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Olympus Tough TG-3

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Olympus Tough TG-3 is a worthy successor to the TG-2. Despite some image noise, it's still the best rugged camera we've tested. - Olympus Tough TG-3
4.5 Outstanding

The Bottom Line

The Olympus Tough TG-3 is a worthy successor to the TG-2. Despite some image noise, it's still the best rugged camera we've tested.
Best Deal£331.61

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£331.61

Pros & Cons

    • Wide aperture f/2 lens.
    • Microscope macro mode.
    • Waterproof to 50 feet.
    • Very quick focus.
    • 5fps burst shooting.
    • Accepts filters and lens accessories.
    • Macro LED light.
    • GPS and Wi-Fi.
    • Images on the noisy side.
    • In-camera battery charging.
    • Zoom and focus are audible on video soundtrack.

Olympus Tough TG-3 Specs

35mm Equivalent (Telephoto) 100 mm
35mm Equivalent (Wide) 25
Battery Type Lithium Ion
Dimensions 2.6 by 4.4 by 1.2 inches
Display Resolution 460000
Maximum ISO 6400
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 4 x
Sensor Resolution 16
Sensor Size 1/2.3" (6.2 x 4.6mm)
Sensor Type BSI CMOS
Stabilization Sensor Shift
Touch Screen
Type Compact
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type None
Weight 8.7

Since the introduction of the TG-1, Olympus has been on the top of our recommendation list for tough cameras. Its latest effort, the TG-3 ($349.99), adds a few features that were absent in the TG-1 and TG-2, including Wi-Fi and a robust Microscope macro mode that supports in-camera focus stacking. Its 16-megapixel image sensor introduces a bit more noise in photos than previous 12-megapixel models, but the wide-aperture f/2 lens captures a lot of light so you can keep it set at a reasonable level. And there's a unique LED light accessory available for macro illumination. The TG-3 is a worthy successor to its predecessor, and follows it as our Editors' Choice for rugged compact cameras.

Design and Features
Like the two models that came before it, the TG-3 eschews the standard corner lens design that most rugged compacts adhere to. Instead, it places the lens right in the middle of the body, just like most compact cameras. Despite its urged exterior, it's still quite pocketable at 2.6 by 4.4 by 1.2 inches (HWD) and light at 8.7 ounces. This is par for the course for tough compacts—the Olympus Tough TG-850, which is a solid option if you're on a budget, is just a bit smaller and lighter at 2.5 by 4.3 by 1.1 inches and 7.7 ounces. The TG-3 is available in black or red; we received a red unit for review and it's a good-looking camera.

Olympus Tough TG-3 : Sample Image

The central position of the TG-3's lens enables Olympus to design accessories to mount around it. There's a beauty ring around the lens that can be removed to reveal a bayonet mounting system. You can add a filter adapter to utilize 40.5mm threaded filters, and there are also fisheye ($139.98) and telephoto ($129.98) converter lenses available. One new accessory for the TG-3, but also compatible with the TG-1 and TG-2, is the LED Light Guide ($40.99), which redirects the light that the macro LED next to the camera flash outputs so that it surrounds the lens. The illumination produced is similar to a ringflash, like the model from Photojojo that we reviewed a while back, so you can really make the most out of the TG-3's macro capabilities.

The lens is a modest 4x zoom that covers a 25-100mm (full-frame equivalent) zoom range. At its wide end it opens up all the way to f/2, a setting at which it captures quite a bit of light, but the aperture does narrow to f/4.9 when zoomed all the way in. Like most compacts, the TG-3 uses a 1/2.3-inch image sensor. As a rule of thumb, cameras with larger sensors are more capable in terms of imaging, but small sensors do have an advantage when it comes to macro focusing.

Olympus Tough TG-3 : Focus Stacked Macro Sample Image

The TG-3 has a Microscope mode that focuses to nearly the front protective lens cover. In order to take advantage of this capability, you'll need to set the mode dial to Microscope. It zooms the lens to the 1.2x (30mm) position, and it works throughout the rest of the zoom range, through 100mm. Once you've got Microscope enabled, you can focus on objects that almost touch the lens, but when working that close you'll notice that your depth of field is quite shallow. If you'd like more of your subject to be in focus, you can enable Focus Stacking, which narrows the aperture and takes a series of exposures, each at a slightly different point of focus. Those are blended together in a single shot that captures more of the subject in focus, and saves it alongside the first image that was captured. It's a neat trick, but it does require you to be working on a tripod (or to have a very steady hand) and with an immobile subject to work effectively.

There's also a Focus Bracketing mode that works in a similar manner, capturing ten images, each at a different focal point. It doesn't blend them together—you'll have to do that yourself in Photoshop—but if you choose not to blend, you can pick the image with the best focus point from the bunch to share with the world. The final Microscope setting is Microscope Control mode; it's identical to the standard version, but instead of showing you the zoom ratio, it lists the maximum magnification ratio at the current zoom setting. When the camera is set to its 30mm position, it's a 2.9x factor, and at 100mm it's 11.1x—needless to say, the TG-3 is a great choice if you like to hone in on small details of our world.

Final Thoughts

The Olympus Tough TG-3 is a worthy successor to the TG-2. Despite some image noise, it's still the best rugged camera we've tested. - Olympus Tough TG-3

Olympus Tough TG-3

4.5 Outstanding

The Olympus Tough TG-3 is a worthy successor to the TG-2. Despite some image noise, it's still the best rugged camera we've tested.

Get It Now
Best Deal£331.61

Buy It Now

£331.61

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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