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Sony Camera Updates Make It Easier to Track Photo Manipulation

Sony's a1, a7 IV, a7S III, and a9 III cameras get C2PA content authentication, an open standard geared toward photojournalists, artists, and serious hobbyists.

 & Jim Fisher Principal Writer, Cameras

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(Credit: Jim Fisher)

Given the spate of recent Photoshop-editing controversies and an onslaught of AI-generated imagery, it's fair to question if a stunning image was captured with a camera, if it was heavily manipulated, or even created entirely by a computer. The Coalition for Content Provenance and Authentication (C2PA) is working on that very conundrum and has now established an open standard to digitally sign images coming out of a camera and track any edits made to a picture.

There are some big names behind C2PA from across the tech, photo, and news spheres—Adobe, the BBC, Intel, Google, Microsoft, the Publicis Groupe, Sony, and Truepic sit on its steering committee, and Canon, Leica, and Nikon are signed on too. So far, real-world support is hit or miss; Adobe Photoshop CC and Lightroom CC support tracking, and we've seen exactly one camera with C2PA built-in hit the market, the luxury-tilted Leica M11-P.

Camera support is going more mainstream as Sony has released free firmware updates for several of its full-frame cameras that add C2PA. Updates for the a1, a7S III, and a7 IV are available to download now, with the new a9 III firmware promised in the near future. In addition to C2PA signatures, the updates add or improve several features. Highlights include more robust filtering when playing back images on camera, focus breathing compensation for models that didn't have it already, as well as network transfer enhancements.

The Sony a7 IV is one of the cameras getting C2PA support via firmware
(Credit: Jim Fisher)

Enthusiasts who pick up their camera for fun likely don't need C2PA; the feature is more for photojournalists who submit images to news organizations, artists looking to submit work to a gallery, and serious hobbyists interested in entering photo contents. Each of these scenarios is likely to have its own set of guidelines for editing. For example, the Associated Press allows for dust spot removal, color correction, and contrast adjustment, as long as those edits don't make substantive changes to the content of the image.

And the AP is likely what Sony had in mind with this firmware. Photographers who work for the news service use Alpha cameras exclusively. As such it's no surprise that the initial batch of supported Sony cams are mostly on the high-end. Among them the a7 IV is the only one that's positioned on the entry-level. We asked Sony if other recent cameras would get the C2PA updat. The a7R V, a7C II, a7CR, and a6700 use a similar image processing platform and menu system, but aren't included here, for example, but did not receive an immediate response.

We don't have any of the cameras with C2PA support on hand, so we've not yet been able to try the feature and see how Sony implements it, but we previously tested it as part of our Leica M11-P review. Signed photos from that camera can be checked on the C2PA Verify site, which shows the photographer's name in the copyright field, along with a list of any edits made after capture. Since C2PA is an open standard, we expect a similar experience from Sony.

Verify shows the edits Michael Muchmore made to this photo (snapped with the Leica M11-P) in Lightroom as a list on the right panel, and shows the original, unedited picture as a thumbnail too
(Credit: C2PA, Michael Muchmore, Jim Fisher)

We also don't think we've heard the last about content verification. News organizations are all but certain to require it for submitted images, and with Canon and Nikon signed on, it's only a matter of time before it's a standard feature in interchangeable lens cameras. As for the firmware, it's a free download for the a1, a7S III, a7 IV, and you can check out Sony Alpha Universe for instructions if you're not sure how the update process works.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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