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Samsung 85mm f/1.4 ED NX Lens Review

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Samsung 85mm f/1.4 ED NX Lens is a fast, extremely sharp telephoto lens, but it's large and heavy when compared with compact NX cameras. - Samsung 60mm f/2.8 Macro ED OIS NX
4.0 Excellent

The Bottom Line

The Samsung 85mm f/1.4 ED NX Lens is a fast, extremely sharp telephoto lens, but it's large and heavy when compared with compact NX cameras.

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Pros & Cons

    • Extremely sharp.
    • Fast.
    • Minimal distortion.
    • Big.
    • Heavy.
    • Expensive.

Samsung 85mm f/1.4 ED SSA NX Specs

35mm Equivalent (Telephoto) N/A mm
35mm Equivalent (Wide) 127.5
Dimensions 3.6 by 3.1 inches
Lens Mount Samsung NX
Stabilization None
Type Lens
Weight 1.5

The Samsung 85mm f/1.4 ED NX Lens ($999 list)( at Amazon) is rather huge when compared with the compact NX cameras it's designed for. It's both the longest and fastest prime lens currently available for the system, covering an approximate 125mm field of view in terms of 35mm full-frame photography. It's a little too short to grab close-up sports action, but can bring distant objects into view. Its fast f/1.4 maximum aperture allows you to create a sharp separation between your subject and background, which is especially useful for shooting portraits.

Mounting the 85mm on a camera like the Samsung NX1000($388.00 at Amazon) creates a rather ridiculous sight—a small camera paired with a lens that would be hefty on a full-size SLR. The lens is 3.6 by 3.1 inches (HD) in size and weighs 1.5 pounds, dwarfing the compact Samsung 30mm NX Pancake Lens, which is just 0.85 by 2.4 inches and 3 ounces. And using the included hood adds a few inches to its height.

There is a large manual focus ring on the lens that does not move as the camera autofocuses, so you can cradle the lens in your left hand while controlling the camera with your right. Moving the ring manually engages focus at all times, unlike other NX lenses that require you to change the camera setting to manual focus first. There's also an iFn button and a separate control ring for that function, so you can change camera settings directly via the lens.

I used Imatest to check the sharpness of the lens, and the results were excellent across the board. At f/1.4 it already records more than 2,200 lines per picture height, much better than the 1,800 lines required for a sharp image. It gets progressively better as you stop down, topping out at more than 2,600 lines by the time you hit f/5.6. Distortion is only 0.1 percent, completely negligible in day-to-day use.

If you're willing to carry it with you, the Samsung 85mm f/1.4 ED NX is worth its high price. Images are very sharp across the board, and the ability to shoot at such a fast aperture makes it possible to really control depth of field and to shoot in varying amounts of light. NX shooters interested in portraiture will be drawn to this lens, as it is an overall excellent optic—it'd just be nice if it was a little smaller, or if it had a tripod socket as the lens is heavier than any camera to which it will be attached.

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Final Thoughts

The Samsung 85mm f/1.4 ED NX Lens is a fast, extremely sharp telephoto lens, but it's large and heavy when compared with compact NX cameras. - Samsung 60mm f/2.8 Macro ED OIS NX

Samsung 85mm f/1.4 ED NX Lens Review

4.0 Excellent

The Samsung 85mm f/1.4 ED NX Lens is a fast, extremely sharp telephoto lens, but it's large and heavy when compared with compact NX cameras.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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