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The Best Entry-Level D-SLRs

 & Jim Fisher Principal Writer, Cameras

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    Buying Guide: The Best Entry-Level D-SLRs

    When you buy a digital SLR you're purchasing more than just a camera. You're also locking yourself into a good number of accessories that you can take with you to your next camera body—assuming you stick with the same brand. Generally speaking, the lenses, flash, and other accessories that you buy for Nikon's entry-level model can be used with its top-end model—and the same is true for Canon, Pentax, and Sony. The cameras below all come in at less than $1,000 and most can be purchased with a bundled lens. You can dip your toes in the water with a model that's closer to $500, or dive in a little bit deeper with a pricier one.

    Besides the camera's build, feel, and basic features, you also need to consider what lenses you'll want. If you don't see yourself ever buying more than the 55-300mm telezoom to complement the included 18-55mm, don't fret—every manufacturer has you covered. But if you see yourself adding a good number of lenses down the road, you should take a look at what is available before you choose a camp. Canon and Nikon offer the largest number of lenses, many of which are also compatible with pro full frame models, but you'll have to pay extra for lenses with optical stabilization.

    Sony and Pentax both make cameras with in-body stabilization, so any lens you attach is stabilized. Sony's lens lineup isn't as vast as Canon and Nikon, but you can use older Minolta Maxxum autofocus lenses with Sony Alpha cameras. Pentax is light on the number of zoom lenses available, but has more compact fixed focal-length lenses than you can shake a stick at—and offers full compatibility with every K-mount lens the company has manufactured since 1975.

    The cameras in this roundup all feature APS-C image sensors. This format is a bit smaller than 35mm film, so old-school shooters looking to move to digital should understand that the 18-55mm lens that is bundled with each camera produces a field of view that's roughly equivalent to a 28-80 zoom on film. Canon, Nikon, and Sony all make high-end full-frame bodies—but they'll set you back at least $1,900 even before you add a lens. If you see yourself moving to full-frame eventually, make sure that any additional lenses you buy cover that format—they'll work fine on your entry-level SLR. Nikon and Sony will let you use APS-C lenses on full-frame bodies in a special crop mode, but it sacrifices a good deal of image resolution. Canon's EF-S lens lineup works only with APS-C bodies; those lenses won't even mount to a full-frame Canon body.

    Another variable to consider is the viewfinder, which is what you use to frame your shots. Entry level digital SLRs use pentamirror viewfinders almost exclusively; they're lighter than the pentaprisms found in more expensive cameras, but aren't as large or bright. Pentax is an exception here—its K-500 and K-50 SLRs use the same solid glass pentaprism that you'll find in its top-end K-3 camera; the K-50 even sports a weather-sealing system.

    Sony uses electronic viewfinders in its current crop of SLRs. Less expensive models use LCD finders, but its Alpha 65 uses a stunning high-resolution OLED display that's extremely sharp. If you're happy with an electronic viewfinder, you may also want to weigh the option of getting a smaller compact interchangeable lens camera like Micro Four Thirds models from Panasonic and Olympus, and those in the Sony E-mount, Samsung NX, and Fuji X systems.

    For more tips on choosing the right digital SLR, check out our buying guide. And if you've recently entered the SLR world and are looking to upgrade your kit lens, take a look at our roundup of the best lensesevery SLR system is represented. You can also look at every camera and lens that we've reviewed in our Digital Cameras Product Guide.

     

    FEATURED IN THIS ROUNDUP

    Nikon D5200

    Nikon D5200

    $799.95, body only
    %displayPrice% at %seller% The under-$1,000 Nikon D5200 is a capable D-SLR that delivers impressive image quality and continuous shooting at 4 frames per second, earning it our Editors' Choice. Read the full review ››



    Canon EOS Rebel SL1

    $649.99, body only
    %displayPrice% at %seller% Canon's high-performing EOS Rebel SL1 is the tiniest digital SLR you can put your hands on, but it may be too small for some hands. Read the full review ››



    Nikon D3300

    Nikon D3300

    $649.95 with 18-55mm lens
    %displayPrice% at %seller% The Nikon D3300 is a solid entry-level option for shooters moving up to a D-SLR, but it's not quite worthy of being named Editors' Choice. Read the full review ››



    Pentax K-50

    Pentax K-50

    $699.95 body only
    The Pentax K-50 is a fully weather-sealed D-SLR camera with an big optical viewfinder and fast burst shooting capability. It's available to order in any of 120 color combinations, but its video functionality is behind the times. %displayPrice% at %seller% Read the full review ››



    Pentax K-500

    Pentax K-500

    $599.95 with 18-55mm lens
    %displayPrice% at %seller% The Pentax K-500 boasts top-notch image quality, and a pentaprism viewfinder, which is unheard of at its entry-level price point. Read the full review ››



    Sony Alpha 65 (SLT-A65VK)

    $999.99 direct with 18-55mm lens
    %displayPrice% at %seller% The 24-megapixel Sony Alpha 65 is capable of shooting at a blazing fast 9 frames per second, but is held back by a kit lens that simply can't match the quality of the high-resolution image sensor. Read the full review ››



    Canon EOS Rebel T5i

    Canon EOS Rebel T5i

    $749.99, body only
    %displayPrice% at %seller% The Canon EOS Rebel T5i is essentially the same camera as its predecessor, and it's still a solid performer. Read the full review ››



    Sony Alpha 58 (SLT-A58K)

    Sony Alpha 58 (SLT-A58K)

    $599.99 with 18-55mm lens
    %displayPrice% at %seller% The Sony Alpha 58 (SLT-A58K) offers an upgraded OLED EVF and kit lens, but it isn't the top D-SLR in Sony's lineup. Read the full review ››



    About Our Expert

    Jim Fisher

    Jim Fisher

    Principal Writer, Cameras

    My Experience

    Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

    The Technology I Use

    I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

    I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

    When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

    I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

    My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

    Read full bio