PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Canon's $379 Camera Is Worse Than Your Phone—And That’s OK

Digital compacts with tiny, grungy sensors and bright xenon flashes are all the rage with Gen Z. Pros may stick up their noses, but the market shows that there's a resurgence in demand for these pocket cams.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
(Credit: Canon/PCMag)

Canon made the news today not with its brand new EOS C50—a Hollywood-grade cinema camera debuting at $3,899—but with the Elph 360 HS A, a $379.99 reissue of a pocket digital camera originally released in 2016. It seems like a crazy thing to do on the surface, especially given how technically superior smartphone cameras are, but I don't think Canon is insane. The used camera market, on the other hand, is wearing banana pants at this point.


What's Old Is New Again

When Canon briefed me on the Elph 360 HS A, I was a little baffled. My first digital camera was an Elph S230, a 3.2MP pocket cam that I picked up when I was working a post-college summer job selling cameras (and service plans for them) at a Best Buy in Albany, NY. The camera was enough to get me into photography, but I didn't love it and upgraded to a DSLR as soon as I could afford it. I don't feel the nostalgia for pocketable models with tiny sensors and slow zoom lenses, simply because they were never my favorite type of camera to begin with.

It's not surprising that some critics have already panned Canon's new camera. PetaPixel's Jeremy Gray calls it a "worse version of the original," and on a technical level, I agree with him. The Elph 360 HS A is as retro as retro tech gets. Its 20MP CMOS image sensor is tiny, so picture quality drops off quickly in dim light. Its lens isn't bright either (F3.6-7), so you'll absolutely need to use its flash to light up photos in many instances. Forget about shallow focus, HDR, or Raw capture—all common features on phone cameras. The Elph snaps SDR JPGs, and you won't get bokeh from its lens.

(Credit: Canon/PCMag)

Video is limited to 1080p, which is way behind smartphones that now record in 4K at a minimum. It has Wi-Fi, but no touch screen, and its data port is miniUSB. The EU now requires new devices to use USB-C ports for charging, but since the 360 HS A doesn't charge its battery in-camera, that's not a problem. Virtually nothing has been updated since the original, minus a changeover to microSD cards; the old 360 HS used full-size SDXC.

It's easy to sit here and point out the flaws, and I think that photo enthusiasts are going to lament that Canon isn't reissuing a more serious photographic tool, like the popular but impossible-to-get G7 X Mark III. After all, these are the types of cameras that photographers like me, who almost always carry a mirrorless (or two, or three) around, enjoy using when packing light. I highlighted some of my personal favorite enthusiast compacts in my roundup of vintage digicams worth buying today. Read it if pocketability is more your speed.


The Demand Is There

It's clear that I'm a little out of touch with today's youth market. I won't prejudge the Elph 360 HS A. I plan to review it soon, and will go in with an open mind. After all, Gen Z influencers and creators are very much into pocket cams with tiny (Type 1/2.3) image sensors, slow aperture lenses, and motion-stopping xenon flashes. This isn't just speculation; the market proves there is a demand for the Elph 360 HS in particular. I checked eBay and used ones have recently sold in the $300 to $400 range, with new old stock going for as much as $600.

So Canon's $379.99 asking price for the contemporary version seems entirely reasonable. It's a good way for younger creators to try out this type of camera without having to worry about getting a lemon or spending twice as much on a newer release, like the $700 Panasonic Lumix DC-ZS99 that I reviewed just last month.

Recently closed eBay listings show used copies of the Elph 360 HS selling in the $300-400 range, with new old stock going for $500-600
(Credit: eBay/PCMag)

The camera market has also changed drastically in the last decade. One of the reasons I didn't review the Elph 360 HS when it came out in 2016 was a simple lack of interest from consumers. Smartphones had already caught up to compact cameras—the contemporary iPhone 7 Plus had dual lenses for creating the bokeh effect and capturing two angles of view, plus a bright aperture for its main lens for good pictures in dim light. At the time, photo enthusiasts were more smitten with DSLRs, mirrorless cameras, and compacts with extra-large sensors, like those in Canon's PowerShot G and Sony's RX100 series.

But everything is cyclical. Heck, bell-bottoms were back in fashion as recently as this decade, so why shouldn't the same be true for digicams?

I've already pointed out the ways that the Elph lags behind smartphone cameras, but how about where it beats them? On a technical level, the xenon flash is a big selling point, as the bright deer-in-the-headlights direct flash look is actually in vogue right now. It's an effect you just won't get with an LED smartphone flash. And on a human level, using a camera to make images comes with a different mindset than using a phone. Incoming text messages and emails won't take you out of the moment, and there's no temptation to doomscroll. I'd argue digital cameras are better for your mental health than smartphones.


What Will the Next Trend Be?

Kudos to Canon for not only recognizing the demand in the market but also responding to it. I'm curious to see if the Elph 360 HS A ships in a quantity large enough to soften prices for vintage cameras, and hopeful that Canon will bring back one of its older G series compacts next. As for the next trend, my guess is that DSLRs with pop-up flashes will come back into fashion, but I won't know for sure until I see some celebs hanging Canon Rebels off their shoulders at the Met Gala.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio