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Canon EF 180mm Macro f/3.5L USM

 & Jim Fisher Principal Writer, Cameras

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Canon EF 180mm Macro f/3.5L USM - Digital Cameras (unknown)
4.0 Excellent

The Bottom Line

The EF 180mm Macro f/3.5L is a sharp telephoto macro lens for Canon D-SLRs. It supports 1:1 magnification, but lacks image stabilization.
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Pros & Cons

    • Very sharp.
    • 1:1 magnification.
    • Includes hood and tripod collar.
    • Expensive.
    • Lacks image stabilization.

Canon EF 180mm f/3.5L Macro USM Specs

Type Lens

The EF 180mm Macro f/3.5L USM ($1,579 list) is a telephoto prime lens for Canon cameras that features macro shooting capability. At its closest focusing distance it supports 1:1 magnification, which means that an object in the image frame will be projected onto the camera's sensor at its actual size. The lens can also be used as a standard telephoto optic—there's a switch on the side of the barrel that allows you to choose between the full focus range for autofocus or to only try and focus on objects that are close to the front element of the lens. One downside to using the lens as a handheld telephoto optic is the lack of image stabilization—something that the similar Sigma 150mm F2.8 EX DG OS HSM APO Macro does include.

The lens is very long, but not overly wide—it measures 7.3 by 3.3 inches and is heavy at 2.4 pounds. A tripod collar, which wraps around the lens near its base, is included. It's a good idea to use it rather than your camera's tripod socket, as it evens out weight distribution to lessen the amount of stress placed upon the lens mount. Standard 72mm filters are supported, and the front element is stationery so using a polarizing filter is feasible. A lens hood and carrying case are included.

I used Imatest to check the sharpness of the lens when paired with the full-frame Canon EOS 6D. I also shot the lens with the APS-C Canon EOS Rebel T4i, whose smaller sensor gives the lens a field of view that is nearly 300mm, which came in handy at a baseball game. The lens puts up impressive sharpness figures—it notched 2,414 lines per picture height at f/3.5, well in excess of the 1,800 lines that mark a sharp photo. Performance increases a bit at f/8, where it hits 2,497 lines. Distortion is not a concern—there is only a negligible 0.2 percent shown in test results. The Sigma 150mm is not as sharp at f/2.8 at 1,843 lines, but it does hit 2,400 at f/4 and comes close to 3,000 lines at f/8.

Aside from the lack of image stabilization, which is not a concern when it comes to macro tripod work, there isn't much negative to say about the Canon EF 180mm Macro f/3.5L. It's expensive, but its price is not out of line for its class—the Sigma 150mm is priced at $1,600, although it often sells for much less, and Nikon's similar AF-S Micro-Nikkor 200mm f/4D IF-ED costs nearly $1,800. If you can live with the slightly wider field, choosing the Sigma will add image stabilization without sacrificing magnification or sharpness at comparable apertures—but there's very little chance that you'll be disappointed by the images that this Canon macro lens can capture.

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Final Thoughts

Canon EF 180mm Macro f/3.5L USM - Digital Cameras (unknown)

Canon EF 180mm Macro f/3.5L USM

4.0 Excellent

The EF 180mm Macro f/3.5L is a sharp telephoto macro lens for Canon D-SLRs. It supports 1:1 magnification, but lacks image stabilization.

Get It Now
Best Deal£2095.23

Buy It Now

£2095.23

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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