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GoPro Courts Vloggers With Hero11 Black, Tips Mini Version Without a Display

The Hero11 Black includes front and rear displays for vloggers, while the 11 Black Mini drops the screens for a slimmer form factor and one-button operation, like the discontinued GoPro Session

 & Jim Fisher Principal Writer, Cameras

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GoPro is back on the scene with its annual September product release. This year the company has two action cams on deck, a Hero11 Black that looks a lot like last year's Hero10 on the outside, and a screen-less Hero11 Black Mini, sure to please fans of the long discontinued GoPro Session. Inside the two cameras have the same imaging and video capabilities, so it's really up to you as to which form factor better suits your style.


GoPro Hero11 Black and Hero11 Black Mini

The GoPro Hero is the camera that defined what an action cam should be—the palm-sized video specialist sports an extra-wide lens so you can mount it interesting in places. The Hero11 includes integrated mounting clips, is built to withstand drops and take abuse, and can work 33 feet underwater without the need for any additional protection.

GoPro Hero11 Black, front view

And while the form factor has varied a bit over the years, the Hero11 Black doesn't stray too far. It includes a front-facing LCD, a plus for both vloggers who want to monitor the frame while presenting to camera, and to surfers and adventurers who want to mount or adjust the angle of view without looking behind the camera. The rear display takes up the entirety of the camera body and supports touch input.

We've not yet seen the 11 Black Mini in person, but in pictures it appears to be a pared-down edition of the camera. There are no screens to monitor video, just a status display up top, and a big Record button for easy operation. The Mini does lose the ability to swap its battery—it puts its extended-life cell inside, like a smartphone, where the full-size Hero11 Black is powered by a swappable extended-life Enduro power pack. We do like that GoPro added a second set of mounting clips to the Mini so you have more options when it comes to mounting.

GoPro Hero11 Black Mini
GoPro Hero11 Black Mini

We're happy to see Enduro included in the box this year—with the Hero10 it was only sold as an add-on accessory. And while our review unit didn't come in retail packaging, a GoPro representative tells us that the Hero11 will ship to customers in a reusable, zippered carrying case.


Squarish Sensor Format for Reframed Video

We've had a little hands-on time with the standard version of the Hero11 Black, and are able to dish out all the details on GoPro's new flagship. First up, from the outside, the Hero11 matches the Hero10 form factor to a tee, and works with all of the same accessories. This means you can use the same Media Mod cage and add-on mic for vlogs, and attach the ultra-wide Max Lens mod if you want an immersive frame as possible.

GoPro Hero11 Black with Media Mods
The Hero11 Black works with the same Media Mods as the Hero10

The need for the Max lens ($99) is a little lessened, though. GoPro has swapped out the old-TV-shaped 4:3 (1.33:1) aspect sensor for one that's nearly square, 8:7 (1.14:1). This means you can take advantage of Horizon Lock and other advanced digital stabilization features without having to buy the add-on lens. The imager is also upsized versus the earlier edition, it is now a Type 1/1.9 design for a bit more surface area than the slimmer Type 1/2.3 used by earlier versions.

More surface area is usually a good thing for picture quality. We took the Hero11 out around New York for some tests and walked away with sharp, stabilized 5.3K footage. You can opt to record at 16:9 widescreen to deliver footage to YouTube and TV screens. If you want more flex, switch to the open gate 8:7 aspect, a format that makes it easy to pull out either widescreen 16:9 or tall 9:16 social media video with plenty of pixels to spare.

GoPro Hero11 Black, rear view
The rear houses a big touch-screen

Frame rates are the same as the Hero10; at 5.3K the camera pushes as many as 60fps, and when you drop down to 4K you can push 120fps. Capturing video at a brisk frame rate allows for slow-motion and speed ramping effects, and offers up a clearer view of action scenes. The Hero11 also supports time lapse with motion and still photos. Photo resolution is 27MP, and 24MP frame grabs can be pulled from 5.3K video clips.

Given the number of creative options, new users can be a little overwhelmed, so GoPro has added an easier-to-use interface for beginners this year. If you don't know what frame rate to use for slow-mo, don't worry—the Hero11 just lets you pick a slow-down effect in its easy interface. GoPro power users can swap to a pro mode to pick frame rates and adjust video settings.

GoPro Hero11 Black sample image, lower Manhattan photographed from a boat
The Hero11 Black can snap nearly square format images with its 8:7 aspect sensor

Video frame rates may match the previous GoPro, but the Hero11 does offer a big upgrade for editors who want to take control of color: 10-bit capture. If you dive into settings and turn on ProTune you can turn on the video mode that samples twice as much color as standard 8-bit footage. To take advantage of the format, a flat profile is available to better handle edits to the picture in post-production.


Automatic Uploads and Edits With GoPro Service

The GoPro online service isn't a requirement to use either Hero11 camera, but it does offer up some real benefits. Uncapped cloud storage for your video and pictures is the big draw, and the Hero11 can automatically upload right from the camera—just plug it in to charge when you get home and it will beam the video to the cloud using your home Wi-Fi.

Running around grabbing video clips is, for many adventures, the fun part. Putting the footage together can be more of a chore for many of us. Content creators and editing pros can work with Hero11 clips in the suite of their choice. PCMag editor Eric Zeman took the Hero11 Black out for a helicopter and boat ride around Manhattan, and I put together our sample reel on a Mac Studio with Final Cut Pro, for example.

If you're not an editing pro, you can use the GoPro Quik app to cut together footage instead. If you use the auto upload feature on the camera, footage automatically shows up in the app, and you can have it assemble highlight reels on demand. If you're curious as to how it works you can read our Quik editing hands-on from earlier this year.

GoPro is pushing its automatic editing feature one step further with the Hero11. Its servers will create a highlight footage capturing your day's adventures for you on its own, automatically. Automatic editing was not available for testing during our pre-release testing, but is rolling out to the service today.


Pricing and Availability

Perhaps to hammer home just how much it wants you to sign on for its online service, GoPro incentives subscriptions with its approach to pricing. The Hero11 Black and Hero11 Black Mini cost more when bought without the subscription.

GoPro Hero11 Black, front view
GoPro Hero11 Black

The full-size Hero11 costs $499.99 when bought on its own, but is only $399.99 when purchased with a bundled subscription. It is available to purchase today. At $50 a year for the service, you're better off going for the bundle—just remember to turn off auto-renewals for your account if you're worried about getting charged to re-up. The Hero11 Black is available today.

GoPro Hero11 Black Mini in a person's hand
GoPro Hero11 Black Mini

The Hero11 Black Mini is coming later, orders open up on Oct. 25, and costs a bit less. It's $399.99 on its own, or $299.99 when bought with a year of the GoPro service. We hope to have detailed reviews of both cameras ready soon.

This story was updated to correct an error regarding the scope of delivery; we initially reported that the Hero11 would ship to consumers in a disposable cardboard box, but that is not correct. The retail version of the camera comes in a reusable zippered case.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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