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Hands On: Sony Alpha 99 II

A short shooting session shows that the full-frame Alpha 99 II has a lot of potential.

 & Jim Fisher Principal Writer, Cameras

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COLOGNE—It's been a long-standing rule that you need to make a choice when it comes to digital photography—you either get a top-end SLR that supports an incredible burst rate, but at a relatively modern megapixel count, or you can go with a high-resolution camera with a modest burst rate.

Sony's long overdue update to the full-frame Alpha 99 doesn't just break that rule, it shatters it. The SLR (or SLT if you want to argue semantics) shoots at up to 12fps while tracking subjects, and it does it at 42MP in Raw, JPG, or Raw+JPG format.

That's an incredible feat unto itself. It gets there by leveraging what's arguably the best 35mm image sensor on the market, the same 42MP chip used by the Alpha 7R II. That gives the camera access to on-sensor phase detection, which is coupled with a dedicated autofocus system with its own phase detection points. Working together, the hybrid focus system boasts 399 individual focus points, covering 47 percent of the surface area of the frame. To compare, even the Nikon D5's 151-point system only covers 21 percent of the frame.

Despite having such a beefy focus system, the Alpha 99 II isn't a huge camera like the D5. Sony says that it's roughly the same size as the Alpha 77 II, which seems right to me, as it felt very much like the similarly sized Canon EOS 7D Mark II and Nikon D500 in my hands.

That may be a turn-off for pros who are used to a larger camera, especially when paired with a big telephoto lens. I only had about 15 minutes to give the 99 II a test drive, along with the updated version of Sony's 70-200mm f/2.8 zoom, but I've used bodies of similar size and weight along with longer telezooms like the Sigma 150-600mm Contemporary in the past.

I'll pass on a final judgement until I've had more time with the camera, but my initial impression is that it seems like a fine size, and one that will actually be appreciated by nature photographers who need to schlep camera gear into the wild. And the Alpha 99 II is a good choice for location shoots, as its sealed body is protected from dust and moisture. Feel free to take the camera out into the rain in hopes of getting a shot of some elusive critter.

Sony Alpha 99 II : Rear

Sony set up a small studio with continuous lighting and a few sets of dancers in a conference room in the Koelnmesse convention center at which Photokina is held. I went for tight shots at 200mm to stress the focus system as the dancers moved through the frame. I also tried to switch the camera between the two moving dancers, who were different distances from the lens for the most part, to see how quickly the focus system kept up. I was shooting with a pre-production camera, and wasn't allowed to remove the memory card to look at photos critically, but reviewing shots on the rear LCD showed that the Alpha 99 II has a pretty solid hit rate. Again, further testing is required to get a real handle on how it compares with the top-end competition.

Electronic viewfinders don't have the best reputation, but that's in large part to just how underwhelming early EVFs were. The Alpha 99 II uses the same EVF that you'll find in the Alpha 7R II, and it's one of the best in the business. It's big to the eye, refreshes quickly, and previews exposure and depth of field in real time. When shooting at 12fps you do have to deal with black out, however, which can make tracking moving subjects a challenge. Like the smaller mirrorless Alpha 6300 you can set the A99II to shoot at 8fps. When shooting at that more modest (but plenty quick) rate you'll see an image in the viewfinder between exposures, so you can better move your camera to keep up with a moving target.

Focus during video is just as quick as it for stills. I set the camera to record and played close attention to its focus system as it subjects moved through the frame. Subjects were kept in focus, even as they moved, but again, further testing is needed to see how the camera performs in various real-world situations. The buffer is big enough to shoot for about 4.5 seconds when shooting in Raw mode at 12fps—about 54 images—and just a bit longer (60 shots) if you opt for JPG capture.

You can read more about the Alpha 99 II in our initial announcement story. It's set to ship in November and is priced at $3,199 as a body only.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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