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Pentax 02 Standard Zoom Lens

 & Jim Fisher Principal Writer, Cameras

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Pentax 02 Standard Zoom Lens - Pentax 02 Standard Zoom Lens
4.0 Excellent

The Bottom Line

The Pentax 02 Standard Zoom is the basic kit zoom included with the compact Q7 camera, and is an overall solid performer with a few weaknesses.
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Pros & Cons

    • Light.
    • Useful zoom range.
    • Wider aperture than typical zoom.
    • Generally sharp design.
    • Slightly soft at 15mm.
    • Lots of distortion when shooting in Raw mode.

Pentax 02 Standard Zoom Lens Specs

Type Lens

The Pentax 02 Standard Zoom Lens ($299.95 direct)($149.99 at Amazon) is the lens you'll get if you buy the Pentax Q7 camera—but if you bought into that camera system with the original Q( at Amazon), which was bundled with the 01 Standard Prime, you may be considering this as a complementary zoom.

The lens has a 3x zoom range, covering a native 5-15mm angle, which translates into a 24-70mm field of view in terms of traditional 35mm photography when used with the Q7 thanks to its 1/1.7-inch image sensor. If you use it with the older Q or Q10($219.99 at Amazon) the field of view narrows to 27-83mm. The maximum aperture is f/2.8 at its widest setting, which dwindles to f/4.5 as you zoom all the way in, and it uses 40.5mm filters. The lens itself is 1.9 by 1.9 inches (HD) in size and weighs about 3.4 ounces. It can focus on objects as close as 11.8 inches at any focal range. The lens has a built-in neutral density filter, so you can shoot at lower shutter speeds in very bright light, and its leaf shutter can sync with an external flash at speeds of up to 1/2,000-second.

I used Imatest to check the sharpness of the lens when paired with the Q7($299.42 at Amazon). At 5mm f/2.8 it is extremely sharp, recording 2,033 lines per picture height—better than the 1,800 lines we use to define a sharp image. Zooming to 10mm f/3.5 reduces the score to 1,938 lines. The lens is slightly soft at 15mm f/4.5—it only manages 1,754 lines there. Stopping down the lens generally decreases its sharpness, as is common in cameras that don't boast SLR-sized image sensors, but in this case reducing the aperture to f/5.6 when shooting at 15mm bumps the resolution up to 1,806 lines. Edge performance at wider angles is impressively sharp. But the corners and edges of photos are a bit murky at 15mm f/4.5; they're sharp at f/5.6, however.

Pentax 02 Standard Zoom : Sample Image 

If you shoot JPG, distortion isn't an issue—the camera corrects for it—but there is some noticeable barrel distortion (8.5 percent) at the widest setting if you shoot in Raw mode. This drops to 1.5 percent at 10mm, and is gone at 15mm. If you use Lightroom 5 as your Raw converter you'll be able to perform a one-click correction to compensate for the distortion. The above photo is a stitched panorama; I didn't correct for the disortion before stitching, but be aware the that Photoshop's sitching has accentuated the effect.

If you're in the market for a standard zoom lens for your Q-series camera, the 02 Standard Zoom is the only game in town. It's not perfect, but its performance is quite good for a lens of its class and zoom range. Most entrants into the Q system will find that this lens is bundled with the camera, and unless Pentax puts out a high-end standard zoom with a fixed f/2.8 aperture, it doesn't leave much to be desired. Raw shooters will have to deal with some distortion correction, but that's a trivial task with a good Raw conversion application like Lightroom. If you're more of a prime lens person, you'll likely prefer to pair your Q with the 01 Standard Prime( at Amazon), which Pentax sells on its own for around $200.

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Final Thoughts

Pentax 02 Standard Zoom Lens - Pentax 02 Standard Zoom Lens

Pentax 02 Standard Zoom Review

4.0 Excellent

The Pentax 02 Standard Zoom is the basic kit zoom included with the compact Q7 camera, and is an overall solid performer with a few weaknesses.

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Best Deal£239

Buy It Now

£239

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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