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Hands On With the AirDog Drone

 & Jim Fisher Principal Writer, Cameras

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LAS VEGAS—Shortly after getting into town for CES 2016 last Monday I found myself being driven out to a seemingly random spot in the remote Nevada desert. I've see Casino—I know that this scenario hadn't ended well for others. But my safety wasn't in danger—El Chapo wasn't waiting for a clandestine interview. Instead I was heading out of town to check out the AirDog, a drone that's designed to follow and film its owner.

CES 2016 Bug ArtMany of the drones I've flown have some sort of automated follow feature. But it's usually a secondary function. Consumer models like the DJI Phantom 3 Professional are piloted via remote control so you can fly where you want to fly, adjust the camera to your liking, and later edit together footage into an aerial landscape video, or incorporate it into a larger project.

AirDog doesn't include a remote control. Instead it ships with the waterproof AirLeash, a wristband that lets the drone know where you are. A monochrome LCD also displays the status of the drone, controls to navigate through menus, and a return-to-home button.

There's no integrated camera. Instead you can mount your own GoPro. That seems like a logical choice, as it's something that many outdoor sports enthusiasts already own. It's stabilized by a gimbal and mounted at the nose of the drone. The AirDog itself is bright purple and yellow. Its purple arms fold in for easier transport and storage. It can fly for 10 to 18 minutes, depending on wind conditions. It's designed to remain stable even in high winds, but if they are too strong, greater than 28 knots, the AirDog won't take off.

The AirDog flies differently based on your sport of choice. (You need to tell it what you're doing—it's smart, but not that smart.) It has settings for surfing, kick boarding, snowboarding, skiing, skateboarding, wake boarding, and mountain biking. It will stay upwind of you when used with a sport that involves lines between you and an an object, like wake boarding, and won't land in the water when you're surfing.

AirDog

I got to see the AirDog in action as it followed a cyclist on a mountain trail. Its framing was off a bit at the very beginning of the ride, but it quickly corrected that and kept the bicycle in frame. I opted to set the GoPro to record at 2.7K resolution in order to maintain a 60fps capture rate, but if you don't mind the look of 30fps you can opt for 4K with certain models.

The top speed is 42mph, and the AirDog can maintain a connection with the AirLeash at distances of up to 820 feet. It can operate at high altitude, up to 11,500 feet above sea level, and can follow you at as little as a 16.5-feet altitude and a 13-foot distance. But for most sports AirDog recommends a slightly higher altitude (23 feet) and longer distance (16.5 feet).

Sensors in both the drone and the AirLeash help the drone follow you properly, even when moving downhill. The drone itself has downward-facing collision sensors to help avoid crashes, but it has no forward-facing collision detection mechanism.

If you're looking for a traditional drone that you can pilot yourself, look elsewhere. But if you're an adventure sports enthusiast and you want to capture some pro-grade aerial footage of your exploits, the AirDog is worth consideration. It's scheduled to ship in April and is priced at $1,599.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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