PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Canon PowerShot Zoom

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Canon PowerShot Zoom - Canon PowerShot Zoom
3.0 Average

The Bottom Line

The Canon PowerShot Zoom rethinks what a compact camera can be, but while we like the idea of a pocketable point-and-shoot just for distant subjects, its imaging chops don't match mainstream competitors.

Buy It Now

£399.56

Pros & Cons

    • Easy to fit in a pocket
    • Dual telephoto angles of view
    • Sharp EVF
    • Bluetooth, Wi-Fi, and USB-C
    • Image quality lags behind smartphones
    • Handheld video just 1080p and shows some jitter
    • No good in low light
    • So-so battery life

Canon PowerShot Zoom Specs

35mm Equivalent (Telephoto) 400 mm
35mm Equivalent (Wide) 100
Battery Type Internal
Connectivity Bluetooth
Connectivity USB-C
Connectivity Wi-Fi
Dimensions 2.0 by 1.3 by 4.1 inches
EVF Resolution 2.4
Flat Profile
HDMI Output None
Maximum Waterproof Depth 0
Memory Card Format microSDXC
Memory Card Slots 1
Optical Zoom 4 x
Sensor Resolution 12
Sensor Size 1/3"
Sensor Type CMOS
Stabilization Optical
Type Compact
Video Resolution 1080p
Viewfinder Type EVF
Weight 5.1

Canon's engineers didn't stick to the script with the PowerShot Zoom ($299.99), a new concept for a compact camera, one that entirely skips wide-angle coverage—think of it is as a digital spyglass for capturing distant subjects. It's more useful than a smartphone for catching shots of the local fauna and outdoor sports, and offers some appeal to family photographers who use an iPhone for most snaps, but want a bit of extra zoom power from time to time. But it takes more than innovation to recommend the PowerShot Zoom emphatically, as its image and video quality lag behind modern smartphones.

Digital Spyglass

The PowerShot Zoom is comfortable enough to hold, even if it's a bit awkward to actually use. A one-handed device, the Zoom rests in your palm, measuring 2.0 by 1.3 by 4.1 inches (HWD). It's about as heavy as a phone at 5.1 ounces, and you can tell that most of the weight is in the optical block—the chassis itself is light, but not flimsy, plastic.

Canon PowerShot Zoom

Controls are all placed around the eyepiece. Power, zoom, and menu buttons are on top—the Zoom button is bigger and oblong, which is important as it's the one you'll want to find by touch.

The shutter and record buttons, for photos and videos, are below, accessible with your thumb. They're at a slight angle, and there's a raised plastic ridge around the video button so you can tell them apart.

Canon PowerShot Zoom

Still, I found myself fumbling on occasion, starting a video when I meant to snap a photo or vice versa. It's something you'll need to get used to with time. You'll also want to take care not to bump the diopter control wheel. It's adjacent and turns pretty easily—you'll see a blurry viewfinder if you don't have it set to match your vision.

Bring the camera to your eye and you're greeted with a large, sharp EVF (2.4 million dots). It offers a clear view of the world. The lens is a telephoto, swapping between 100mm and 400mm optical zoom views (in full-frame terms), and delivering an 800mm digital zoom. If you're coming from the smartphone world, where 25mm is "1x," you can think of the Zoom as a 4x and 8x companion to your mobile device.

Sample Image
13.8mm (100mm equivalent), f/5.6, 1/500-second, ISO 200

I don't want to pigeonhole this as a camera that's only for smartphone photographers, but in 2020 that's most everyone shy of enthusiasts and pros. Demanding photographers may still enjoy using this when they don't want to carry a heavy kit, but let's be frank: The actual images this camera captures are more on par with midrange smartphones, and lag behind what flagships can do. Results are a little muddy, even in bright light, and you can forget about using it after the sun sets.

Sample Image
55.5mm (400mm equivalent), f/6.3, 1/500-second, ISO 800

We've seen smartphones add a bit of zoom power, either through multi-lens arrays, folded optics, or algorithmic means, but they're still a bit short for trips to the zoo or getting action shots at a soccer match. And, with its own viewfinder, the Zoom is a much more sensible device to use than the spattering of lens cameras we saw a few years back.

It's a bit of a chore to navigate the menus—the photo and record buttons are used to scroll through menus, and the zoom button doubles as OK. That's fine, but keeping those straight while also having the camera to your eye requires some concentration.

Connectivity and Power

The PowerShot Zoom's built-in battery is good for just 150 images per charge, so don't expect to use it all day. It's easy enough to charge, even when on the go, via USB-C, if you do run out of juice.

Sample Image
13.8mm (100mm equivalent), f/5.6, 1/500-second, ISO 1600

Images and videos are saved to microSD memory. The card slot supports all formats, including SDXC, but you don't need a big, expensive card. The 12MP stills and 1080p footage aren't huge—a 32GB card holds more than 5,000 photos

The Zoom pairs with Android and iOS devices via Bluetooth. You'll need to install the Canon Camera Connect app, a free download, and run through a quick setup process, just a few minutes.

