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Full-Frame DJI Inspire 3 Drone Takes Flight

The latest cinema drone from DJI includes a full-frame 8K camera and all-around obstacle avoidance.

 & Jim Fisher Principal Writer, Cameras

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While consumer drones have gotten smaller and lighter over the years, the models used on set for cinema production are still relatively large aircraft. The DJI Inspire 2 is a standard option since its introduction, and while it enjoyed a very long time in market thanks to an upgradeable camera system, DJI is finally retiring it in favor of a new model, the Inspire 3.


Big Drone for Full-Frame Cinema

The Inspire 3 shares its basic form and style with the Inspire 2. Both are quadcopters with bottom-mounted cameras and clever retractable landing gear. Putting the gimbal below the drone, instead of in the nose, allows the camera to rotate 360 degrees, without obstructions, for shots that you simply won't get with a backpack-friendly drone like the Mavic 3 Cine.

DJI Inspire 3, three-quarter profile
Inspire 3

The new bird looks much like the old one, with a gray magnesium chassis and carbon fiber landing gear. The airframe itself is redesigned to be lighter and fly longer, with a 20% improvement in efficiency. The drone supports a top airspeed of 58.4mph, with up to 28 minutes of air time on battery charges. All-around obstacle avoidance is included, a welcome safety measure given the drone's power.

As for the camera, the Inspire 3 ships with a brand new camera, the Zenmuse X9-8K Air Gimbal. As its name implies, the X9 supports 8K recording, with 24/25fps available in CinemaDNG format, up to 75fps slow-motion in Apple ProRes Raw. The drone ships with a DJI PROSSD 1TB for storage.

DJI Inspire 3, Zenmuse X9-8K camera
DJI Inspire 3 and Zenmuse X9-8K camera

The X9 supports swappable lenses and mounts. It can take DJI DL lenses or the more popular Sony E. DJI has a set of four primes for DL, but there are far more angles and looks to choose from in E-mount. Regardless of lens choice, footage benefits from the DJI Cinema Color System (DCCS) profile, and the CinemaDNG format offers ready room for color correction.


Built for Crews

While it's possible for single operators to fly the Inspire 3, it's full of features made for crews and two-person teams. The drone itself has a wide angle, onboard camera with color night vision, so a pilot can safely navigate the aircraft in all types of environments, while a camera operator can concentrate on getting shots with the Zenmuse X9. The drone is able to broadcast its feed to multiple receivers, too, so a director can view all the action.

DJI Inspire 3, close-up of airframe without batteries
DJI Inspire 3 airframe without batteries

For operators without assistants, automated shots are available too. The Inspire 3 supports programmable waypoint missions for repeated flights, plus a virtual dolly that simulates the cable cam look. Subject tracking is also supported, with a machine-learning-trained Spotlight system that promises cinematic tracking of single objects, so single operators can concentrate on flight controls.


Pricing and Availability

The DJI Inspire 3 goes on sale at the end of June for $16,499. The price represents a ready-to-fly kit, with the aircraft, X9-8K camera, RC Plus controller, six batteries, charging hub, 1TB SSD, trolley case, and sundries. A lens is not included; DJI DL primes cost between $1,200 and $1,300 each.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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