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Nikon Details Top-End D4S D-SLR

 & Jim Fisher Principal Writer, Cameras

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Nikon first showed off its newest full-frame D-SLR, the D4S, at CES. The company planned to put in the hands of photographers covering the Winter Olympics in Sochi, and sought to quell speculation by announcing that yes, the camera was coming. But it provided no other details at that time, opting instead to wait until today to reveal its tech specs to the world.

The D4S is the replacement for the D4. Like its predecessor it's a fast-shooting, big camera that's aimed squarely at photojournalists and sports photographers who demand incredibly fast, accurate focus at high frame rates. The D4S uses a new image sensor, but one with the same 16-megapixel resolution of the D4, and a new EXPEED 4 processor that supports continuous shooting at 11fps with autofocus and autoexposure for each shot. An improved mirror return system lessens the blackout time between shots.

The sensor design does include an optical low-pass filter, which has been removed from recent cameras from Nikon, including the current top-end APS-C model, the D7100. Omitting the OLPF increases the absolute sharpness of images, but a Nikon spokesperson stated that low pixel density of the D4S sensor is more prone to color moiré than the 36-megapixel D800E, so it remains a necessity.

Nikon D4S : RearThe low pixel density does give the D4S a distinct advantage compared to other full-frame cameras: Low image noise. We haven't had the opportunity to test it, but the D4 was the best low-light camera to pass through our testing labs in memory, and the D4S promises to better it. The new camera can shoot at ISO 25600 in native mode, and it can be pushed all the way to ISO 409600 in extended mode.

There are also improvements to the autofocus system. Nikon states that the system is faster overall, but there are a few refinements in terms of control that weren't available in the D4. Group Area AF ties groups of focus points together, breaking the focus area into five areas, which will improve accuracy when tracking an object. The focus system now recognizes when you switch from portrait to landscape orientation, and can be set to adjust the active point automatically as you change the orientation of the body—so if you're shooting a subject in landscape orientation and the focus point is at the top-center of the frame, switching to portrait will move the point to what would be the right-center if you had not moved the camera.

Metering is improved as well. Face Detection is active when using the optical viewfinder, which will better expose human subjects. Improved white balance works in conjunction to deliver images with more accurate skin tones. If you shoot in Live View, the camera will react more quickly to changes in exposure. And there are number of time lapse improvements. You can now capture up to 9,999 images in a time lapse (up from a comparatively paltry 999 images), and the camera will balance exposure from shot to shot to compensate for slight changes in lighting, so your time lapses won't have a flickering look.

Nikon D4S : TopEvent shooters who aren't after huge prints can now shoot in Raw format in a reduced resolution. In addition to the standard full-size 14-bit Raw images, the D4S has a 12-bit 4-megapixel Raw option. Other minor upgrades include a Gigabit Ethernet port (the D4 topped out at 100Mbps), and the ability to adjust the color temperature of the rear display.

There are also some improvements of which videographers should take note. The D4S can record in 1080p60, up from 30fps. The HDMI port still supports clean output for use with a field recorder, but it can now simultaneously record compressed footage to a memory card as well. Audio levels can be adjusted while recording, and the frequency can be set to a wide range to pick up ambient sound, or a more narrow frequency to isolate voices.

There are some slight changes to the control surfaces of the camera, but no major physical differences. The D4S has dual card slots (one CF and one XQD), and it includes a new ENEL18A battery that's rated for 3,020 shots per charge. Older ENEL18 batteries are also supported.

The D4S is set to ship on March 6. Its price is higher than the D4, so be prepared for some sticker shock: $6,499.95.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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