Sample Image
55.5mm (400mm equivalent), f/6.3, 1/500-second, ISO 320

Once connected, you can use the app to download media from the camera to your phone, for edits and social shares, or to use your phone as a remote viewfinder. The Zoom doesn't have a tripod socket, but will sit level on a flat surface, so there is a benefit to remote control.

Canon advertises the feature as being useful for twosomes at sporting events—one sees a closer view through the finder, the other on the phone's screen.

PowerShot Zoom Image and Video Quality

Telephoto lenses tend to be big, and there's a reason for that. Interchangeable lens cameras have big image sensors, and that means long lenses with lots of glass to net narrow angles of view.

Sample Image

See How We Test CamerasSee How We Test Cameras

To net its small size and $300 price, the Zoom uses a much smaller image sensor, a 1/3-inch-class chip with 12MP resolution. It's smaller than in ultra-zoom cameras, including Canon's own PowerShot SX70 HS, and imaging chips in smartphones.

The small sensor and the lens' modest aperture (f/5.6 at 100mm and f/6.3 at 400mm) limit you to using it in daylight. Image quality falls apart quickly in dim light, and while the autofocus holds up at the 100mm setting, I found it nearly impossible to get focus to snap in low light at 400mm.

Sample Image
55.5mm (400mm equivalent), f/6.3, 1/500-second, ISO 160

In bright light the focus is snappy though, even at the telephoto end. There's no lag once you've locked in, and the electronic shutter captures photos without any vibration or audible noise.

Under the sun, images show decent, but not magnificent detail. I don't mind that feathers on the ducks swimming in a local canal aren't exquisite—the photos are absolutely fine for email, Facebook, and the like.

Sample Image
55.5mm (400mm equivalent), f/6.3, 1/500-second, ISO 100

Using the 800mm digital zoom drops photo quality a bit further, but you might find the extra magnification power to to be worth it. It will help you fill the frame with smaller subjects when working at 400mm—if you're setting up near a bird feeder, you'll need to be about 15 feet (4.5m) away to get it in focus.

I'm a bit disappointed by the dynamic range, as highlights blow out pretty easily. Smartphones avoid this effect with automatic HDR processing, but the Zoom doesn't benefit from the computational help that makes phone cameras so good. You can dial back the automatic exposure a bit to curb this via EV adjustment, but it's not something that's easy to do on the fly—menus are a pain to navigate.

Video is 1080p, locked at 30fps, and absolutely serviceable. You'll need to take some care to hold the camera steady, but the digital stabilization nets decent handheld footage. There's some evidence of jitter, especially at 400mm, but it's not surprising—it's much harder to stabilize telephoto video than it is with wide-angle footage.

A Concept Worth Exploring

Let's give credit where its due—Canon has delivered a camera that is, conceptually, quite useful and sensible in today's world.

Canon PowerShot Zoom

Most of us have a world-class compact camera in our pockets all the time—the latest multi-lens iPhones, Galaxies, and Pixels deliver killer image quality, even in very dim or dramatically mixed lighting situations—at wide angles. But they're not great for distant subjects. You don't want to rely on your iPhone camera, even its 2x lens, to capture those images of your child playing in a little league game, the deer visiting your backyard garden, or a trip to the zoo.

The PowerShot Zoom dedicates its lens to distant subjects, with a 100mm setting that's a good fit for mid-range and portraiture, and 400mm for those times when you just can't get closer to the action.

Sample Image
55.5mm (400mm equivalent), f/6.3, 1/500-second, ISO 400

It gets there in a package that's decidedly pocket-friendly, and at $300, as affordable as a dedicated camera gets. But there are some obvious downsides—image quality is just okay, and the 1080p video resolution is out of place in our 4K world.

I think the concept here is a sound one. This is a better smartphone companion than failed efforts like the clip-on Sony QX and Olympus Air. For starters, it's practical to use as a standalone device, and just as importantly, it doesn't try to cover the same ground as your phone's camera. It just needs to deliver better images to net a stronger recommendation.

Canon PowerShot Zoom

If you want a camera to get those telephoto shots, the Zoom's price is compelling, but we recommend bridge-style compacts more strongly. The Panasonic FZ80 sells for the same price and has a lot more zoom power, while the Canon SX70 HS and Panasonic FZ1000 II are step-up options, and more practical for modern imaging needs.

Final Thoughts

Canon PowerShot Zoom - Canon PowerShot Zoom

Canon PowerShot Zoom

3.0 Average

The Canon PowerShot Zoom rethinks what a compact camera can be, but while we like the idea of a pocketable point-and-shoot just for distant subjects, its imaging chops don't match mainstream competitors.

Get It Now

Buy It Now

£399.56

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio