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Gigabyte Jolt Duo Review

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Gigabyte Jolt Duo Review - Consumer Electronics
2.5 Fair

The Bottom Line

The Gigabyte Jolt Duo is a compact, inexpensive 360-degree camera, but its 1080p output isn't sufficient for crisp video.
Best Deal£36.49

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Pros & Cons

    • Dual-lens 360-degree video.
    • Solid battery life.
    • Mac and Windows desktop software.
    • Wi-Fi remote control.
    • Inexpensive.
    • Tripod and GoPro mount support.
    • Video must be converted for editing and sharing.
    • Requires optional case for underwater use.
    • 1080p 360-degree footage is poor quality.
    • Low-resolution still images.
    • Visible seam lines.

Gigabyte Jolt Duo Specs

Dimensions 2.3 by 1.9 by 1.2 inches
Optical Stabilization None
Weight 3.7

The Gigabyte Jolt Duo ($159.99) is a low-cost, no-frills 360-degree video camera. It isn't waterproof on its own, doesn't feature a rugged design, and doesn't come with a bunch of accessories. But at its asking price, we don't expect it to. The real problem is its resolution—it tops out at 1080p, which just doesn't deliver enough detail for spherical video capture. If you really want to dip your toes in 360-degree video without spending a lot of money, it may make sense for you. But anyone serious about content creation is going to want a 4K model, like the Nikon KeyMission 360 ($495.77 at Amazon) .

Design

The Jolt Duo is a compact, light camera with a dual-lens design. Each is an ultra-wide angle, and when the video from the two lenses is stitched together the Jolt captures the entire world around it. Footage is saved to microSD memory.

A top-mounted, backlit, 1-inch monochrome LCD shows you the current shooting mode, recording time, or the number of images that can be stored on the memory card, as well as battery life and the current time and date.

At just 1.9 by 2.3 by 1.2 inches (HWD) and 3.4 ounces, the Jolt is small and light enough to be a go-anywhere device. It sports a standard tripod socket and includes an adapter that mounts to any standard GoPro adhesive mount. A removable battery gets you about 75 minutes of continuous recording time. There's a micro USB port to plug the Jolt into a wall to charge.

Gigabyte Jolt Duo: iOS AppThere are a few control buttons on the top. Power turns the Jolt on and off with a long press and switches between image and video capture with a short press. Wi-Fi turns wireless connectivity on and off, and a record button is used to capture stills or video. There's no self-timer for stills, so in order to keep yourself out of the shot you'll need to trigger it via Wi-Fi.

The Wi-Fi control app, Jolt 360, is available for Android and iOS devices. It's pretty straightforward. It shows you a live preview of what the camera sees and lets you adjust settings, start videos, or snap pictures.

Jolt also supplies desktop software. The Jolt Viewer, available for Mac and Windows systems, can trim clips and convert video to a format ready for online sharing or editing in a more robust application. Conversion times are not excessive. My 3.5GHz Core i5 iMac, stocked with 16GB of memory and 2GB Radeon R9 M290X graphics, requires about 1.7 minutes to convert a minute of footage.

Image and Video Quality

Still images are a paltry 4MP in resolution, and it shows. That's not a lot of resolution for a traditional, flat image, let alone 360-degree shots. Even in bright daylight images are extremely pixelated, with blown highlights (a sign of subpar dynamic range) and an overly pixelated look. You can see for yourself below, just click on the photo and you'll be able to scroll through it in a 360-degree view.

Video fares better, but not by much. At 1080p quality, the 2MP of resolution is stretched onto a sphere. Footage is pixelated and without strong detail. Seams are visible, not only when an object is close to the side of camera as with the Nikon KeyMission 360, but also in the sky above. You can see halves of trees wobble together, and there's quite a bit of purple color fringing visible around bare branches. When shooting under a clear sky, the seam is visible as mismatched color between the two halves of the frame.

An internal microphone captures audio. There's no way to connect an external one. The camera picks up my voice clearly when I'm not that far away from it, assuming the mic is pointed in my direction. But if I'm a few yards away, it sounds hollow and distant.

Conclusions

Budget shoppers in want of a 360-degree camera are sure to be drawn to the Gigabyte Jolt Duo. But its dual sensors—each 4MP—only net 4MP stitched still images and 1080p video. That's just not enough resolution for 360-degree capture. Stills look especially bad, with lots of grain and poor dynamic range. Video is mushy, with details blurring together at a distance and roughness even up close. Sure, it's inexpensive, but the results are poor. If you're serious about being an early adopter of 360-degree video, go with a model that shoots in 4K, like the Nikon KeyMission 360, and be prepared to pay a premium.

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Further Reading

Final Thoughts

Gigabyte Jolt Duo Review - Consumer Electronics

Gigabyte Jolt Duo Review

2.5 Fair

The Gigabyte Jolt Duo is a compact, inexpensive 360-degree camera, but its 1080p output isn't sufficient for crisp video.

Get It Now
Best Deal£36.49

Buy It Now

£36.49

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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