PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Barring a Christmas Miracle, a DJI Drone Ban Looks Inevitable. Here's What That Means for You

On Dec. 23, DJI drones are set to be pulled from the US market unless a security audit is completed. There's been no audit thus far, so the ban is all but certain. What does this mean for anyone who flies drones or makes content with them? Let’s break it down.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
(Credit: DJI)

DJI is mere days away from getting the Huawei-ZTE treatment from the FCC. Its drones and cameras are set to be added to the agency's covered list on Dec. 23, and the only thing that can save it is a security audit, and no agency has taken up the task. This comes after a year in which DJI has faced significant challenges with US customs that have delayed product launches and restocks. Recent releases, including the Neo 2 have skipped the US market, and others like the Mini 5 Pro have faced delays and limited retail availability. Read on to find out what's going on with DJI drones in the US, and why the situation could soon get much worse.


Why Is DJI Under Scrutiny?

DJI announced several products this year, but all have faced delays or haven't been released in the US at all. In a blog post, DJI places the blame on US Customs and Border Protection (CBP), while CBP cites violations of the Uyghur Forced Labor Prevention Act as the reason to hold imports. DJI denies violating this law. Regardless of who you believe, it's been feast or famine when shopping for DJI gear all year—there were times when you could get pretty much any product delivered in a day, and others when everything from DJI was sold out.

Meanwhile, DJI faces a potential blanket ban on marketing future releases in the US. The 2024 National Defense Authorization Act (NDAA) requires a security audit of the company's product line. If it's not performed by Dec. 23, DJI will be added to the FCC Covered List, which means that it will be unable to introduce new products into the US at all.

The Neo 2 is the latest DJI drone to go on sale internationally, but not in the US.
(Credit: DJI)

DJI has reached out to all the agencies that could perform the audit as recently as Dec. 3, and sees no sign of progress, Adam Welsh, the company's Head of Global Policy, tells me. He points to the fact that any one of five agencies (the Department of Defense, Department of Homeland Security, Director of National Intelligence, Federal Bureau of Investigation, or National Security Agency) could complete the audit by law. Since no specific agency has the responsibility, the audit has become a hot potato, with no one stepping up to complete the work. Welsh is also skeptical that a security audit, even if started immediately, could be completed within such a short window.

That doesn't quite answer the question as to why the feds have turned a magnifying glass toward the DJI brand. Welsh tells me that he believes the attention started after the Pentagon noticed that soldiers were using personal funds to buy DJI drones and operating them on bases and in theaters of operation without clearance. The Pentagon specifically named DJI in a 2017 memo that asked soldiers to end the practice. In ensuing years, DJI was added to the Commerce Department's Entity List surrounding its alleged role in China's Uyghur genocide, which DJI denies. Simply put, DJI has been on the US government's radar for years.


What Does a DJI Ban Look Like?

Assuming nothing changes, DJI will be added to the FCC Covered List on Dec. 23, which means that it won't be able to release new products in the US. The FCC holds a lot of power over the consumer electronics market—it must approve every device with wireless components before it's allowed to go on sale in the US. DJI wouldn't be the first Chinese brand on the list; Huawei and ZTE were added in 2022.

The Mini 5 Pro is the best drone that you can't buy in the US.
(Credit: DJI)

Pretty much everything DJI makes has some sort of wireless component built in, so that puts a kibosh on any future introductions. While most associate the brand with its drones, DJI also makes cameras and smartphone gimbals under its Osmo imprint, as well as cinema equipment under the Ronin banner.

What about products that have already been approved? The FCC just gave itself the power to revoke product approval retroactively. That leaves the door open for products that are currently on sale to be pulled from retail shelves. It's not an automatic ban, like the one in the NDAA; however, the commission would have to review products on a case-by-case basis.

DJI's other product lines, including the Osmo Action series, are covered under the NDAA ban.
(Credit: Jim Fisher)

As for items you already own and use, the FCC prohibitions are about sale, not use. Your DJI drone, camera, or gimbal will continue to work just as before. However, you may have a difficult time getting it repaired and will need to consider another brand when it's time to replace your equipment.


Effects on the Drone Industry

When it comes to consumer drones, there's DJI, and then there's everyone else. DJI beats other brands in camera quality and safety features, so losing access to its products will simply be devastating for drone enthusiasts, vloggers, filmmakers, and others who use DJI gear for aerial video and photography. The closest I've tried—the Potensic Atom 2—is a good performer among budget drones, but I haven't seen any competitors match the Mini 4 Pro or Mavic 3 Pro in terms of camera quality or aerial performance. 

The Potensic Atom 2 is an excellent performer among value drones, but doesn't compete with DJI's midrange and professional line when it comes to picture quality.
(Credit: Jim Fisher)

Professionals who rely on drones for business, farmers who use them to monitor fields, and law enforcement officers who use them for search and rescue are left in a similar lurch. DJI's Welsh tells me that around 450,000 US individuals use DJI drones to earn a living; it's estimated to be a $116 billion industry. Those jobs are in jeopardy, and a survey of members of the Drone Service Providers Alliance shows that two-thirds of its membership expect to go out of business without access to DJI drones.

Drone pilots and content creators who rely on DJI equipment have reason to be concerned about the forthcoming ban. The Drone Advocacy Alliance, which describes itself as a grassroots advocacy coalition (and includes DJI as a member), is urging drone owners to contact their congressional representatives and senators.


Waiting in the Wings?

You still have a few weeks to get a DJI drone if you want one, but what about next year? I've mentioned the Potensic Atom 2 as a good performer at the entry level; I'd compare it favorably with the DJI Mini 2 4K. The Antigravity A1, the first drone with an Insta360 camera built in, is also set to go on sale next year. I just reviewed the A1 and think that its camera opens up some creative freedom that typical drones don't provide, but its image quality lags behind DJI's best.

GoPro and Insta360 offer alternatives to DJI's action camera line, though neither has an answer for the Osmo Pocket 3, which is one of the most popular vlogging cameras among YouTubers. Both brands make smartphone gimbals, too, so DJI doesn't have a stranglehold on these categories as it does with drones. For full-size gimbals, Zhiyun is the obvious fallback brand for Ronin owners, though its line isn't as well-suited for use in cinema and commercial production.

For now, you can still get many of DJI's products. Make sure to read our buying guides if you're in the market for a drone, gimbal, action cam, or vlogging camera. We'll be closely monitoring the latest developments in the potential DJI ban, so stay tuned to PCMag for all your drone coverage.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio