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Autel Targets DJI With Slimmed-Down Evo Drones

The four new Evo Nano and Lite models on show at CES were first teased last year and should drive some competition to keep rival DJI on its toes.

 & Jim Fisher Principal Writer, Cameras

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Autel Robotics is expanding its camera drone line to better match up against market leader DJI. The new models, dubbed Evo Nano and Evo Lite, are sized down from the heftier Evo II Pro, reviewed by PCMag last year. Each is available in a standard version, or a Plus edition with an upgraded camera.

Like the Evo II Pro, the Nano Lite models have fewer built-in flight restrictions than models from DJI, adding appeal for pilots who don't want to deal with geofences and locked out flights. Operators need to take extra care to ensure they are flying in allowable airspace.


Evo Nano

Autel Evo Nano in flight
Autel Evo Nano in flight

The Evo Nano is a member of the smallest class of consumer camera drone, a direct competitor to the DJI Mini 2. Like the Mini 2, it sports a 249g takeoff weight, so there's no need to register the drone with the FAA for legal flight in the US. Quadcopters that weight 250g or more are subject to a $5 registration fee.

To meet its light weight, the Nano is small, with folding arms for easy transport, and a battery that can keep it flying for up to 28 minutes at a time. It includes forward, aft, and downward-facing obstacle sensors, and captures the world with a nose-mounted camera, stabilized with a three-axis gimbal. It's available in four color options: Arctic White, Autel Orange, Blazing Red, and Deep Space Gray.

Unlike the EVO II Pro, the Nano requires a smartphone to fly. Its remote doesn't include its own screen to show the camera view; instead it relies on an Android handset or iPhone to control and view through the camera using the Autel Sky app. The drone doesn't include any internal memory, but does have a slot for microSD cards.

Autel Evo Nano color options
Autel Evo Nano color options

Autel is selling the Nano in two versions. The basic Nano camera has a smartphone-sized 1/2-inch image sensor with support for 4K30 video and 48MP stills, fixed focus optics, an F2.8 lens, HDR photos, and a blurred background portrait mode option. It starts at $649, a $200 premium versus the DJI Mini 2, but also comes with some extra features, notably obstacle sensors, and a camera that's closer in performance to the midrange Mavic Air 2. The basics are included with the $649 configuration, but you can also get the Premium $799 bundle with extra batteries and a carrying case.

For $799, you can step up to the Nano+, or splurge on the Nano+ Premium bundle to enjoy extended flying times and a carrying case. The Nano+ has a different camera than the Nano, one with an innovative image sensor.

Evo Nano slides into a pocket
Evo Nano slides into a pocket

The Nano+ sensor is a 1/1.28-inch class, in between the Nano and 1-inch sensor drones in size, and promises to do a better job in dim light than the regular Nano. The lens sports an F1.9 aperture, one that gathers twice the light as an F2.8, and eschews the standard RGGB Bayer color filter array for an RYYB design. It uses yellow filters instead of green to interpolate color images and promises an additional 40% efficiency in gathering light. In addition, the Nano+ has focusable optics, with a hybrid contrast and phase detection autofocus system onboard.

RYYB sensors are a relatively new thing—the Nano+ is the first drone to include the color filter design, and it's one that has yet to make its way into enthusiast and professional swappable lens cameras. We're eager to see how it performs, especially in regards to color fidelity.


Evo Lite

Evo Lite in flight
Evo Lite in flight

Autel's other new aircraft, the Evo Lite, is closer in size to the DJI Mavic Air 2 and Air 2S drones. That means you will have to deal with FAA registration in order to fly it—the aircraft comes in at 1.8 pounds (835g), well above the 250g registration figure. It follows the same basic design paradigm—a small drone with folding arms, a nose-mounted camera, available in the three color options: Arctic White, Autel Orange, and Deep Space Gray.

Evo Lite and remote
Evo Lite and remote

The bigger quadcopter has room for a beefier battery, one that can keep it in the air for up to 40 minutes of flying time. It includes three-way obstacle avoidance sensors, offers 6GB of internal storage plus a microSD expansion slot, and uses the same remote and smartphone companion app as the Nano series.

The standard edition of the Evo Lite uses the same 50MP RYYB camera as the Nano+, but mounts it on a four-axis gimbal instead of the standard three-axis model. The extra movement adds support for vertical portrait orientation video and stills, and improved processing power ups the top video frame rate to 4K60. The Evo Lite is priced at $1,149 in a ready-to-fly configuration with the remote and a single battery, and can be had in Premium bundle with three flight batteries and a carrying case for $1,549.

Carrying case included with premium bundle
Carrying case included with premium bundle

The Evo Lite+ goes even further with its camera, moving to a 1-inch class sensor, similar to what you get with the Evo II Pro and DJI Air 2S. The Lite+ camera supports 20MP stills, up 6K30 or 4K60 video, and three-axis gimbal stabilization—Autel swapped support for vertical video in favor of the larger camera for this model. Like the Evo II Pro, the Lite+ includes an adjustable F2.8-11 aperture, so you won't be as reliant on neutral density filters to keep shutter speeds set for video when flying in daylight.


Dragonfish Pro for Enterprise

Autel has one more drone at CES, but it's not one for consumers. Instead, its Dragonfish Pro drone is targeted to enterprise, with three-hour airtime, an 18-mile operating range, and a hybrid design that is part airplane and part helicopter—its VTOL rotors are reminiscent of the V-22 Osprey. Don't expect to add one to your camera bag, though, as use cases are purely industrial and pricing starts at a staggering $99,000.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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