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Sony's Airpeak S1 Drone Is Made for Alpha Mirrorless Cameras

Airpeak delivers more lift and power than similarly sized drones and promises close integration with Sony a-series mirrorless cameras.

 & Jim Fisher Principal Writer, Cameras

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Sony's mirrorless camera system is the darling of YouTubers, vloggers, and pro photographers. It's a mature system, with the widest selection of lenses and accessories you can find for any mirrorless line. And, with the introduction of the Airpeak S1 drone, the only system with a tightly integrated platform for aerial imaging.

The Airpeak S1 is still under development, but Sony has meted out some information ahead of a planned autumn launch. It's a larger aircraft, similar in size and shape to the DJI Inspire 2, but with more power for beefier payloads, quicker acceleration, and full remote camera control.

Sony Airpeak S1
Sony Airpeak S1 (Image: Sony)

The quadcopter includes safety features too. Onboard cameras map the surrounding environment to brake when obstacles are detected and help keep it steady when GPS isn't available. With GPS enabled you'll get return-to-home, a customizable geofence, and other basic safety features.

Built, and Priced, for Cinema

Sony is targeting high-end users with this one too. The S1 is more likely to be used in production environments, and is priced in line. It starts at $8,999.99, a figure that does not include the price of a camera, lens, or gimbal, or even spare propellers. You get the S1, a single remote control, two flight batteries, and four propellers in the kit.

That's not everything you need to get started. The gimbal isn't included, for one. It's the only piece of the package not developed by Sony. Instead the S1 uses a custom edition of the Gremsy T3, with design changes made specifically to match this aircraft. Pricing isn't available, but the standard edition of the T3 sells for $1,749. You shouldn't be surprised if the Airpeak edition costs more.

Sony Airpeak S1
Sony Airpeak S1 (Image: Sony)

It's an expensive proposition, one that puts you over the $10,000 mark without even taking the cost of the camera, spare propellers, extra batteries, and a carrying case into account. If you had expected Sony to deliver a consumer drone to compete with the DJI Mavic Air 2, you are in for some disappointment.

Dual Operator Support

Pros will absolutely want a second remote. The Airpeak S1 supports dual operator control. For use in cinema, that means you'll have a licensed pilot operating the aircraft and a cinematographer handling the camera and gimbal controls.

It's a good idea to have a pilot paying attention to piloting. The S1 has more get-up-and-go than the already-speedy DJI Inspire 2. The S1 accelerates from 0 to 50mph in 3.5 seconds (versus 5 seconds for the Inspire 2), is stable in 44.7mph wind, and can fly at just under 56mph without a payload.

Airpeak S1 Remote
Remote Control (Image: Sony)

Extra flight batteries are important too. The S1 is powered by two flight batteries, but is only good for about 22 minutes of flight time without a payload. With the a7S III and 24mm F1.4 GM loaded, a pretty standard kit for aerial work, airtime is cut down to 12 minutes. You'll want to have your shots planned out before you take off.

Compatible Cameras and Software

It makes your choice of camera matter. The S1 supports the Sony a1, a9 II, a7S III, a7R IV, and FX3 and FE prime lenses from 14mm through 85mm. You'll get more flight time with a slimmed-down package built around the FX3, a small lens like the FE 24mm F2.8 G, than you will with a heavier camera and lens.

You'll enjoy full control of a Sony camera via the remote. Sony isn't officially supporting other brands, but the gimbal uses standard HDMI and USB connections to communicate with a camera, so you'll still receive a live video feed when using another brand.

Sony Airpeak S1
Sony Airpeak S1 (Image: Sony)

Software support matters too. The Airpeak S1 requires an iOS device to run its control app, and Sony hasn't yet committed to developing a version for Android devices. The S1 remote is big enough to hold a tablet, and Sony expects more operators to use iPads as a display due due to the large screen size.

Web-based software is included too. Airpeak Base is a cloud app for fleet management—useful for rental houses and production studios. It also includes mission planning tools for preset waypoints and camera movements and a logbook so you can review previous flights.

We'll have more details on the Airpeak S1 when its release date nears. Sony expects to ship units this fall.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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