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Olympus PEN Lite E-PL5

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Olympus PEN Lite E-PL5 delivers the performance of the top-end Olympus OM-D E-M5 in a smaller package and at a fraction of the price. - Olympus PEN Lite E-PL5
4.0 Excellent

The Bottom Line

The Olympus PEN Lite E-PL5 delivers the performance of the top-end Olympus OM-D E-M5 in a smaller package and at a fraction of the price.

Buy It Now

Pros & Cons

    • Tilting rear display.
    • Optional EVF available.
    • Removable front grip.
    • In-camera art filters.
    • Sharp kit lens.
    • Good high ISO performance.
    • Fast shot-to-shot and focus times.
    • No built-in flash.

Olympus PEN Lite E-PL5 Specs

35mm Equivalent (Telephoto) 84 mm
35mm Equivalent (Wide) 28
Battery Type Lithium Ion
Dimensions 2.5 by 4.4 by 1.5 inches
Display Resolution 460000
Lens Mount Micro Four Thirds
Maximum ISO 25600
Maximum Waterproof Depth 0
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 3 x
Sensor Resolution 16
Sensor Type CMOS
Stabilization In-Body
Touch Screen
Type Mirrorless
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type None
Weight 11.4

The Olympus PEN Lite E-PL5 ($699.99 direct with lens) is the mid-level entry in the company's line of compact Micro Four Thirds cameras. It's a bit bigger than the PEN E-PM2, but doesn't quite have the advanced control layout found in the PEN E-P3 . Under the hood, the camera has the same 16-megapixel image sensor and processing engine found in our Editors' Choice for high-end compact interchangeable lens cameras (CILCs), the Olympus OM-D E-M5 See it at Amazon UK, so it's no surprise that its image quality and performance are excellent. It isn't quite enough camera to knock our entry-level Editors' Choice CILC, the Sony Alpha NEX-F3 £599.98 at Amazon UK from its perch, but Micro Four Thirds shooters will be hard pressed to find a better compact body than the PEN Lite.

Design and Features

The E-PL5's body isn't that much bigger than a large point-and-shoot camera. At 2.5 by 4.4 by 1.5 inches, it's actually smaller than the fixed-lens Fujifilm X10 SEE IT, although the PEN's size advantage is diminished when you attach a lens. It feels a little heavy for its size given its 11.4-ounce weight. The E-PL5 is available in black or silver with a black handgrip, or in white with a tan grip. If you aren't happy with the color of the grip, you can replace it with a gray checked or brown striped grip, each available for around $45, or simply remove it and use the camera sans grip.

The bundled lens is a 14-42mm zoom (28-84mm equivalent). It's the same collapsible design that Olympus has bundled with previous generations of PEN cameras. It's about 2 inches shallower when collapsed, which makes it easier to squeeze into your camera bag.

The 3-inch rear LCD supports touch input, so you can select a focus point, fire the shutter, and swipe through photos during playback. The display is hinged so that it tilts up or down, making it possible to use the camera above your ahead or at your waist. Its 460k-dot resolution is adequately sharp, but it's not as crisp as the 921k-dot display found on Sony's NEX-F3.

The control layout is more robust than that of the PEN E-PM5, but still leaves a bit to be desired. There's a mode dial on top, as well as dedicated buttons to control Exposure Compensation, the Drive Mode, and flash control. If you're shooting in Aperture or Shutter Priority mode you'll first have to tap the EV Compensation button to gain access to aperture and shutter speed control. Other cameras with a similar wheel simply let you move it to the left or right to adjust the aperture or shutter when shooting in those modes.

Additional shooting settings are adjusted via an overlay menu, accessed via the OK button in the center of the rear dial. From here you can adjust Metering, Autofocus, ISO, and other common settings.

The PEN Lite supports the same art filters built into the E-PM2. Changing the top mode dial to the Art setting gives you access to numerous in-camera effects, all of which are previewed in real time. You can capture grainy black and white photos, emulate a pinhole camera, apply a sepia tone to monochrome images, and use the miniature effect to make real-life scenes look like scale models. When in Art mode your photos are saved in JPG mode, but you shoot Raw and JPG simultaneously an unprocessed Raw image will be saved as well.

There's no Wi-Fi support, which is becoming more common in both point-and-shoot and compact interchangeable lens cameras. Olympus recommends that you use a Toshiba FlashAir card to add wireless support, and is offering one for free via mail-in rebate with the purchase of the E-PL5 through the end of 2012. If you want a mirrorless camera with integrated Wi-Fi, consider the Samsung NX1000 SEE IT. It offers one of the best implementations of the technology, one that lets you post photos directly to Facebook and other social networking sites directly from the the camera.

Final Thoughts

The Olympus PEN Lite E-PL5 delivers the performance of the top-end Olympus OM-D E-M5 in a smaller package and at a fraction of the price. - Olympus PEN Lite E-PL5

Olympus PEN Lite E-PL5

4.0 Excellent

The Olympus PEN Lite E-PL5 delivers the performance of the top-end Olympus OM-D E-M5 in a smaller package and at a fraction of the price.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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