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Divoom Voombox Party

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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For the price, the weather-resistant Divoom Voombox Party portable Bluetooth speaker delivers more bass response than you'd expect. - Divoom Voombox Party
4.0 Excellent

The Bottom Line

For the price, the weather-resistant Divoom Voombox Party portable Bluetooth speaker delivers more bass response than you'd expect.
Best Deal£59.99

Buy It Now

£59.99

Pros & Cons

    • Powerful, clean audio performance with impressive bass response.
    • Sturdy, weather- and shock-resistant build.
    • Includes an active internal subwoofer.
    • Heavy for a portable speaker.
    • Audible hiss during playback at very low volume levels.

Divoom Voombox Party Specs

Bluetooth
Channels 2.1
Physical Connections 3.5mm

Few portable Bluetooth speakers have combined the passive radiator, a non-active but sympathetically vibrating membrane that increases a speaker's sense of bass and fullness, with an actual subwoofer. Divoom claims its $119 Voombox Party features, along with the system's dual stereo drivers, an active internal subwoofer. To our eyes and ears, it's more like a regular woofer, but the presence of the passive radiators helps elevate its presence. The end result is a bulky, weather-resistant speaker with surprisingly powerful audio performance and bass response for its modest price. The Voombox Party is by no means a masterpiece, but it's certainly a strong value for the price.

Design

Available in black and silver models, the Voombox Party is one heavy portable speaker. This is likely due to its 4.1 by 9.2 by 2.1-inch (HWD), 2.5-pound frame housing not just two 2-inch drivers, but a centered, active 3-inch subwoofer. In reality, as previously mentioned, what's being referred to here as a subwoofer is more like a regular old woofer, but it's still rare to find two active stereo drivers and an active, dedicated bass driver (as opposed to simply a passive bass radiator, which is the current trend in small portable systems). The rear panel also houses dual passive bass radiators, and the combo does make the Voombox one of the more powerful portable speakers of its size we've tested.

The metallic-and-rubberized contour of the Voombox is built to withstand water splashes (but isn't completely waterproof), and is shock-resistant. Across the top panel are controls for Power, Bluetooth pairing, Play/Pause, and Volume Up and Down. The Volume buttons double as track navigation buttons if you hold them down rather than tap on them, which can lead to annoying moments in which you advance to the next track when you really meant to raise the volume level. The volume controls work together with, not independently of, your mobile device's volume.

A snap-shut compartment on the right-hand panel houses a 3.5mm Aux input and the micro USB connection for charging. 3.5mm and USB charging cables are included.Divoom Voombox Party inline

The pairing process with an iPhone 5s was quick and simple, and the Voombox Party is also NFC-enabled for easy pairing with compatible devices. Divoom estimates the Voombox Party's battery life at roughly 8 hours, but your results will depend on how loudly you play your tunes. It takes 3 to 4 hours for the speaker to fully charge from a dead battery.

Performance

On tracks with powerful sub-bass content, like The Knife's "Silent Shout," the Voombox Party does something interesting: It really feels like it's delivering rumbling subwoofer-style bass, even though its actual bass response is a bit more modest. For a $119 speaker, however, its bass response is pretty intense—just don't expect actual subwoofer-level depth out of a speaker this size. At top volumes on this challenging track, the Voombox Party doesn't distort, which is impressive given its price. Few speakers this size can imply deep bass levels like the Voombox Party does cleanly.

Bill Callahan's "Drover" gives us a good idea of what the Voombox Party does with tracks that lack gobs of deep bass. Callahan's baritone vocals are delivered with a rich low-mid presence and enough high-mid edge to help them stay clear and in the forefront of the mix. The drums on this track receive a little bit of added low-frequency oomph, but the focus of this track through the Voombox Party is primarily in the midranges. It's not too crisp and not overly bass-boosted, but certainly rich.

On Jay-Z and Kanye West's "No Church in the Wild," the kick drum loop's attack sounds beefy at modest volume levels and thins out at top volumes, which implies there's some pretty active digital signal processing happening here. This means there will be no distortion at top volumes, but it also means, on certain tracks, the Voombox Party will have more bass response at lower levels than it will at full volume. This track, in particular, sounded quite thin at maximum volume, but sounded rich, with some serious thump to the drum loop, at moderate levels.

Classical tracks, like the opening scene in John Adams' The Gospel According to the Other Mary, follow a similar path. At top volumes, the track sounds a bit thinner and the lower register instrumentation takes a bit of a backseat. At moderate-to-high volumes, the bass response brings out the lower register instruments a bit more, making the track sound fuller. The higher register strings, brass, and vocals are always in the forefront of the mix, however, and the sound is fairly bright regardless of the volume level.

One note: At very low volume levels, a hiss is audible on playback. You won't hear this at even moderate volume, but if you plan on only listening at super-low, office-appropriate levels, the Voombox Party is probably not the best choice.

So, the Voombox Party delivers substantial bass response for the price—with the caveat that the bass gets dialed back on certain tracks (usually ones with plenty of low-mid and low frequency content) at higher volumes. If it's fuller bass you seek in a sub-$200 Bluetooth speaker, you might need to lose some of the portability and spend more money, but the Bose SoundLink Mini will not disappoint. If you want a full sound that stays consistent at higher volumes, the Bose SoundLink Color sounds a bit more even regardless of loudness, and manages to deliver reasonably rich bass. Finally, if you're looking to spend less and simply want a quality portable Bluetooth speaker, the Jabra Solemate Mini and the Panasonic SC-NT10 both offer laudable audio performance for lower prices. At $120, the Divoom Voombox Party isn't flawless, but it certainly packs a surprising punch. Add to that its durable build, and we have a winner worth your consideration if this is your price range.

Final Thoughts

For the price, the weather-resistant Divoom Voombox Party portable Bluetooth speaker delivers more bass response than you'd expect. - Divoom Voombox Party

Divoom Voombox Party

4.0 Excellent

For the price, the weather-resistant Divoom Voombox Party portable Bluetooth speaker delivers more bass response than you'd expect.

Get It Now
Best Deal£59.99

Buy It Now

£59.99

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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