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Sony FDAEV1S Electronic Viewfinder

 & Jim Fisher Principal Writer, Cameras

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Product not yet reviewed by PCMag Editors. - Sony FDAEV1S Electronic Viewfinder

Pros & Cons

Sony's FDAEV1S Electronic Viewfinder ($349.99 direct) is compatible only with the company's Alpha NEX-5N ($699.99, 4.5 stars) digital camera. The compact viewfinder plugs into the camera's accessory port, adding eye-level framing capability. Intended for shooters who prefer a viewfinder to the camera rather than the using the rear LCD for framing photos, the viewfinder can also tilt 90 degrees, which is helpful when using the camera on a tripod set low to the ground.

Eschewing traditional LCD technology, the OLED display packs two million dots into a small form factor, presenting a crisp image that is equally bright from corner to corner. I haven't had the opportunity to extensively test the viewfinder, but I did have a brief hands-on with it at a press event. It's the best EVF I've used, and I preferred it to a D-SLR with a pentamirror viewfinder in a side-by-side comparison. It may not be up to the standards of high-quality pentaprism finders found in nicer D-SLRs, but if you're a NEX-5N owner and prefer eye-level shooting, there is no better option.

The EVF's field of view is 100%, so you'll see everything that your camera's lens does. A built-in diopter can be adjusted from -4 to +1, allowing you to adjust it to best match your vision. It measures 1.4 by 1.1 by 1.6 inches (HWD) and weighs 1 ounce. The EVF plugs into the accessory port of the NEX-5N, so you won't be able to use a flash or microphone at the same time. Unfortunately, it is not compatible with older NEX models, like our Editors' Choice NEX-C3 ($649.99, 4.5 stars).

Final Thoughts

Product not yet reviewed by PCMag Editors. - Sony FDAEV1S Electronic Viewfinder

Sony FDAEV1S Electronic Viewfinder

None

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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