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The Best Waterproof Cameras for 2020

If you're thinking about going to an exotic locale and want to take some photos (and video) of a snorkeling expedition, or you just want to capture images poolside, you'll want to use a camera that can get wet on the outside and stay dry inside. Start with our picks for the best waterproof cameras and accessories.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Deeper Dive: Our Top Tested Picks

    Buying Guide: The Best Waterproof Cameras for 2020

    Don't Fear the Water

    Our social media feeds are inundated with images of bright beaches with stunningly perfect palm trees and the deepest blue water. But even taking your camera to the beach can be risky—sand gets in places you'd never think it could—and most models won't survive a quick dip in the ocean.

    You may already own a waterproof camera. The latest top-end iPhones and Android phones are IP rated for submersion for short amounts of time. And the rise of quality smartphones has gone a long way in reducing the number of dedicated point-and-shoots on the market. But even if you're just taking a quick dip and want to snap a selfie, there are reasons not to take your expensive phone into the water.

    If you lose it, you've lost all the data on it. It's especially risky for travelers, as documents like boarding passes and hotel confirmations are often stored on your smartphone. And let's not forget how much a new phone costs, once you've taken your monthly payment plan

    So the answer is to get a waterproof camera. Something that doesn't cost as much—so if something does go wrong, it's not the end of the world. Many waterproof cameras are also ruggedized, so they can survive drops.

    Read on for our top recommendations. We've tested most of them, with a couple of exceptions. We decided to put a disposable 35mm film camera on the list for fun, and haven't delved into the world of testing accessory housings.

    Olympus Tough TG-6

    Olympus Tough TG-6

    Olympus Tough TG-6

    Artboard Created with Sketch.
    4.0
    $379.99 at Best Buy
    See It

    Now in its sixth iteration, Olympus's top-end rugged camera, the Tough TG-6, has owned our Editors' Choice recommendation since it introduced the series in 2012. The TG-6 can go as deep as fifty feet under water, has a bright f/2 lens with a stellar macro function, and records video at 4K quality. It's also tough, with Wi-Fi and a 4x zoom lens.  

    Olympus Tough TG-6 Review

    SeaLife DC2000

    SeaLife DC2000

    SeaLife DC2000

    3.5
    $699.00 at Amazon
    See It

    The SeaLife DC2000 is the best underwater camera from a company you've probably never heard of. It doesn't look that much different from the TG-5—it's about the same size, and the style and controls are similar too. But inside is a sensor that's four times the size, and a lens that's a little brighter. It's not necessarily a crowd-pleaser—the lack of zoom power and generally slow operation make it a niche camera. But serious divers will find it a good option, as it can go as deep as 200 feet using the included case, and is good to sixty feet without it.  

    SeaLife DC2000 Review

    GoPro Hero8 Black

    GoPro Hero8 Black

    GoPro Hero8 Black

    Artboard Created with Sketch.
    4.5
    $348.70 at Amazon
    See It

    Action cameras have replaced traditional point-and-shoots and camcorders for many types of underwater and outdoor work. Their small, go-anywhere designs and ultra-wide lenses make them ideal for mounting—whether it be to a surfboard or dive helmet—and they are built tough. While many of these cameras still require an external case to be waterproof, the GoPro Hero8 Black can go down to 33 feet without one, and offers class-leading video stabilization, making it our top pick  

    GoPro Hero8 Black Review

    Nikon Coolpix W100

    Nikon Coolpix W100

    Nikon Coolpix W100

    3.5
    $249.29 at Amazon
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    The W100 isn't a camera you reach for if you want professional results. But it's a good one to get if you don't want to spend a lot of money. It manages smartphone-quality results in bright light, is able to survive modest drops, and is waterproof to 33 feet. It's also priced around $160, which puts it in the low-cost category. We recommend it as one of our top picks for kids learning about photography as well.  

    Nikon Coolpix W100 Review

    SeaLife Micro 2.0 WiFi

    SeaLife micro 2.0

    SeaLife Micro 2.0 WiFi

    3.5

    If the DC2000 is SeaLife's serious camera, the Micro 2.0 WiFi is its fun one. With a fish-eye lens, a 200-foot depth rating, and big buttons that are easy to press, even when wearing gloves, it's a point-and-shoot for deep sea exploration. Add-on lights are available, also rated for extreme depths, to shed some light on subjects obscured by murky waters.  

    SeaLife Micro 2.0 WiFi Review

    Fujifilm QuickSnap Disposable

    Fujifilm QuickSnap Disposable

    Fujifilm QuickSnap Disposable Water-Resistant Film Camera

    $51.99 at Amazon
    See It

    If you're on a budget, or just want an old-school aesthetic, a disposable, waterproof film-based camera is still a thing you can buy today. For around $10 you can get the Fujfiilm QuickSnap, which is loaded with a 27-shot roll of Superia 800 color film and is rated to survive pressure at depths of up to 35 feet

    Underwater Housing

    Underwater Housing

    Ikelite Panasonic Lumix G7 Underwater Camera Housing

    $715.99 at Amazon
    See It

    If you already have a mirrorless camera or SLR you can take it swimming, but you'll need to protect it. There's a boutique industry out there, offering waterproof housings for popular cameras and lenses. Popular brands include IkeliteNauticam, and Sea and Sea.  

    About Our Expert

    Jim Fisher

    Jim Fisher

    Principal Writer, Cameras

    My Experience

    Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

    The Technology I Use

    I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

    I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

    When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

    I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

    My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

    Read full bio