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I Can't Wait to Get My Hands on the Panasonic Lumix L10 Point-and-Shoot

Panasonic is relaunching its iconic LX100 series for Lumix's 25th anniversary as the Lumix L10, and it looks like the perfect camera for everyday imaging.

 & Jim Fisher Principal Writer, Cameras

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(Credit: PCMag/Panasonic)

Panasonic's Lumix camera imprint turns 25 this year, and the company is marking the milestone by relaunching its flagship compact, the LX100, with a new name, the Lumix L10.

The L10 comes with a heap of upgrades, including a modern sensor with zippy phase-detection autofocus, a higher-capacity battery pack, support for custom LUT picture profiles, a flip-out rear display, and an OLED viewfinder. And the better aspects of the LX100 line continue, the L10 uses the same Leica Vario-Summilux 24-75mm F1.7-2.8 zoom lens as the LX100 II, works with external flashes, and is small enough to slide into a jacket pocket.

I haven't had a chance to try the camera yet, but I'm excited about the prospect of getting it in my hands. It addresses some of my gripes about the LX100 II (and its recent luxury refresh, the Leica D-Lux 8) head-on. I was a little down on both because of their dated contrast-detect autofocus systems and fixed rear LCDs, which made it harder to grab a quick snapshot or take a photo from a low or high angle.

(Credit: PCMag/Panasonic)

I'm also happy to see Panasonic put its latest image processing and connectivity features in the L10. I was frustrated when trying to connect its recent ZS99 and ZS300 compact cameras to a legacy mobile app. The L10 works with Lumix Lab, which lets you just plug the camera into your phone with a USB-C cable instead of jumping through hoops to pair it with Wi-Fi. Lumix Lab does a lot, including Raw image and video editing, but its marquee feature is the ability to create and load custom image profiles (called LUTs) onto the camera, so you can capture photos with stylized color tones and simulated film grain.

The L10 also includes a couple of fresh profiles, L Classic with soft, filmic tones, and a warmer take called L Classic Gold. The LUT system is no doubt inspired by the Fujifilm Film Simulation engine that's made its X100VI a critical darling and a constant back-order item since its release. Don't get me wrong, I love the option to use a Raw format and edit pictures to taste in software like Lightroom, but I'll never complain about getting out-of-camera JPG results that look as good as a stylized edit. It's especially handy for travel, vacations, and other times when you want to share a few images from the road without spending your evening adjusting sliders in Adobe Lightroom.

I count the L10 as a timely update too, and not just because it's Lumix's quarter-century anniversary year. Just when it looked like smartphones and the Covid pandemic had completely killed the point-and-shoot market, compact cameras surged back into demand. Many pro photogs still want a small camera for everyday carry and travel, while Gen Z and older members of Gen Alpha are ditching phones for disconnected devices. Flash photography is also in vogue, and while the L10 doesn't have a built-in flash, it does include a hot shoe for an external unit and a leaf-shutter lens for high-speed sync. Small flashes like the Godox iT30Pro will pair well with the L10.

The Lumix L10 is pricey for a compact, however. Panasonic isn't trying to capture the same budget audience as some upstart brands like Camp Snap and Flashback are with their quirky, low-cost point-and-shoots. Instead, the Lumix is a shot across the bow that competes with premium options like the aforementioned Fuji X100VI, Ricoh GR IV, and even the bougie Sony RX1R III. The L10 starts at $1,499.99 in a black or silver finish, both of which will start shipping next month.

(Credit: PCMag/Panasonic)

Panasonic is also putting out a limited-edition Titanium Gold model, timed for a late October on-sale date, Lumix's actual anniversary month. The Titanium edition swaps out the standard aluminum top and base plates for titanium, has a threaded shutter that works with soft release buttons, adds an engraved logo, and is bundled with a leather strap and a lens cap with automatic opening and closing barn doors. It's only $100 more than the standard version, $1,599.99, and will be sold exclusively through Panasonic.

I plan on reviewing the Lumix L10 as soon as I'm able to get it in my hands to see if it lives up to my expectations. In the meantime, if you're shopping for a small camera for snapshot and slice-of-life photography, make sure to check out our list of the best point-and-shoot cameras.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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