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Nikon D800

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The full-frame Nikon D800 manages to deliver 36 megapixels of resolution, without sacrificing image quality at high ISOs. It only shoots 4 frames per second, but that should be sufficient for event photographers, landscape shooters, and well-heeled enthusiasts. - Nikon D800
4.0 Excellent

The Bottom Line

The full-frame Nikon D800 manages to deliver 36 megapixels of resolution, without sacrificing image quality at high ISOs. It only shoots 4 frames per second, but that should be sufficient for event photographers, landscape shooters, and well-heeled enthusiasts.

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Pros & Cons

    • Excellent high ISO performance.
    • High-resolution full-frame sensor.
    • Fast focus and performance.
    • Excellent viewfinder.
    • Slower to focus in Live View.
    • Must initiate autofocus manually during video recording.

Nikon D800 Specs

Battery Type Lithium Ion
Dimensions 4.8 by 5.7 by 3.2 inches
Display Resolution 921000
Lens Mount Nikon F
Maximum ISO 25600
Maximum Waterproof Depth 0
Memory Card Format CompactFlash
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Sensor Resolution 36
Sensor Size Full-Frame (36 x 24mm)
Sensor Type CMOS
Stabilization In-Lens
Touch Screen
Type D-SLR
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type Optical
Weight 1.9

At 36 megapixels the Nikon D800 ($2,999.95 list, body only) is not only the company's highest-resolution camera—it's the highest-resolution camera you can find anywhere without moving up to digital medium format. Event photographers will appreciate the fast, accurate autofocus, excellent performance at ISO 6400, and compatibility with Nikon's Speedlight flash system. It doesn't quite manage to oust its more-expensive sibling, the Nikon D4 ($5,995.95, 4.5 stars) as our Editors' Choice for full frame D-SLRs, but is a very capable camera in its own right.

Design and Features

Unlike the D4, the D800  doesn't have an integrated vertical grip—although there is one available as an optional add-on. This makes the camera a bit smaller, putting it in the same ballpark as the Canon EOS 5D Mark III ($3,499, 4 stars). The D800 measures 4.8 by 5.7 by 3.2 inches (HWD) and weighs just under 2 pounds. The 5D Mark III  is 4.6 by 6.0 by 3.0 inches and is only slightly heavier, although that camera doesn't include a pop-up flash, something that isn't usually found on pro cameras, but is included in the D800. And, as a full-frame camera, all of your Nikkor lenses will retain the same field of view that they do on a 35mm film body.

As you'd expect with a camera this advanced, the D800's body is rife with physical controls. There are buttons and switches to control ISO, White Balance, Exposure Bracketing, Autofocus, Metering, and other common functions. If there's a setting that you need during a shoot, chances are you won't have to dive into a menu to adjust it. You can monitor shooting settings in the large, bright viewfinder—it provides 100 percent coverage, an improvement over the 95 percent finder found in the $2,700 Nikon D700 —adjusting them via either the camera's two control dials.

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The rear LCD is 3.2 inches and features a 921k-dot resolution. It isn't quite as good as the display found on the rear of the Canon 5D Mark III, but is still sharp enough to allow you to confirm critical focus when reviewing shots. The D800 supports Live View during still recording—and requires it when recording video—but the display is fixed, so you'll have to stay behind the camera when using these functions. The articulating display on the Sony Alpha 77 ($1,999.99, 4.5 stars), a camera with a smaller APS-C image sensor, is more useful for Live View use—and that camera can focus faster when using the rear LCD thanks to a fixed-mirror design that allows it to use Phase Detect AF at all times.

Final Thoughts

The full-frame Nikon D800 manages to deliver 36 megapixels of resolution, without sacrificing image quality at high ISOs. It only shoots 4 frames per second, but that should be sufficient for event photographers, landscape shooters, and well-heeled enthusiasts. - Nikon D800

Nikon D800

4.0 Excellent

The full-frame Nikon D800 manages to deliver 36 megapixels of resolution, without sacrificing image quality at high ISOs. It only shoots 4 frames per second, but that should be sufficient for event photographers, landscape shooters, and well-heeled enthusiasts.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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