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Canon Dishes All the EOS R3 Details

The EOS R3, which promises to be Canon's most capable mirrorless camera, is built with pros in mind.

 & Jim Fisher Principal Writer, Cameras

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Canon has been teasing its forthcoming EOS R3 mirrorless camera for months, whetting pro photographers' appetites, and handing it off to some of the best sports photographers in the world to photograph this summer's Tokyo Olympics.


Built for Pros

Pros are the target audience for the full-frame camera. It's built to the same high standards as the EOS-1D X Mark III SLR, but cuts out the optical viewfinder, mirror box, and other sundries in favor of a smaller, lighter (2.2-pound) chassis. The frame is magnesium alloy, with a design that incorporates a vertical grip, dust and splash protection, and extensive on-body controls.

Canon EOS R3 (Rear)
Canon EOS R3

Inside there's a stabilized 24MP full-frame sensor, Canon's first in-house imager with a Stacked BSI CMOS design. This type of sensor reads data at very high speed. It's used here to support 30fps Raw photography (with focus tracking and exposure for every shot), electronic flash sync at 1/180-second, 6K60 Raw video, and 4K at up to 120fps.

The stacked sensor supports fully silent, blackout-free capture. Photographers specializing in action shots will enjoy an uninterrupted view of a scene, something that lessens the effort of keeping track of your subject matter. The shutter can fire as quickly as 1/64,000-second, and has a fine-tuning option to eliminate flicker from digital signage, a common nuisance at arenas. The R3 also has a mechanical focal plane shutter, capable of firing as quickly as 1/8,000-second.

Canon EOS R3 (Dual Card Slots)
Canon EOS R3's dual-card slots

Wired Ethernet and Wi-Fi are both included on-body, and 5G transfers are an option too. You'll need to add an adapter to connect your phone to the new multi-function accessory shoe. The Canon Mobile Transfer includes support for IPTC and voice memos. There are two memory card slots inside—one supports CFExpress Type B and the other works with UHS-II SDXC cards.


Improved Focus, With Eye Control

The autofocus system builds on the class-leading subject recognition Canon has built into its existing EOS R6 and R5. It's capable of identifying all types of objects, and has priority modes for people, animals (dogs, cats, and birds), and vehicles used in motorsports—GT, rally, and Formula 1 cars, as well as motorcycles.

Canon EOS R3
Canon EOS R3

Canon's focus system is one that you can fine-tune a bit too. The R3 has priority modes available—you can set it to Vehicle priority to make sure the camera doesn't drift and lock onto trackside spectators, or use Animal priority for dog shows to keep focus on best in show winners, not their handlers.

You can control the focus as you would with any other Canon—the rear display is touch sensitive and you can tap to set focus, or you can use the rear joystick. Eye control, a feature Canon toyed with in the film era, is included. It places infrared sensors in the viewfinder to track the movement of your eye and set focus appropriately. It's not something ready to go out of the box, though—you'll need to take the time to calibrate the system to get it working.

We'll have more to say about eye focus when we've had a chance to try it out. The same is true of the EVF itself, a new Canon-made 5.76-million-dot OLED with 0.76x magnification. It has two viewing modes, one to show a preview of your exposure, as well as an optical viewfinder simulation mode.

When set to the latter you'll see a low contrast, color view of the world, a good match for tracking subjects in backlit and other difficult scenarios. Canon's tech rep, who has been working with the camera for some time, tells us he opted to set the M-Fn button to toggle between the two viewing modes.


Pricing, Availability, and Additional RF Lenses

The EOS R3 will enter the market in November and is priced at $5,999.99 in a body-only configuration.

Canon RF 16mm F2.8 STM
Canon RF 16mm F2.8 STM

Canon is also taking the opportunity today to announce two new RF lenses, both positioned for entry-level and enthusiast customers. The lightweight RF 16mm F2.8 STM is one of the smallest wide angle primes we've seen for a full-frame system, and costs just $299.99. It's coming in October.

Canon RF 100-400mm F5.6-8 IS USM
Canon RF 100-400mm F5.6-8 IS USM

The telephoto RF 100-400mm F5.6-8 IS USM is also coming in October. It's a lower-cost alternative to the premium RF 100-500mm, with a bit less zoom power and consumer grade build, for just $649.99. Both should appeal to photographers using the entry-level EOS RP or midrange EOS R6.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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