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Nikon Goes Retro With Z fc Mirrorless

The Z fc takes its design cues from the film era, but inside it's all digital.

 & Jim Fisher Principal Writer, Cameras

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Nikon is adding its second DX (APS-C) format camera to its mirrorless Z system. Dubbed the Z fc, the new camera shares some tech, including its image sensor, with last year's Z 50, but there are some improvements inside and big changes to the exterior.

Inside the camera uses a version of the 20.9MP APS-C sensor that's powered Nikon cameras for a few years; we first saw it in the D500 SLR. It lags behind some others in pixel count, but has proven to deliver strong results over the years.

Nikon Z fc
The Z fc has a vari-angle touch display and eye-level EVF.

It's a mirrorless camera, so there's no optical viewfinder. But you do get a quality EVF and a vari-angle touch LCD. The screen flips forward for selfie shots and vlogs. For video, the Z fc records in 4K or 1080p, and it supports external mics for vloggers. There's no sensor stabilization, though—the camera relies on lens VR, and can get some extra help digitally (with a crop).

For the Z fc's design, Nikon has gone back to the 80s. The camera's exterior is modeled after the FM2, a manual focus SLR from the era. There are small touches that help get there—the Nikon logo uses a Reagan-era typeface, a nostalgic touch for Gen X film photographers looking for a digital body that takes them back in time.

It's not just the looks, either. For certain, the silver body is a departure from the banal black cameras that dominate the market. But the controls are old-school too. Nikon is taking a page out of Fujifilm's playbook there. The Z fc skips a Mode dial in favor of a simple switch. The prominent dials offer direct control over ISO and shutter speed instead. We've yet to see a Nikkor Z lens with a dedicated, clicked aperture ring, but most include a silent control ring that can be set to adjust the f-stop.

Nikon Z fc
Top view

Conceptually it's not far off from the Fujifilm X-T30, our current favorite interchangeable lens model for consumers. The Z fc has far fewer native lenses—Fujifilm has been making mirrorless for close to a decade, and Nikon is just starting to get its feet wet—but works with the same Speedlight flashes as Nikon SLRs.

The Z fc is built a bit better than the X-T30. Its body is magnesium alloy and it includes dust and splash protection. It can also use Nikkor SLR lenses via an adapter, the FTZ, though the Z fc's flat front makes it a better fit for small zooms and primes. The Z 50 has a modest handgrip, better suited for use with bigger lenses.

Creative photographers are well served. Nikon includes 20 creative filters in camera, so JPG photographers can snap shots with different looks, without having to deal with editing software. Raw capture is available if you prefer to make your own edits.

Nikon Z fc Color Options
Multi-color options only available direct from Nikon.

There are a few different ways to get the Z fc. Nikon is selling special editions in a set of fun colors directly through its website. You can get the camera in Sand Beige, Amber Brown, Ash Gray, Coral Pink, or Mint Green, along with the Nikkor Z DX 16-50mm in silver, for $1,199.95.

Other versions will be sold at all authorized Nikon dealers. The standard kit, with a black leatherette and also bundled with the DX 16-50mm, is priced at $1,099.95. A body-only configuration is available too, for $959.95.

Enthusiasts interested in the camera are more likely to look to a kit with a prime lens. Nikon is introducing its full-frame Nikkor Z 28mm F2.8 along with the Z fc for $1,199.95. The 28mm is exceptionally small, and finished with knurling to match manual focus Nikkors.

Nikon Z fc with 28mm F2.8
Nikon Z fc with 28mm F2.8

You'll be able to buy the 28mm F2.8 on its own for $299.95, but it won't go on sale on its own until autumn. All Z fc configurations will ship earlier, at the end of July.

Also following later is a new zoom, the Nikkor Z DX 18-140mm F3.5-6.3 VR. Nikon isn't providing too much information aside from promising to deliver the lens in 2021. It's not entirely news for photographers who've been paying close attention to Nikon—it's been an entry on the company's Z development roadmap for some time.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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