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A New Old Camera: Leica M11-P Adds Content Authentication for Creators

Leica's latest rangefinder has a more premium finish than the standard M11, and adds support for Adobe's Content Authenticity Initiative, plus a discrete exterior and 256GB internal storage.

 & Jim Fisher Principal Writer, Cameras

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(Credit: Leica)

Leica's newest camera isn't brand new. Instead the M11-P rangefinder takes the basics from the the M11 and puts it in a discrete body that drops the iconic red dot logo, quadruples internal storage, and encrypts creator and copyright details right into the image metadata, so it can't be later stripped away.

(Credit: Leica)

A New Old Camera

Pro photographers will appreciate the encryption function, but more enthusiasts and hobbyists are drawn to the M series because of its timeless design—the basic body style of the M11-P is the same as the original M3 film camera, a model introduced in 1954. As such it has some vintage aspects, there's no autofocus or video support, and the built-in viewfinder is an optical design, not an electronic one.

Inside the tech is as modern as it gets. The M11-P uses a 60MP BSI CMOS image sensor for photos and includes 256GB of built-in storage for photos, versus 64GB for the regular M11, along with an SDXC card slot. A new security chip adds support for the aforementioned encryption, but aside from those changes, the tech aspects of the M11-P are identical to the M11, so you can refer to our review of the older camera to learn all about its imaging engine and the ins and outs of using a rangefinder.

(Credit: Leica)

The changes to the exterior are more apparent. The M11-P drops the Leica red dot logo from the front, so it looks a bit more like a vintage M2 or M3. The top plate also matches up with those classic cameras; it uses the same engraved Leica script logo that you'll find on antique Leicas. The rear display and function buttons are a giveaway that the camera is digital, however. And speaking of the screen, its Sapphire cover glass is more durable and scratch resistant than the Gorilla Glass screen on the regular M11.

I'll touch on the P concept too, because it's something Leica does regularly. Leica has released a mid-cycle refresh that's mostly about aesthetic changes and tech refinements with every digital M, starting with the M8.2 in 2008. It started using the P branding a little later, with the M9-P, but the idea was there from the jump.

(Credit: Leica)

Adobe Content Authenticity Initiative

The M11-P is the first camera to ship with support for Adobe's Content Authenticity Initiative (CAI), an open-source tech standard that supports encrypted EXIF image metadata. The standard lets you lock in copyright data and timestamps, and records any edits you make to a photo in the file.

Leica recognizes that not everyone will want to use CAI, so it is something you need to dive into the camera menu to enable and configure. However it sees it as a tool that photojournalists, documentarians, government agencies, and academics will find useful to help establish provenance for a photo. Each photo made with the camera includes an embedded digital certificate, which can be checked for validity via a free online tool.


Pricing and Availability

The M11-P is available in a black or silver finish. The black edition uses an aluminum top plate, while the silver is chrome over brass. Both are priced at $9,195 and available for purchase immediately. The M11 remains on sale for $8,995, but only while supplies last, so if you're a fan of the Leica dot logo, you may find reason to snag the basic edition.

(Credit: Leica)

In addition to the new camera, Leica is releasing an updated version of its Summicron-M 28mm F2 ASPH. prime lens. The new version of the lens uses the same 6-element/5-group optical formula as the previous edition. Rangefinder coupled focus remains limited to 0.7m, but the new edition goes closer in live view, down to 0.4m. The lens also swaps out an add-on hood for one that's integrated into the barrel. The Summicron-M 28mm is priced at $5,295 and is expected in stores at the end of November.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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