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Ricoh GR III and IIIx HDF Snap Soft, Dreamy Pictures

The HDF editions of Ricoh's premium compacts introduce a soft-focus diffusion filter to the line, but drop ND support to get there.

 & Jim Fisher Principal Writer, Cameras

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(Credit: Ricoh)

Ricoh's GR camera line is a long-running favorite among enthusiast photographers. Pros and enthusiasts pick them up because they put large APS-C sensors in tiny, pocket-friendly bodies for better-looking photos than many smartphones grab, along with the tactile controls missing from phones. The GR III generation has been around for some time, the baseline GR III came out way back in 2019 and its follow-up GR IIIx followed two years later. Both cameras use the same slim body style and stabilized 24MP image sensors, with the angle of view as the differentiating factor—the GR III captures a wide 28mm-equivalent view, while the IIIx is a bit tighter at 40mm. They're popular cameras among a certain set, notably photogs who specialize slice-of-life documentary imaging, because of their small, discrete form, crisp prime lenses, and snap focus feature.

(Credit: Ricoh)

The line is growing today, with variations on both editions, the GR III HDF and IIIx HDF. They aren't that much different from the existing cameras as far as basic features, but make a small change that drastically changes how pictures look—a Highlight Diffusion Filter. The filter is built into the lens and effectively adds a soft focus glowing effect to bright points of light in your picture. Ricoh says it leveraged the company's expertise in making inkjet printers in order to develop the filter.

The HDF filter adds a soft glow to highlights
(Credit: Ricoh)

The effect is drastic—I've not had a chance to try either camera yet, but example pictures are dramatically softened, evoking the look of camera lenses from the first half of the last century. When the filter is enabled pictures have soft glow throughout, but it's most visible around bright highlights. If you're interested in nighttime street photography in an urban environment, the HDF filter may sell you on this edition versus the standard GR III. If you don't love the look you can turn the filter off with a single button press.

Pictures from the camera look like normal pictures when the HDF filter is turned off
(Credit: Ricoh)

There is a trade-off versus the standard-line GR III and IIIx; the HDF filter takes the place of the 2-stop neutral density filter those cameras use in their optical path. That means photographers working in daylight won't be able to make long exposure images with the same ease. Fans of capturing pictures after sunset aren't likely to miss ND, though.

The rear HDF button turns the filter on or off with a single button press
(Credit: Ricoh)

It's a timely release, compact cameras are enjoying a resurgence among Gen Z creators looking for an alternative to their smartphone. The GR III line is one of the few still running with a sensor that's as large as an interchangeable lens camera, but also with a pocketable body. It's proven popular enough to live on backorder status at many retailers, despite a long time in market. There's no doubt that some are grabbing a GR III because they don't want to wait forever to get the recently announced, hotly selling Fujifilm X100VI. The GR line is just as enjoying to use for imaging, though it lacks the eye-catching retro chassis that Fuji uses for the X100.

The GR III HDF is priced at $1,069.95 while the IIIx HDF is a little more expensive at $1,149.95; each carries a $100 premium over the regular III and IIIx. Ricoh expects them to be available to purchase in April.

If you're thinking about getting one and want to know more about how the camera handles, check out our recent review of the GR IIIx, and stay tuned here for a review of the HDF version.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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