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Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR - Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR (unknown)
3.5 Good

The Bottom Line

Inexpensive. Optically stabilized. Light. Quite sharp. Useful zoom range.
Best Deal£542.67

Buy It Now

£542.67

Pros & Cons

    • Inexpensive.
    • Optically stabilized.
    • Light.
    • Quite sharp.
    • Useful zoom range.
    • Narrow aperture.
    • Hood not included.
    • Wide-angle distortion.
    • Front element rotates during focus.
    • Plastic lens mount.

Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR Specs

Type Lens

The Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR ($199.95 direct) is the standard kit lens for APS-C Nikon D-SLR cameras. Buying it along with a body halves your out of pocket costs to acquire the lens, but owners of older Nikon D-SLRs bundled with its non-stabilized predecessor may consider it as an upgrade. It produces a field of view that is roughly equivalent to 27-83mm in terms of full-frame photography.

The lens is light at 9.3 ounces and measures just 3.1 by 2.9 inches (HD). It accepts 52mm filters, but the front element does rotate when focus is adjusted, so using a rotating circular polarizing filter can be tricky. Nikon keeps the weight down by using a plastic mount, rather than the more common metal variety, which is more prone to wear and tear over the years. There's an internal focus motor, which is speeider than older screw-drive systems, but because the front element rotates during focus it can be a bit noisy. A bayonet lens hood is available to reduce flare and improve contrast, but is not included—you'll have to spend another $23.50 if you want it.

I used Imatest to check the sharpness of that lens when paired with the 24-megapixel D5200. The lens managed a very impressive 2,362 lines per picture height at 18mm f/3.5 using our center-weighted testing method, with edge sharpness hovering around 1,600 lines. We declare an image with an 1,800-line center-weighted score to be acceptably sharp. Stopping down to f/5.6 improves the overall score only marginally to 2,410 lines, but edges sharpen up to 1,850 lines. There is noticeable barrel distortion at 18mm, about 3.3 percent. This will make straight lines noticeably curve outward, and is typical for an 18-55mm design. It can be corrected with software if it distracts from your photos.

Zooming to 35mm narrows the maximum aperture to f/5 and reduces the distortion to a negligible 0.4 percent. The lens scores 2,410 lines here, again with edges around 1,600 lines. Stopping down to f/8 improves overall sharpness to 2,683 lines, with edge sharpness at 2,111 lines. Zoom all the way in to 55mm and the maximum aperture is f/5.6, with an irrelevant 0.2-percent distortion figure. You'll get sharp photos at that setting as well; the lens manages 2,474 lines overall, but is again a little soft at the edges. Stopping down to f/8 improves edge performance to just under 1,800 lines, so your photos will be acceptably sharp from edge to edge.

The Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR is one of the sharpest 18-55mm D-SLR lenses that we've tested, but it's not without its limitations. The narrow aperture limits your ability to shoot in lower light without a flash, and it won't blur the background like an f/2.8 zoom or an f/2 prime lens. It's a good starter lens, but it's one that you'll likely want to upgrade down the road. Nikon offers zoom lenses with longer telephoto reach, like the AF-S DX Nikkor 18-105mm f/3.5-5.6G IF-ED ($399.95), and ones with faster apertures so that you can capture more light like the pro-grade AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED ($1,539.95), but neither are as affordable as this basic 18-55mm optic.

Final Thoughts

Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR - Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR (unknown)

Nikon AF-S DX Nikkor 18-55mm f/3.5-5.6G VR

3.5 Good

Inexpensive. Optically stabilized. Light. Quite sharp. Useful zoom range.

Get It Now
Best Deal£542.67

Buy It Now

£542.67

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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