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CES 2013 Hands On: Fuji X Cameras

 & Jim Fisher Principal Writer, Cameras

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LAS VEGAS—We already covered the specifications and new features of the Fujifilm X100S and X20 after the company's press conference at CES, but now we also stopped by the booth to get some precious hands-on time with the new cameras. Neither has final firmware, so posting images captured with the cameras isn't an option, but there were a couple features that I was eager to see in action. Externally these cameras are very similar to their predecessors—the biggest change being the addition of the Q button that was first seen on the XF1 point-and-shoot.

The focus on both cameras is very fast. Fuji had a test scene set up with a jungle theme and there was no noticeable lag in pressing the shutter, acquiring focus, and firing a shot. This was never an issue with the X10SEE IT—but many reviewers and enthusiast photographers have lamented the focus speed of the X100. Light was ample on the show floor, so how the camera will perform as you pump up the ISO and open the aperture to get a good shot in lower light is yet to be determined.

The X100S has a special Digital Split Image focusing aid, which is implemented in a similar manner to the way a rangefinder patch is on a true manual focus camera like the Leica M9-PSee it at Amazon UK. Instead of seeing two distinct images that you must make overlap exactly to confirm focus as you would with a rangefinder, this focus aid breaks the center patch—shown in black-and-white in both the EVF and on the rear LCD—into four horizontal strips. Line them up into a single image and your shot is in focus. The sharp 2.4 million dot resolution of the EVF—upgraded from the X100's 1.4 million dots—goes a long way to make this a useful feature. It's a neat focusing aid, and one with which rangefinder shooters will feel right at home.

Fujifilm X100s : Digital Split Image Function

The X20 still uses a straight optical viewfinder, but it now has a digital overlay that displays shooting information. The current shooting mode, aperture, shutter speed, and other pertinent data is displayed in a strip at the bottom of the viewfinder. The information is in light, gray text—it doesn't detract from the bright, clean finder, but the color makes it a bit hard to read. The firmware isn't final, and while I couldn't find a way to change the color of the information in the menu, there's still a chance that this option will be added before the camera ships.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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