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Samsung Compact 18-55mm OIS Zoom NX Lens

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Samsung Compact 18-55mm OIS Zoom NX Lens - Samsung Compact 18-55mm OIS Zoom NX Lens
3.5 Good

The Bottom Line

The 18-55mm OIS Zoom NX Lens is one of two kit lenses for Samsung's NX camera system. Bundled with your camera, it's a good value, but purchased on its own, it's overpriced.

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Pros & Cons

    • Optically stabilized.
    • iFn control button.
    • Silent focus.
    • Soft at 18mm f/3.5.
    • Distortion when zoomed in.

Samsung Compact 18-55mm OIS Zoom NX Lens Specs

Type Lens

The Samsung 18-55mm NX Standard Zoom ($249.99 direct) is the kit lens that is bundled with the mid-range NX210 and high-end NX20 digital cameras. Samsung bundles the smaller 20-50mm f/3.5-5.6 ED II NX Lens with the entry-level NX1000SEE IT. This lens may be physically larger, but provides a slightly longer zoom range and optical image stabilization.

The lens features Samsung's iFn control button, which allows you to use its manual focus ring to adjust shooting settings. A lens hood is included, and the front element does not rotate during zoom or focus—so you can use a 58mm polarizing filter. It's at its shortest at 18mm, but extends as you move the zoom towards its 55mm extreme. The focus motor is almost silent, so you won't add unwanted audio to the soundtrack when using it for video recording.

I used Imatest and an NX20 body to check the sharpness and distortion characteristics of the lens. It's a bit shy of the 1,800 lines per picture height required for a sharp image at its widest setting—at 18mm f/3.5 it only manages 1,649 lines. Stopping down to f/5.6 improves the sharpness; it hits 2,111 lines there. At 35mm f/4.5 it scores 1,803 lines, which increases to 1,925 lines at f/5.6. At its longest 55mm f/5.6 it hits an impressive 2,080 lines, and an even better 2,337 lines at f/8. In-camera distortion correction is used across the NX line, which virtually eliminates barrel distortion at 18mm—although if you disable this in the camera settings, barrel distortion is very noticeable at this setting. At 35mm and 55mm there is slight pincushion distortion, 1.5 percent and 1.9 percent respectively, even with distortion correction enabled. The 20-50mm lens is smaller, sharper throughout its zoom range, and shows less distortion—but it isn't optically stabilized.

The NX system is limited when it comes to standard zooms—your only choices are this lens and the smaller 20-50mm. If you value size above all, the 20-50mm is a good lens, but the 18-55mm's optical stabilization makes it possible to get sharper photos in less than ideal light. If you add this lens to your kit the way most people do, by having it bundled with a camera, it's a good value—but it's a tough sell on its own at the $250 price point. The lack of a high-end f/2.8 constant-aperture zoom is a weak link in the NX lens system; although the excellent Samsung 30mm NX Pancake Lens£201 at Amazon UK, which has an f/2 aperture, did earn our Editors' Choice award, it doesn't zoom.

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Final Thoughts

Samsung Compact 18-55mm OIS Zoom NX Lens - Samsung Compact 18-55mm OIS Zoom NX Lens

Samsung 18-55mm NX Standard Zoom Lens

3.5 Good

The 18-55mm OIS Zoom NX Lens is one of two kit lenses for Samsung's NX camera system. Bundled with your camera, it's a good value, but purchased on its own, it's overpriced.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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