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Ricoh Introduces a Pair of Pentax Waterproof Cameras

Ricoh Imaging fully returns the WG tough series to its Pentax imprint with the release of the WG-8 and WG-1000 ruggedized compact cameras

 & Jim Fisher Principal Writer, Cameras

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(Credit: Ricoh Imaging)

After a few generations of Ricoh WG tough compacts, the series fully returns to its Pentax-branded roots with today's release of the WG-8 and WG-1000 compacts. These sit on either side of last year's Pentax WG-90 to round out a set of entry, mid, and premium rugged compact cameras.


WG-1000: Entry Rugged, With Filtered Looks

The WG-1000 is a new model in the line, one that serves creators on the entry level with some color filter effects. It snaps shots in a few different country-named styles, each with its own color cast filter: Japan Style is blue, Italian Style is Green, and French Style is red. Standard color, black-and-white, and sepia tones are available as well.

(Credit: Ricoh Imaging)

The camera snaps 16MP photos in JPG format with a Type 1/2.3 BSI CMOS image sensor, so we don't expect it to match up that well against the latest smartphones in dim light, especially given its maximum ISO 3200 sensitivity. A 27-108mm zoom lens is decently bright at the wide angle (f/3.0), but narrows down to f/6.6 when zoomed in, and stabilization is fully digital with no optical IS included. As such it's a camera that you'll want to use on a sunny day; the built-in flash is a good idea for indoor snaps. Video features are basic too, just 1080p30 with H.264 encoding, there's no 4K support on this model.

You can take the WG-1000 to the beach, however. It is rated for up to an hour of continuous use at 65.6-foot (20-meter) depths, and is advertised as dustproof. It's also tough enough to survive 6.5-foot (2-meter) drops. A carabiner clip is included to prevent fumbles, and the camera also ships with a soft protective jacket to soften the impact and prevent scratches. The rear display is a little small, 2.7 inches, with a meager 230k dot resolution.

(Credit: Ricoh Imaging)

The Pentax WG-1000 launches in mid-July and comes in either a gray or olive finish for $229.95.


WG-8: The Toughest WG Compact

The Pentax WG-8 replaces the Ricoh WG-6 in the series, with the change in the brand name and model number the only differentiator. Even so, its specs indicate that it's a capable pocket camera among limited competition in the ruggedized segment. It uses a 20MP Type 1/2.3 BSI CMOS sensor for JPG snaps at up to ISO 6400 sensitivity and 4K30 video. The lens covers the 28-140mm angles at F3.5-5.5, focuses as close as 1cm, and is surrounded by a LED flash array that provides illumination for macro photos.

(Credit: Ricoh Imaging)

The WG-8 is very rugged too. It features a metal exterior and is rated for use at 65.6 feet (20 meters) underwater, is shockproof to 6.8 feet (2.1 meters), and crushproof to 220.5 pounds of force. An integrated GPS adds location data to pictures, and a sharp, 3-inch 1.04 million dot display is included to frame and review images. The WG-8 also supports UVC/UAC webcam streaming through its USB-C port.

You can get the Pentax WG-8 in black or green starting in late July for $399.95, which matches the retail price of the WG-6. However, the WG-6 is on discount for $50 off at press time, so there's no reason not to get the Ricoh edition for less while it's still available if you're shopping for a waterproof camera.

(Credit: Ricoh Imaging)

We haven't had the chance to test either the WG-8 or WG-1000 as of yet. For more ruggedized camera choices, check out our list of the best waterproof cameras we've reviewed. If you're just looking for a small camera to slide into your pocket, we've also rounded up our favorite point-and-shoot cameras.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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