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Canon EF-S 18-135mm f/3.5-5.6 IS STM

 & Jim Fisher Principal Writer, Cameras

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Canon EF-S 18-135mm f/3.5-5.6 IS STM - Canon EF-S 18-135mm f/3.5-5.6 IS STM
4.0 Excellent

The Bottom Line

The EF-S 18-135mm f/3.5-5.6 IS STM is the best zoom you can get for shooting video with the EOS Rebel T4i, but it's not quite as sharp as its non-STM sibling.
Best Deal£336.39

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Pros & Cons

    • Silent motor.
    • Smooth video focus with T4i.
    • Optically stabilized.
    • Some distortion.
    • Not quite as sharp as non-STM version of lens.

Canon EF-S 18-135mm f/3.5-5.6 IS STM Specs

Type Lens

The Canon EF-S 18-135mm f/3.5-5.6 IS STM ($549.99 direct)£336.39 at Amazon UK is one of only two lenses from Canon that use STM focusing motors, the other being the EF 40mm f/2.8 STM£380.41 at Amazon UK. When paired with the new EOS Rebel T4i D-SLR these lenses provide smooth, silent autofocus during video recording. If bought in a kit along with the camera, you'll save a full $200 off of its retail price, but if you aren't a video shooter and are considering an 18-135mm purchase on its own, the older EF-S 18-135mm f/3.5-5.6 IS£399 at Amazon UK is a bit sharper, albeit slightly larger, lens.

It measures 3.8 by 3.1 inches (HD) and weighs just over a pound, which is fairly typical for an 18-135mm design. It's at its shortest at 18mm, and the barrel extends as you zoom. The front element doesn't rotate when zooming or focusing, so using a 67mm circular polarizer is no problem.

I used Imatest to check the sharpness and distortion characteristics of the lens when paired with the EOS Rebel T4iSEE IT. At 18mm f/3.5 it records an excellent 1,956 lines per picture height, which increases to 2,238 lines at f/5.6. Distortion is an issue at this focal length, as the lens shows 3.5 percent barrel distortion, which will make straight lines appear curved, especially when shooting an object that is close to the lens.

Sharpness dips below the 1,800-line threshold for a sharp photo at 50mm. It hits 1,698 lines at 50mm f/5, but does a much better job at f/8, where it records 2,139 lines. You'll get about 1,892 lines at 135mm f/5.6, and stopping down to f/8 there increases the score to 2,071 lines. At both 50mm and 135mm the lens shows 1.5 percent pincushion distortion, which can be noticeable in certain conditions. Some distortion is to be expected in a zoom lens, especially one that covers a long 7.5x range.

If you're buying a T4i, the 18-135mm STM lens is the way to go. Sure, the kit is a bit more costly than the one that is bundled with the EF-S 18-55mm f/3.5-5.6 IS II, but the longer zoom range and silent STM motor justify the cost. If you're simply looking for a nicer zoom lens for an existing D-SLR, opting for the older EF-S 18-135mm f/3.5-5.6 IS lens—notice that there's no STM designation for that one—will save you about $50 and give you a sharper image at the midpoint of the zoom range, but you may find yourself missing the STM motor if you later upgrade to a body that supports it.

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Final Thoughts

Canon EF-S 18-135mm f/3.5-5.6 IS STM - Canon EF-S 18-135mm f/3.5-5.6 IS STM

Canon EF-S 18-135mm f/3.5-5.6 IS STM

4.0 Excellent

The EF-S 18-135mm f/3.5-5.6 IS STM is the best zoom you can get for shooting video with the EOS Rebel T4i, but it's not quite as sharp as its non-STM sibling.

Get It Now
Best Deal£336.39

Buy It Now

£336.39

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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