'd do with drones at home—take them out into the real world to fly, record video, and snap images from the sky.

There are a lot of drones out there, ranging from ultra-fast, maneuverable racers to big, pro birds that are used to monitor crops and inspect bridges. The drones we look at are somewhere in the middle—ready-to-fly models that are primarily for photo and video capture. Their onboard cameras provide video capture that's in line with smartphone and action cams at the entry level, and more expensive options compete with interchangeable lens cameras.

As PCMag's lead camera analyst, I pay special attention to the photo and video capabilities of the drones we test, but I also evaluate how they handle in the air. I hold an FAA sUAS Remote Pilot (Part 107) certification and am knowledgeable about flying drones safely and within the confines of federal regulations. I take picture quality into account, but I also put a strong emphasis on safety features and reliability when testing drones.


Flight Tests

Getting a drone up into the air is the first step. For shakedown flights we typically fly at a local athletic field or a privately owned farm in a rural area. They aren't the most exotic locales, but before we take a drone somewhere more picturesque we want to rule out any major issues.

We look at several factors when flying. The first is handling: Is the drone responsive to controls and does it hover in place without too much drift? Safety features are also important. We make sure the drone can lock onto GPS quickly, and check to make sure its return-to-home function works. If the aircraft has obstacle sensors, we see if they work and run drones with automatic navigation through some obstacles to see how they maneuver.

Next up is the operating range. Drone manufacturers cite theoretical communication range, but those numbers can vary greatly in the real world. We see how far a drone can fly while still responding to controls and delivering a smooth, clear video feed. We test drones in both rural and suburban environments. FAA rules call for a drone to be kept within line of sight when operating, and we want you to know if you can safely control it within that distance.

We also test battery life. Manufacturers typically list expected battery life, but there is no formal standard for testing. DJI's numbers are based on hovering in place, which is not a typical use case, and we've seen drones that claim much longer battery life than they get in reality. We perform at least three test flights and average the flight times to determine a realistic battery life estimate.

(Credit: Jim Fisher)

Finally, we look at any special features that a drone has. These may include obstacle detection and avoidance, automated flight modes, or unique imaging capabilities. If a drone does something to set itself apart from competing models, we check it out to make sure it works as advertised.


Video and Imaging

We record video during all of our testing, typically at the highest resolution available. But if there are other options—such as slow-motion at lower resolutions—we'll check them out, too. Video is evaluated for clarity, color fidelity, and stabilization on a calibrated display. We edit clips together using Final Cut Pro and export them at a bit rate at least as high as the original before uploading to YouTube to embed in our reviews. YouTube applies its own compression, so all of our evaluations of video quality are made based on original, unedited clips.

For imaging, we look at photo quality, both for JPG images and, if a drone supports it, Raw capture. Sharpness, dynamic range, color fidelity, and image distortion are all evaluated. And if a drone has special imaging capabilities—panoramic stitching, HDR, a flat profile, shallow depth of field simulation, or the like—we check those out, too.

Once all the testing is wrapped up we look at the overall package—size, camera quality, price, and, most importantly, how safe a drone is to fly—and give the drone a rating. The best model in every category earns our Editors' Choice designation.

To see all the drones we've reviewed, check out our drone product guide. Or for a quick look at those that have excelled in field testing, read up on the best drones.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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