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Panasonic Lumix DMC-GF6 Features Wi-Fi and NFC

 & Jim Fisher Principal Writer, Cameras

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The latest entry in Panasonic's Micro Four Thirds mirrorless camera line is the Lumix DMC-GF6.

The GF family has traditionally been styled like a point-and-shoot camera with the ability to change lenses. It's now paired with the Lumix G Vario 14-42mm F3.5-5.6 II ASPH Mega OIS zoom lens, which is significantly smaller than the older version of the lens that was bundled with previous GF cameras.

In addition to Wi-Fi, which is becoming more and more common in digital cameras, the GF6 supports Near Field Communication (NFC). When used with a compatible phone, this allows pairing via a single touch, rather than the sometimes-complicated method of setting up a peer-to-peer network between your phone and camera. In addition to sharing, you'll be able to use your phone or tablet to control the camera, complete with a Live View feed on its screen.

The image sensor boasts a 16-megapixel resolution. It can go as high as ISO 3200 in standard mode, but also supports extended sensitivity as high as ISO 25600. The rear LCD is hinged, a first for the GF series, and can face all the way forward so that you can easily capture self portraits. It's 3 inches in size and features a 1,040k-dot resolution.

Despite being compact, the GF6 features a Mode Dial on its top plate, a feature that is sometimes absent from smaller mirrorless cameras. There's also a toggle switch that can enable or disable Intelligent Automatic shooting, and a dedicated movie record button. The rear features a control wheel and buttons to activate Exposure Control and the Drive Mode, as well as two Function buttons. There is a built-in flash, but there's no hot shoe or accessory port; you'll have to look at Panasonic's more advanced GX, G, or GH cameras for access to those features.

Pricing and availability have not yet been announced.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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