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Canon EF 40mm f/2.8 STM

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Canon EF 40mm f/2.8 STM - Canon EF 40mm f/2.8 STM
4.5 Outstanding

The Bottom Line

The Canon EF 40mm f/2.8 STM barely juts out from your camera, but is capable of capturing some impressive images.
Best Deal£380.41

Buy It Now

£380.41

Pros & Cons

    • Extremely compact.
    • Very sharp.
    • Minimal distortion.
    • Inexpensive.
    • STM focus motor.
    • Focus-by-wire design.
    • Modest f/2.8 aperture.

Canon EF 40mm f/2.8 STM Specs

Type Lens

best of the Year 2012 43x85 The Canon EF 40mm f/2.8 STM ($199.99 direct) £380.41 at Amazon UK lens is one of the smallest you'll find for Canon cameras. Its pancake design barely juts out from a camera when mounted. It can be used on full-frame and APS-C D-SLRs, and provides smooth autofocus for video recording when paired with the EOS Rebel T4i SEE IT. Even though it doesn't have a fast f/1.4 or f/2 aperture, the EF 40mm is a solid performer. It can be utilized by Rebel owners and pros with full-frame rigs alike, which is why we're giving it our Editors' Choice award for standard-angle prime lenses.

At just 0.9 by 2.7 inches (HD) and 4.6 ounces, the EF 40mm is one of the smallest autofocus lenses you'll find that can provide full-frame image coverage. The Pentax DA 40mm f/2.8 Limited, the kit lens for the K-01SEE IT mirrorless camera, is smaller, but only covers an APS-C image circle. It uses 52mm filters and has a focus-by-wire design—there's no physical connection between the focus ring and the lens barrel, so moving it when the lens is set to manual focus simply causes the STM focus motor to adjust the focus. If you usually live in autofocus mode this won't be an issue, but it doesn't have the same tactile feel as lenses where there is a physical connection for manual focus.

I used Imatest to check the performance of the lens when paired with the full-frame EOS-1Ds Mark III  D-SLR. Even at its maximum aperture the sharpness is well in excess of the 1,800 lines per picture height that denote a sharp image. At f/2.8 it records 2,247 lines, and its sharpness increases incrementally as you stop down—it tops out at 2,663 lines at f/5.6. Distortion is a nonissue, as the lens only exhibits 0.4 percent barrel distortion, an amount that is negligible in real-life shooting conditions.

The EF 40mm f/2.8 STM is the total package as far as lenses go. It's compact, inexpensive, sharp, and shows minimal distortion. The STM motor makes it a great companion to the T4i, and the full-frame coverage means that it will remain useful to APS-C shooters if they decide to move up to a full-frame camera. The only real problems with the lens are its focus-by-wire system, which will only bother manual focus shooters, and its f/2.8 maximum aperture—but if Canon had pushed the design to f/2 it would undoubtedly have been a larger, more expensive optic, and likely not as sharp wide open. The advantages of the lens greatly outweigh its drawbacks, earning the EF 40mm f/2.8 STM our Editors' Choice award for standard-angle prime lenses.

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Final Thoughts

Canon EF 40mm f/2.8 STM - Canon EF 40mm f/2.8 STM

Canon EF 40mm f/2.8 STM

4.5 Outstanding

The Canon EF 40mm f/2.8 STM barely juts out from your camera, but is capable of capturing some impressive images.

Get It Now
Best Deal£380.41

Buy It Now

£380.41

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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