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Canon Sets Sights on Entry-Level Photogs With EOS R100

The EOS R100 is the smallest, and lowest priced, RF mount mirrorless yet. A new 28mm pancake lens debuts as well.

 & Jim Fisher Principal Writer, Cameras

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Today Canon announced the EOS R100, another entry in its RF-mount mirrorless camera system. The camera is a blunt appeal to entry-level and budget-restricted customers, a segment that's been left behind by other camera makers. As such, price is one of the R100's major features, and we won't bury the lede, it's priced around $600 with a starter lens, a more competitive figure than you'll find from other camera makers. For comparison, Sony's entry-level a6100 is around $850 with a lens.


EOS M50 Mark III?!

To keep costs down, the EOS R100 re-uses an existing imaging platform: the 24MP CMOS sensor and Digic 8 image processor are lifted straight from the EOS M50 Mark II. It's the same tact Canon takes with its bare-bones EOS T7 SLR, but here the older tech is not so egregiously outdated. The R100's autofocus supports face- and eye-detection for people, snappy Dual Pixel CMOS focus for stills and 1080p video, and full-width 4K movies with contrast-detect focus.

Leaning on the EOS M50 II platform limits some features—Canon's newer processor and focus system adds subject recognition for pets, birds, and vehicles, along with Dual Pixel AF for 4K video—giving customers reasons to step up to an EOS R50 or R10, two mid-entry options with fresher sensor and processor tech. But when compared with the Canon EOS T7 SLR, the R100 promises much better performance; the T7 has rudimentary autofocus for stills and manual focus 1080p video.

And while the imaging platform is the same as the M50 Mark II, the R100's body is very different. It's smaller, for one, and omits a swing-out LCD, though it does include an eye-level electronic viewfinder. And in a likely effort to attain low pricing, the fixed rear display is just for viewing; it doesn't have support for touch. It's a curious decision, especially for a camera that should have some appeal to young creators looking to move up from a smartphone, as well as younger millennials getting a camera to snap pictures of new family arrivals, two target markets Canon called out for this camera. We're 15-plus years into the iPhone era, it's now a little weird for a screen not to take touch input.

Canon EOS R100, rear view

Even without touch, Canon is leaning into ease-of-use features for entry-level snappers. The R100 has a full-featured Scene Intelligent Auto mode that strives to recognize the content of a scene and tune processing settings to best capture it. The R100 also supports Program, aperture, shutter, and manual exposure modes. It supports 3.5fps capture with continuous focus, or 6.5fps with focus locked for the sequence. Bluetooth and Wi-Fi are standard on cameras and included, the R100 pairs with Android and iOS devices for on-the-go transfers.

We touched on price—the EOS R100 is available in a kit with the RF-S 18-45mm zoom for $599.99, or in a two-lens kit with the 18-45mm and RF-S 55-210mm for $829.99. You may also get it as a body only for $479.99.


RF System Gets a Pancake Lens

Canon RF 28mm STM

In addition to the camera, Canon is adding the RF 28mm F2.8 STM lens to its catalog. The lens supports both full-frame models (like the EOS R8) and cameras with APS-C format sensors like the EOS R100.

Full-frame photographers will enjoy an impressively light (4.2-ounce) prime with wide angle coverage, where the 28mm works as a standard prime on APS-C bodies. The lens supports 9.1-inch focus for 1:5.6 macros, includes a 7-blade aperture, and is priced at a reasonable $299. Both the EOS R100 and RF 28mm lens are set to start shipping in July.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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