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The Right Camera for Every Vacation

It's summertime. Taking a trip? Sure, your smartphone can snap some impressive photos, but you might want to pack a dedicated camera. Here's why.

 & Jim Fisher Principal Writer, Cameras

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Smartphone cameras are good—really, really good. In fact, they've replaced dedicated cameras for a lot of people. The latest phones take photos that are colorful, vibrant, and clear in daylight situations. Computational tools overcome the limitations of their relatively small lenses and image sensors, blurring backgrounds and using HDR tech in snapshots to preserve detail in bright highlights and dark shadows.

Recent entries, notably the Google Pixel 3 and Huawei P30 Pro, have reframed the images smartphones can shoot in dim light, to the point where they're simply a better option than most pocketable digital cameras.

So if phone cameras work so well, why would you want to take an additional camera on your next vacation? It's one more gadget to pack, another bag to carry, and one more thing to worry about while you're supposed to be enjoying yourself.

First, if you really enjoy taking photos with your camera, by all means, take it along. You'll have more fun. Trust me, I know from experience. For other folks, though, making space for a camera, chargers, lenses, and other equipment is a chore that may not make sense for every trip. We're going to talk about trips in which it does and others where your Galaxy S10 or iPhone XS will do just fine.

paradise Jim Fisher

Paradise

Bermuda, Fiji, Hawaii, Oswego...well, maybe not Oswego. But if you're going to an exotic locale with pink-sand beaches and crystal-clear water, we suggest bringing along a waterproof camera. Your phone may be waterproof, but taking it snorkeling could be dangerous—you might lose it, along with all the data inside. And you'll need to take extra care to rinse it off with fresh water after an excursion into the brine.

Leave your phone on dry land. Our favorite waterproof compact camera is the Olympus Tough TG-5, a versatile (and pricey) pocket camera with a bright f/2 lens at the wide-angle end, a modest zoom range, and great macro. If that's too expensive, think about a GoPro. They are mostly thought of as video cameras but can snap stills, too. The entry-level Hero7 White can be had for about $200.

safari jim fisher

Safari

Getting a guided wildlife tour through the plains of Africa is a wonderful way to see animals in the wild. But you may also find yourself in the tropics seeking out the bright plumage of songbirds, or at Yellowstone National Park taking in the majesty of a wild herd of bison.

To capture truly memorable wildlife shots, your phone camera is not going to cut it. If you own an SLR but don't have a long zoom lens, think about buying one for your trip. We like the Sigma 100-400mm Contemporary for its relative lightness and affordability; it's available for Canon and Nikon systems.

A lot of point-and-shoots have long zoom lenses, but pocket models don't grab the best photos when fully zoomed. We recommend a good bridge camera, such as the Canon SX70 HS or Sony RX10 IV, with a lot of zoom power and lenses that hold up at extremes.

great outdoors jim fisher

The Great Outdoors

A week in a secluded cabin on a lake and off the grid can be the perfect getaway from the modern world. Photographically, it can be whatever you want it to be.

Think about what you'd like to do during your downtime. You may have a penchant for hikes and just want to snap a few shots of the wilderness or a pretty sunset—a flagship phone will do a fine job there. But to home in on wildlife and birds, you should bring a camera with a long zoom lens (see our Safari recommendations). If you're more of a kayaker, think about a waterproof camera or a GoPro (see our Paradise recommendations). And if hikes through the wilderness are your thing, grab a light camera with a good macro capability to get those great shots of the tiny details of the world.

sightseeing jim fisher

City Sightseeing

Vacation destinations aren't always exotic. Many a family has hopped in the minivan to make the journey to Colonial Williamsburg. And younger folks, unencumbered by offspring, are lured by the culture in hip urban centers.

For these types of trips, a phone will serve you well. To step up your game, though, consider an interchangeable lens model. You'll have the option to change your perspective by adding one of my favorite tools for walking in an unfamiliar city: an ultra-wide zoom lens. Our favorites include the Sigma 14-24mm for full-frame systems and the Tamron 10-24mm for APS models.

This is the type of travel where a large-sensor point-and-shoot can make sense (you won't have to schlep lenses around). We like the Sony Cyber-shot DSC-RX100 VI at the upper end of the price range. It has a much larger sensor than a phone does and a 24-200mm zoom range—good for wide angles and decent wildlife shots. If a big zoom isn't as important, the Canon G9 X Mark II ($529.99) is a lot more affordable and has the same type of image sensor, though it has only a 28-84mm zoom range.

Nikon D3500

Thinking About Buying?

If you're convinced you want a camera for your next vacation but don't own one, we have a few more to recommend. The Nikon D3500 ($499.95, pictured above) and Sony a6000 ($649.99) are great for entry-level shoppers, and those who can spend more are well-served by the Fujifilm X-T30 ($899) and Sony a6400 ($898).

With a few esoteric exceptions, any interchangeable-lens model you buy today is certain to include wireless connectivity that lets you move photos over to your phone while on the go. So when you snap the perfect Instagram shot with a camera instead of a phone, you can have it online before you get home.

But most importantly: You're on vacation. Take photos in whatever way lets you relax and enjoy yourself!

All travel photos by Jim Fisher

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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